24 fps Project Frame Rate | 418 Titles
The Lighthouse (2019)
Directed by | Robert Eggers | Cinematography by | Jarin Blaschke | Editing by | Louise Ford
Lenses | Bausch & Lomb Lenses, Pathé Lenses
She’s So Cold (2016)
Directed by | Sidney Berthier | Cinematography by | Sidney Berthier | Editing by | Sidney Berthier
Cameras | Blackmagic Pocket Cinema Camera
Barry Lyndon (1975)
Directed by | Stanley Kubrick | Cinematography by | John Alcott | Editing by | Tony Lawson
Cameras | ARRIFLEX 35 BL Camera, Mitchell BNC Camera
Lenses | Canon K35 Prime Lenses, Carl Zeiss Planar 50 mm f0.7 Lens (Modified by Ed DiGiulio), Carl Zeiss Planar 50mm with Kollmorgen Adaptor 36.5 mm f0.7 (Modified by Ed DiGiulio), Cinema Products Cine-Pro 24-480 mm T9 Zoom Lens, Cooke Varotal 20-100mm T3.1 Zoom Lens
Blood Cell (2019)
Directed by | Daniel Sowter | Cinematography by | Sidney Berthier | Editing by | Daniel Sowter
Cameras | Blackmagic Pocket Cinema Camera
Lenses | Canon Lenses
The Lord of the Rings: The Fellowship of the Ring (2001)
Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | John Gilbert
Lenses | Zeiss Ultra Prime Lenses
Koschei the Deathless (2020)
Directed by | Sidney Berthier | Cinematography by | Matt Tallant | Editing by | Sidney Berthier, Anna Carey
They Love (2014)
Directed by | Daniel Sowter | Cinematography by | Mat Dean | Editing by | Marie Paice
Cameras | Sony HDR-FX1 Camera
Her Satanic Majesty (2016)
Directed by | Sidney Berthier | Cinematography by | Sidney Berthier | Editing by | Sidney Berthier
Cameras | Blackmagic Pocket Cinema Camera
Angie Lemaire (2019)
Directed by | Sidney Berthier | Cinematography by | Danielius Gedvilas | Editing by | Sidney Berthier, Sarah Cowan, Kiana Rad
Cameras | Blackmagic Pocket Cinema Camera
Lenses | Canon Lenses
French Story (2024)
Directed by | Sidney Berthier | Cinematography by | Sidney Berthier | Editing by | Sidney Berthier
Lenses | Zeiss Jena Lens
Woodstock (1970)
Directed by | Michael Wadleigh | Cinematography by | Malcolm Hart, Don Lenzer, Michael Margetts, David Myers, Richard Pearce, Michael Wadleigh, Alfred Wertheimer | Editing by | Jere Huggins, Thelma Schoonmaker, Martin Scorsese, Michael Wadleigh, Stanley Warnow, Yeu-Bun Yee
Cameras | Éclair NPR Camera
Hail, Caesar! (2016)
Directed by | Ethan Coen, Joel Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera
Lenses | Zeiss Master Prime Lenses
Stalker (1979)
Directed by | Andrei Tarkovsky | Cinematography by | Aleksandr Knyazhinskiy, Georgi Rerberg, Leonid Kalashnikov | Editing by | Lyudmila Feyginova
Cameras | Kinor 35C 5KSN Camera, Mitchell NC Camera
The Day After Tomorrow (2004)
Directed by | Roland Emmerich | Cinematography by | Ueli Steiger | Editing by | David Brenner
Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera
Mean Girls (2004)
Directed by | Mark Waters | Cinematography by | Daryn Okada | Editing by | Wendy Greene Bricmont
Cameras | Panavision Cameras
The Journey (2002)
Directed by | Edwin Avaness, Emy Hovanesyan | Cinematography by | Edwin Avaness | Editing by | Edwin Avaness
Cameras | Sony HDW-F900 Camera
The Last Temptation of Christ (1988)
Directed by | Martin Scorsese | Cinematography by | Michael Ballhaus | Editing by | Thelma Schoonmaker
Cameras | ARRIFLEX Camera
Do the Right Thing (1989)
Directed by | Spike Lee | Cinematography by | Ernest R. Dickerson | Editing by | Barry Alexander Brown
I, Tonya (2017)
Directed by | Craig Gillespie | Cinematography by | Nicolas Karakatsanis | Editing by | Tatiana S. Riegel
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses | Leitz Summilux-C Series Lenses
Kis Uykusu (2014)
Directed by | Nuri Bilge Ceylan | Cinematography by | Gökhan Tiryaki | Editing by | Nuri Bilge Ceylan, Bora Göksingöl
Cameras | Sony CineAlta F65 Camera
Lenses | Zeiss Master Prime Lenses
