Digital Artist: Moving Target
Blood Father (2016)
Directed by: Jean-François Richet
Cinematography by: Robert Gantz
Edited by: Steven Rosenblum
Visual Effects
August: Osage County (2013)
Directed by: John Wells
Cinematography by: Adriano Goldman
Edited by: Stephen Mirrione
Visual Effects Artist
Get the Gringo (2012)
Directed by: Adrian Grunberg
Cinematography by: Benoît Debie
Edited by: Steven Rosenblum
Cameras: Red One MX Camera
Lenses: Hawk V-Lite Lenses
Additional Visual Effects: VCE
The Company Men (2010)
Directed by: John Wells
Cinematography by: Roger Deakins
Edited by: Robert Frazen
Visual Effects Artist: VCE Inc., Moving Target
Love & Other Drugs (2010)
Directed by: Edward Zwick
Cinematography by: Steven Fierberg
Edited by: Steven Rosenblum
Visual Effects Supervisor: Visual Concept Entertainment
Repo Chick (2009)
Directed by: Alex Cox
Cinematography by: Steven Fierberg
Edited by: Alex Cox
Visual Effects: VCE, Swamp Matte
Defiance (2008)
Directed by: Edward Zwick
Cinematography by: Eduardo Serra
Edited by: Steven Rosenblum
Visual Effects
Norbit (2007)
Directed by: Brian Robbins
Cinematography by: Clark Mathis
Edited by: Ned Bastille
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Visual Effects
Starship Troopers 2: Hero of the Federation (2004)
Directed by: Phil Tippett
Cinematography by: Christian Sebaldt
Edited by: Louise Rubacky
Cameras: Panasonic AJ-HDC27 Varicam Camera
Visual Effects
Welcome to Mooseport (2004)
Directed by: Donald Petrie
Cinematography by: Victor Hammer
Edited by: Debra Neil-Fisher
Visual Effects: VCE.com
Deliver Us from Eva (2003)
Directed by: Gary Hardwick
Cinematography by: Alexander Gruszynski
Edited by: Earl Watson
Visual Effects: VCE.com
The League of Extraordinary Gentlemen (2003)
Directed by: Stephen Norrington
Cinematography by: Dan Laustsen
Edited by: Paul Rubell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Visual Effects: VCE.com
Jay and Silent Bob Strike Back (2001)
Directed by: Kevin Smith
Cinematography by: Jamie Anderson
Visual Effects Supervisor
Session 9 (2001)
Directed by: Brad Anderson
Cinematography by: Uta Briesewitz
Edited by: Brad Anderson
Visual Effects Supervisor: VCE
The 6th Day (2000)
Directed by: Roger Spottiswoode
Cinematography by: Pierre Mignot
Producer: Atom Bomb Sequences: VCE.com / Visual Effects Supervisor: VCE
Thirteen Days (2000)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Edited by: Conrad Buff IV
Visual Effects Supervisor / Visual Effects: VCE
Idle Hands (1999)
Directed by: Rodman Flender
Cinematography by: Christopher Baffa
Edited by: Stephen E. Rivkin
Visual Effects: VCE
Men in Black (1997)
Directed by: Barry Sonnenfeld
Cinematography by: Donald Peterman
Edited by: Jim Miller
Visual Effects Producer: Visual Concept Entertainment
Starship Troopers (1997)
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Cameras: ARRIFLEX Camera, Moviecam Compact Camera
Lenses: Zeiss Lenses
Digital Effects: VCE / Optical Effects: VCE
Courage Under Fire (1996)
Directed by: Edward Zwick
Cinematography by: Roger Deakins
Edited by: Steven Rosenblum
Visual Effects
Nixon (1995)
Directed by: Oliver Stone
Cinematography by: Robert Richardson
Editing System: Avid Editing System
Visual Effects Producer: VCE
Hercules: The Legendary Journeys - Hercules and the Lost Kingdom (1994)
Directed by: Harley Cokeliss
Cinematography by: James Bartle
Edited by: Jon Koslowsky
Additional Visual Effects Producer
The Shadow (1994)
Directed by: Russell Mulcahy
Cinematography by: Stephen H. Burum
Edited by: Peter Honess
Visual Effects Producer: VCE
Hercules and the Amazon Women (1994)
Directed by: Bill Norton
Cinematography by: James Bartle
Edited by: Steve Polivka
Special Optical & Digital Effects
Best of the Best II (1993)
Directed by: Robert Radler
Cinematography by: Fred Tammes
Visual Effects: VCE
Last Action Hero (1993)
Directed by: John McTiernan
Cinematography by: Dean Semler
Cameras: Panavision Panaflex Gold II Camera
Special Photographic Effects: VCE
RoboCop 3 (1993)
Directed by: Fred Dekker
Cinematography by: Gary B. Kibbe
Edited by: Bert Lovitt
Main Title Designer: VCE
Robin Hood: Men in Tights (1993)
Directed by: Mel Brooks
Cinematography by: Michael D. O'Shea
Edited by: Stephen E. Rivkin
Additional Visual And Digital Effects
Cliffhanger (1993)
Directed by: Renny Harlin
Cinematography by: Alex Thomson
Edited by: Frank J. Urioste
Cameras: Panavision Cameras
Opticals: V.C.E., Inc.
