Project Frame Rate » 24 fps Project Frame Rate

24 fps Project Frame Rate | 387 Titles

24 fps Project Frame Rate 3.50/5 2 Votes

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Mid90s (2018)

Motion Picture | 2D | 2K Project | Color | 1.78:1 (16x9) | 85 Minutes

Directed by | Jonah Hill | Cinematography by | Christopher Blauvelt | Editing by | Nick Houy

Starring | Sunny Suljic, Katherine Waterston, Lucas Hedges

Cameras | ARRIFLEX 416 Camera

Body Melt (1993)

Direct to Video | 2D | Film Project | Color | 1.33:1 (4x3) | 81 Minutes

Directed by | Philip Brophy | Cinematography by | Ray Argall | Editing by | Bill Murphy

Starring | Gerard Kennedy, Andrew Daddo, Ian Smith

Cameras | ARRIFLEX 16SR2 Camera

Daniel’s Vlog (2019)

Web Series | 2D | UHD Project | Color | 1.78:1 (16x9) |

| Cinematography by | Daniel Back | Editing by | Tom Sykes, Daniel Back

Starring | Daniel Back

Cameras | Apple iPhone Camera

Requiem for a Dream (2000)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 102 Minutes

Directed by | Darren Aronofsky | Cinematography by | Matthew Libatique | Editing by | Jay Rabinowitz

Starring | Ellen Burstyn, Jared Leto, Jennifer Connelly

Cameras | Bell & Howell Eyemo Camera, Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panastar Camera, Sony Betacam (Unknown) Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses

Platoon (1986)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 120 Minutes

Directed by | Oliver Stone | Cinematography by | Robert Richardson | Editing by | Claire Simpson

Starring | Charlie Sheen, Tom Berenger, Willem Dafoe

Cameras | ARRIFLEX 35 BL3 Camera

Lenses | JDC (Joe Dunton Camera) Lenses

Christopher Roth (2010)

Motion Picture | 2D | Color | 100 Minutes

Directed by | Maxime Alexandre | Cinematography by | Maxime Alexandre

Starring | Joaquim de Almeida, Anna Galiena, Jessica Bonanni

Cameras | Red One Camera

Lenses | Zeiss Ultra Prime Lenses

Spider-Man (2002)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 121 Minutes

Directed by | Sam Raimi | Cinematography by | Don Burgess | Editing by | Arthur Coburn, Bob Murawski

Starring | Tobey Maguire, Kirsten Dunst, Willem Dafoe, James Franco

Cameras | Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Snake Eyes (1998)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 98 Minutes

Directed by | Brian De Palma | Cinematography by | Stephen H. Burum | Editing by | Bill Pankow

Starring | Nicolas Cage, Gary Sinise, John Heard

Cameras | Moviecam Compact Camera, Panavision Panaflex Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens

Spider-Man 2 (2004)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 127 Minutes

Directed by | Sam Raimi | Cinematography by | Bill Pope | Editing by | Bob Murawski

Starring | Tobey Maguire, Kirsten Dunst, Alfred Molina, James Franco

Cameras | ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera

Lenses | Panavision Hylén System Lens, Panavision Primo Anamorphic Lenses

Clueless (1995)

Motion Picture | 2D | Film Project | Color | 1.78:1 (16x9) | 97 Minutes

Directed by | Amy Heckerling | Cinematography by | Bill Pope | Editing by | Debra Chiate

Starring | Alicia Silverstone, Stacey Dash, Brittany Murphy

Cameras | Moviecam Compact Camera, Panavision Cameras

Lenses | Panavision Lenses, Zeiss Lenses

Troubling Youth (2019)

Short Film | 2D | HD Project | Color | 2.39:1 |

Directed by | Caleb Nsingi | Cinematography by | Nicolas Gagnon | Editing by | Caleb Nsingi

Starring | Alex Belke, Isabella DeBrienne, Ricardo Grand-Pierre

Cameras | Nikon Cameras

Lenses | Nikon - Nikkor Lenses

A Teen Movie (2022)

