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United States | 1624 Titles

United States 3.00/5 1 Vote

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Gladiator (2000)

Motion Picture | 2D | Color | 2.39:1 | 155 Minutes

Directed by | Ridley Scott | Cinematography by | John Mathieson | Editing by | Pietro Scalia

Starring | Russell Crowe, Joaquin Phoenix, Connie Nielsen, Oliver Reed

Cameras | Aaton 35-III Camera, Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens

CSI: Miami (2002)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 43 Minutes

Royal Pains (2009)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 42 Minutes

| Cinematography by | Joe Collins, David S. Tuttman, Jim Denault, Michael Slovis, David M. Dunlap, Michael Caracciolo, Raphy Molinary | Editing by | Charles McClelland, Daniel A. Valverde, Gary Levy, Deborah Moran, Marnee Meyer, Arge O'Neal, Nancy Morrison, Gregory Perler, Matthew S. Nickelson, Michael Berenbaum, Elizabeth Merrick, Jeffrey Wolf, Thom Zimny, Robert Nassau

Starring | Mark Feuerstein, Paulo Costanzo, Reshma Shetty, Brooke D'Orsay

Cameras | Sony CineAlta F35 Camera

Lenses | Panavision Lenses

Super Power Beat Down (2012)

Television Series, Web Series | 2D | HD Project | Color | 1.78:1 (16x9) |

| Cinematography by | Joey Rassool, Chase Langely, Aaron Schoenke, Maury Covington Jr. | Editing by | Aaron Schoenke, Nikolay Zamkovoy

Starring | Marisha Ray, Damian Beurer, Aaron Schoenke, Jennifer Wenger

Cameras | Canon EOS-7D Camera, Canon EOS-C300 Camera, Panasonic Lumix DMC-GH4 Camera, Sony NEX-FS700 Camera

Lenses | Canon EF Series Lenses, Panasonic Lenses, Sigma 18-35mm f1.8 DC HSM Lens, Sigma Lenses

The Goldbergs (2013)

Television Series | 2D | Color | 1.78:1 (16x9) | 22 Minutes

| Cinematography by | Jason Blount, Joseph E. Gallagher, Scott Browner, David Hennings | Editing by | Kevin Leffler, Ruthie Aslan, Peter B. Ellis, Jon Corn, Ivan Victor, Jeremy Reuben, Brian Barr, Sam Seig, Dave Canseco, Nick Mougis, Richard Candib, Scott Pellet, Robert Lanford, Jeremy Diller

Starring | Wendi McLendon-Covey, Sean Giambrone, Troy Gentile, Hayley Orrantia

Sad Hill Unearthed (2017)

Documentary | 2D | 4K Project | Color | 1.78:1 (16x9), 1.85:1 | 86 Minutes

Directed by | Guillermo de Oliveira | Cinematography by | Guillermo de Oliveira | Editing by | Guillermo de Oliveira, Javier Duch

Starring | Ennio Morricone, James Hetfield, Joe Dante, Clint Eastwood

Cameras | Sony α7S II Camera

Lenses | Canon EF 24-70 mm f2.8L II Lens

Symphony in Blue (2017)

Motion Picture | 2D | Color | 70 Minutes

Directed by | Samuel Marko | Cinematography by | Davis Moore | Editing by | Samuel Marko

Starring | Samuel Marko, Hilarie Grace, Jack Shefrin, Pete Dickey

Cameras | Panasonic AG-HVX200 Camera

Key of Brown (2013)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 95 Minutes

Directed by | Vaughn Christion | Cinematography by | Oscar Patino | Editing by | Vaughn Christion

Starring | Verina Banks, Struggle E. Stylez, James Lyones, Jacque Dorsey

Cameras | Sony PMW-F3 Camera

Homecoming (2009)

Motion Picture | 2D | Color | 1.85:1 | 88 Minutes

Directed by | Morgan J. Freeman | Cinematography by | John Burdick, Stephen Kazmierski | Editing by | Keith Reamer