Basic Instinct (1992)
Directed by: Paul Verhoeven
Cinematography by: Jan de Bont
Edited by: Frank J. Urioste
Cameras: Panavision Panaflex Camera
Digital Effects
Toys (1992)
Directed by: Barry Levinson
Cinematography by: Adam Greenberg
Edited by: Stu Linder
Additional Visual Effects
Dracula (1992)
Directed by: Francis Ford Coppola
Cinematography by: Michael Ballhaus
Cameras: ARRIFLEX 535 Camera
Visual Effects Creator: VCE, Inc.
Amityville 1992: It's About Time (1992)
Directed by: Tony Randel
Cinematography by: Christopher Taylor
Edited by: Rick Finney
Optical Composites: VCE
The Addams Family (1991)
Directed by: Barry Sonnenfeld
Cinematography by: Owen Roizman
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Optical Effects
Harley Davidson and the Marlboro Man (1991)
Directed by: Simon Wincer
Cinematography by: David Eggby
Edited by: Corky Ehlers
Cameras: Panavision Cameras
Photographic Effects: VCE
Star Trek VI: The Undiscovered Country (1991)
Directed by: Nicholas Meyer
Cinematography by: Hiro Narita
Special Photographic Effects, Visual Effects
RoboCop 2 (1990)
Directed by: Irvin Kershner
Cinematography by: Mark Irwin
Visual Effects Animation
Gremlins 2: The New Batch (1990)
Directed by: Joe Dante
Cinematography by: John Hora
Edited by: Kent Beyda
Visual Effects: VCE
Edward Scissorhands (1990)
Directed by: Tim Burton
Cinematography by: Stefan Czapsky
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Visual Effects Producer: VCE
After Midnight (1989)
Cinematography by: Phedon Papamichael
Cameras: ARRIFLEX Camera
Special Visual Effects Animation
Honey, I Shrunk the Kids (1989)
Directed by: Joe Johnston
Cinematography by: Hiro Narita
Edited by: Michael A. Stevenson
Special Visual Effects
The 'Burbs (1989)
Directed by: Joe Dante
Cinematography by: Robert M. Stevens
Edited by: Marshall Harvey
Visual Effects
Beetlejuice (1988)
Directed by: Tim Burton
Cinematography by: Thomas E. Ackerman
Edited by: Jane Kurson
Special Photographic Effects: VCE, Special Photographic Effects: Visual Concept Engineering
RoboCop (1987)
Directed by: Paul Verhoeven
Edited by: Frank J. Urioste
Cameras: ARRIFLEX 35 BL Camera
Lenses: Zeiss Super Speed Lenses
Effects Supervisor: VCE
The Adventures of Buckaroo Banzai Across the 8th Dimension (1984)
Directed by: W.D. Richter
Cinematography by: Fred J. Koenekamp
Effects Animator
Star Wars: Episode VI - Return of the Jedi (1983)
Directed by: Richard Marquand
Cameras: ARRIFLEX 35 BL3 Camera, ARRIFLEX 35 IIC Camera
Visual Effects - Segment "4"
Twilight Zone: The Movie (1983)
Visual Effects Designer: Main Title Sequence, VCE
The Thing (1982)
Directed by: John Carpenter
Cinematography by: Dean Cundey
Edited by: Todd C. Ramsay
Special Visual Effects
Q (1982)
Directed by: Larry Cohen
Cinematography by: Fred Murphy
Edited by: Armond Lebowitz
Animated Visual Effects: VCE
Conan the Barbarian (1982)
Directed by: John Milius
Cinematography by: Duke Callaghan
Edited by: Carroll Timothy O'Meara
Cameras: ARRIFLEX 35 BL Camera
Lenses: Todd-AO Lenses
Visual Effects: VCE
Airplane! (1980)
Cinematography by: Joseph F. Biroc
Edited by: Patrick Kennedy
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Animation And Rotoscope Supervisor: Miniature And Optical Effects Unit
Star Wars: Episode V - The Empire Strikes Back (1980)
Directed by: Irvin Kershner
Cinematography by: Peter Suschitzky
Animator: Miniature And Optical Effects Unit
Star Wars: Episode IV - A New Hope (1977)
Directed by: George Lucas
Cinematography by: Gilbert Taylor
Cameras: Dykstraflex Camera, Mitchell VistaVision Camera, Panavision Cameras, Panavision Silent Reflex PSR Camera, VistaVision Cameras
Lenses: Panavision Lenses