Short Film | 2D | 4K Project | Color | 1.33:1 (4x3) | 9 Minutes

Directed by | Aranka Tjalsma | Cinematography by | Jesse Post | Editing by | Keno Aladjuz

Starring | Luna Man, Melissa Blaauwendraad, Roos Groenen

Cameras | Blackmagic Pocket Cinema 4K Camera, Blackmagic Pocket Cinema Camera 6K Pro

Manila in the Claws of Light (1975)

Motion Picture | 2D | Film Project | Black & White, Color | 1.33:1 (4x3), 1.85:1 | 125 Minutes

Directed by | Lino Brocka | Cinematography by | Mike De Leon, Clodualdo Del Mundo Jr. | Editing by | Ike Jarlego Jr., Edgardo Jarlego

Starring | Hilda Koronel, Bembol Roco, Lou Salvador Jr.

Cameras | ARRIFLEX 35 IIB Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Angenieux HR Zoom Lenses, Angenieux Lenses, ARRI Lenses

L’Arminuta (2021)

Motion Picture | 2D | 3.4K Project | Color | 2.39:1 | 110 Minutes

Directed by | Giuseppe Bonito | Cinematography by | Alfredo Betrò | Editing by | Roberto Missiroli

Starring | Aurora Barulli, Carlotta De Leonardis, Fabrizio Ferracane

Cameras | ARRI ALEXA Mini Camera

Lenses | Zeiss Ultra Prime Distagon 14 mm T1.9 Lens, Zeiss Ultra Prime Distagon 20 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Lenses, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 100 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 135 mm T1.9 Lens

The Misfit (2021)

Short Film | 2D | UHD Project | Color | 2.39:1 | 25 Minutes

Directed by | Chris Tailor | Cinematography by | Antonia Stylianou | Editing by | Chris Tailor

Starring | Alexey Snegirev, Alexia Theodorou, Emilios Anastasi

Cameras | Blackmagic URSA Mini Pro 4.6K G2 Camera

Lenses | Sigma Lenses, Tokina Lenses

Razorback (1984)

Motion Picture | 2D | Film Project | Color | 95 Minutes

Directed by | Russell Mulcahy | Cinematography by | Dean Semler | Editing by | William M. Anderson

Starring | Gregory Harrison, Arkie Whiteley, Bill Kerr, Chris Haywood

Cameras | Panavision Panaflex Gold Camera

Persona (1966)

Motion Picture | 2D | Film Project | Black & White | 1.33:1 (4x3) | 83 Minutes

Directed by | Ingmar Bergman | Cinematography by | Sven Nykvist | Editing by | Ulla Ryghe

Starring | Bibi Andersson, Liv Ullmann, Margaretha Krook

Cameras | Mitchell BNC Camera

Mank (2020)

Motion Picture | 8K Project | Black & White | 2.20:1 | 131 Minutes

Directed by | David Fincher | Cinematography by | Erik Messerschmidt | Editing by | Kirk Baxter

Starring | Gary Oldman, Amanda Seyfried, Lily Collins, Tom Pelphrey

Cameras | Red Digital Cinema Cameras

Lenses | Leitz Summilux-C Series Lenses

Mission: Impossible – Rogue Nation (2015)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 131 Minutes

Directed by | Christopher McQuarrie | Cinematography by | Robert Elswit | Editing by | Eddie Hamilton

Starring | Tom Cruise, Rebecca Ferguson, Jeremy Renner

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Fujinon Premier Lenses, Panavision B Series Anamorphic Lenses

Beginning (2020)

Motion Picture | 2D | 4K Project | Color | 1.33:1 (4x3) | 130 Minutes

Directed by | Dea Kulumbegashvili | Cinematography by | Arseni Khachaturan | Editing by | Matthieu Taponier

Starring | Ia Sukhitashvili, Rati Oneli, Kakha Kintsurashvili

Cameras | ARRICAM Studio (ST) Camera, ARRIFLEX 435 Xtreme Camera

Lenses | Cooke 5/i Prime 25mm T1.4 Lens

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