Starring | Mischa Barton, Matt Long, Jessica Stroup, Michael Landes

Good Time (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 101 Minutes

Directed by | Benny Safdie, Josh Safdie | Cinematography by | Sean Price Williams | Editing by | Ronald Bronstein, Benny Safdie

Starring | Robert Pattinson, Benny Safdie, Jennifer Jason Leigh, Buddy Duress

Cameras | ARRICAM Lite (LT) Camera

Lenses | Zeiss Super Speed Lenses

Pickings (2018)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 103 Minutes

Directed by | Usher Morgan | Cinematography by | Usher Morgan, Louis Obioha | Editing by | Usher Morgan

Starring | Elyse Price, Michelle Holland, Lily Brooks O'Briant, Giacomo Rocchini

Cameras | Red Epic Camera, Red Epic Dragon Camera, Sony α7S II Camera

Lenses | Cooke Lenses, Red Digital Cinema Lenses, Zeiss ZE Prime Lenses

Too Late Blues (1961)

Motion Picture | Film Project | Black & White | 103 Minutes

Directed by | John Cassavetes | Cinematography by | Lionel Lindon | Editing by | Frank Bracht

Starring | Bobby Darin, Stella Stevens, Everett Chambers, Nick Dennis

Twixt (2011)

Motion Picture | 2D, 3D | 2K Project | Color | 1.85:1 | 88 Minutes

Directed by | Francis Ford Coppola | Cinematography by | Mihai Malaimare Jr. | Editing by | Kevin Bailey, Glen Scantlebury, Robert Schafer

Starring | Val Kilmer, Bruce Dern, Elle Fanning, Ben Chaplin

Cameras | Sony HDW-F900 Camera

Focus (2015)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 105 Minutes

Directed by | Glenn Ficarra, John Requa | Cinematography by | Xavier Grobet | Editing by | Jan Kovac

Starring | Will Smith, Margot Robbie, Rodrigo Santoro, Adrian Martinez

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera

Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses

Manchester by the Sea (2016)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 137 Minutes

Directed by | Kenneth Lonergan | Cinematography by | Jody Lee Lipes | Editing by | Jennifer Lame

Starring | Casey Affleck, Michelle Williams, Kyle Chandler, Lucas Hedges

Cameras | ARRI ALEXA XT Camera

Lenses | Angenieux Lenses, Canon K35 Prime Lenses

The Institute (2017)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 90 Minutes

Directed by | James Franco, Pamela Romanowsky | Cinematography by | Pedro Gómez Millán | Editing by | Evan Ahlgren, Aaron I. Butler

Starring | Allie Gallerani, James Franco, Joe Pease, Scott Haze

Cameras | Red Epic Dragon Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Cooke S4 Lenses

Follow (2015)

Motion Picture | 2D | Color | 74 Minutes

Directed by | Owen Egerton | Cinematography by | Ellie Ann Fenton | Editing by | Sean McQueeney

Starring | Haley Lu Richardson, Don Most, Olivia Grace Applegate, Noah Segan

Cameras | Sony PMW-F55 Camera

Somewhere in the Middle (2015)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 90 Minutes

Directed by | Lanre Olabisi | Cinematography by | Piero Basso | Editing by | Alex Kopit

Starring | Cassandra Freeman, Charles Miller, Marisol Miranda, Dennis Rubin Green

Cameras | ARRI ALEXA Camera

Lenses | Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens

Roshtalivik (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 72 Minutes

Directed by | Nicholas J. Moore | Cinematography by | Nicholas J. Moore | Editing by | Nicholas J. Moore

Starring | Hauke Bahr, David Charles, Lee McCarty, Jake Douglas Smith

Cameras | Canon EOS Rebel T3i camera, Canon EOS-7D Camera

Postpartum (2016)

Short Film | 2D | 2K Project | Color | 2.39:1 | 24 Minutes

Directed by | Richard Bakewell, Lale Arpaci | Cinematography by | Chun Ming Huang

Starring | Danielle Harris, Jenny Curtis, Katie Beresford, Nicole Sterling

Cameras | Panasonic VariCam 35

Lenses | Schneider Lenses, Schneider Xenon FF Prime Lenses

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