Camera Operator
Logan (2017)
Directed by: James Mangold
Cinematography by: John Mathieson
Camera Operator
Abraham Lincoln: Vampire Hunter (2012)
Directed by: Timur Bekmambetov
Cinematography by: Caleb Deschanel
Edited by: William Hoy
Camera Operator: "b" Camera
Bad Teacher (2011)
Directed by: Jake Kasdan
Cinematography by: Alar Kivilo
Edited by: Tara Timpone
Cameras: Panavision Panaflex Platinum Camera
Camera Operator: "b" Camera
Cowboys & Aliens (2011)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Camera Operator
Life as We Know It (2010)
Directed by: Greg Berlanti
Cinematography by: Andrew Dunn
Edited by: Jim Page
Camera Operator
Black Swan (2010)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Andrew Weisblum
Cameras: ARRIFLEX 416 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera
Lenses: Zeiss Ultra 16 Lenses
Editing System: Avid Editing System
Camera Operator
Iron Man 2 (2010)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Camera Operator
G.I. Joe: The Rise of Cobra (2009)
Directed by: Stephen Sommers
Cinematography by: Mitchell Amundsen
Camera Operator
The Mummy: Tomb of the Dragon Emperor (2008)
Directed by: Rob Cohen
Cinematography by: Simon Duggan
Editing System: Avid Editing System
Camera Operator: Second Unit
Iron Man (2008)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Edited by: Dan Lebental
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Camera Operator
Spider-Man 3 (2007)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Editing System: Avid Editing System
Camera Operator
Live Free or Die Hard (2007)
Directed by: Len Wiseman
Cinematography by: Simon Duggan
Edited by: Nicolas De Toth
Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Avid Editing System
Camera Operator: "b" Camera
The Fast and the Furious: Tokyo Drift (2006)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Camera Operator: Second Unit
National Treasure (2004)
Directed by: Jon Turteltaub
Cinematography by: Caleb Deschanel
Edited by: William Goldenberg
Camera Operator
Spider-Man 2 (2004)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera
Editing System: Avid Editing System
Camera Operator: Second Unit
Catch That Kid (2004)
Directed by: Bart Freundlich
Cinematography by: Julio Macat
Edited by: Stuart Levy
Camera Operator: "b" Camera, Second Unit
Charlie's Angels: Full Throttle (2003)
Directed by: McG
Cinematography by: Russell Carpenter
Edited by: Wayne Wahrman
Camera Operator: Second Unit
The Last Castle (2001)
Directed by: Rod Lurie
Cinematography by: Shelly Johnson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Camera Operator: Second Unit
The Fast and the Furious (2001)
Directed by: Rob Cohen
Cinematography by: Ericson Core
Edited by: Peter Honess
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Camera Operator: "a" Camera, Second Unit
Planet of the Apes (2001)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Cameras: Panavision Panaflex Platinum Camera
Camera Operator: Second Unit
Deep Impact (1998)
Directed by: Mimi Leder
Cinematography by: Dietrich Lohmann
Cameras: ARRIFLEX 535 Camera
First Assistant Photographer: Aerial Unit
Congo (1995)
Directed by: Frank Marshall
Cinematography by: Allen Daviau
Edited by: Anne V. Coates
First Assistant Camera: Second Unit
Bad Girls (1994)
Directed by: Jonathan Kaplan
Cinematography by: Ralf D. Bode
Edited by: Jane Kurson
Assistant Camera
Demolition Man (1993)
Directed by: Marco Brambilla
Cinematography by: Alex Thomson
Edited by: Stuart Baird
Additional First Assistant Camera
Field of Dreams (1989)
Directed by: Phil Alden Robinson
Cinematography by: John Lindley
Edited by: Ian Crafford
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
