Visual Effects Supervisor
Winter's Tale (2014)
Directed by: Akiva Goldsman
Cinematography by: Caleb Deschanel
Cameras: ARRI ALEXA Plus 4:3 Camera
Visual Effects Supervisor
300: Rise of an Empire (2014)
Directed by: Noam Murro
Cinematography by: Simon Duggan
Cameras: Red Epic Camera
Visual Effects Supervisor
Mr. Popper's Penguins (2011)
Directed by: Mark Waters
Cinematography by: Florian Ballhaus
Edited by: Bruce Green
Cameras: ARRI ALEXA Camera
Visual Effects Supervisor: Live Action Unit
WALL·E (2008)
Directed by: Andrew Stanton
Cinematography by: Martin Rosenberg
Edited by: Stephen Schaffer
President Of Film Division: Rhythm & Hues
The Fast and the Furious: Tokyo Drift (2006)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Senior Visual Effects Supervisor
Friday Night Lights (2004)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Visual Effects Supervisor: Rhythm & Hues
Daredevil (2003)
Directed by: Mark Steven Johnson
Cinematography by: Ericson Core
Visual Effects Supervisor: Rhythm & Hues
X2: X-Men United (2003)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Visual Effects Supervisor: Rhythm & Hues
Solaris (2002)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Steven Soderbergh
Visual Effects Supervisor: Rhythm & Hues
Harry Potter and the Sorcerer's Stone (2001)
Directed by: Chris Columbus
Cinematography by: John Seale
Edited by: Richard Francis-Bruce
Visual Effects Supervisor: Blue Sky/VIFX
Armageddon (1998)
Directed by: Michael Bay
Cinematography by: John Schwartzman
President: Blue Sky/VIFX
The X Files (1998)
Directed by: Rob Bowman
Cinematography by: Ward Russell
Edited by: Stephen Mark
Visual Effects Supervisor
Blade (1998)
Directed by: Stephen Norrington
Cinematography by: Theo van de Sande
Edited by: Paul Rubell
Cameras: Moviecam Compact Camera
Senior Staff: Blue Sky/VIFX East
Star Trek: Insurrection (1998)
Directed by: Jonathan Frakes
Cinematography by: Matthew F. Leonetti
Edited by: Peter E. Berger
Cameras: Panavision Cameras
Visual Effects Supervisor
Alien Resurrection (1997)
Directed by: Jean-Pierre Jeunet
Cinematography by: Darius Khondji
Edited by: Hervé Schneid
Visual Effects
The Relic (1997)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Edited by: Steven Kemper
Visual Effects Supervisor: VIFX
Titanic (1997)
Directed by: James Cameron
Cinematography by: Russell Carpenter
24 Frame Video Operator, Graphic Displays
Con Air (1997)
Directed by: Simon West
Cinematography by: David Tattersall
Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Lightworks Editing System
Visual Effects Supervisor
Face/Off (1997)
Directed by: John Woo
Cinematography by: Oliver Wood
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Visual Effects Supervisor: VIFX
Broken Arrow (1996)
Directed by: John Woo
Cinematography by: Peter Levy
Cameras: Panavision Cameras
Graphic Displays: Video Image
Executive Decision (1996)
Directed by: Stuart Baird
Cinematography by: Alex Thomson
Vifx Visual Effects Supervisor
Down Periscope (1996)
Directed by: David S. Ward
Cinematography by: Victor Hammer
VIFX Supervisor
One Fine Day (1996)
Directed by: Michael Hoffman
Cinematography by: Oliver Stapleton
Edited by: Garth Craven
Visual Effects
Jingle All the Way (1996)
Directed by: Brian Levant
Cinematography by: Victor J. Kemper
Additional Visual Effects
Dolores Claiborne (1995)
Directed by: Taylor Hackford
Cinematography by: Gabriel Beristain
Edited by: Mark Warner
Visual Effects
Copycat (1995)
Directed by: Jon Amiel
Cinematography by: László Kovács
Cameras: Panavision Panaflex Camera
Virus Imagery: VIFX/Video Image
Outbreak (1995)
Directed by: Wolfgang Petersen
Cinematography by: Michael Ballhaus
Video Image
Crimson Tide (1995)
Directed by: Tony Scott
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Cameras: Panavision Panaflex Gold II Camera
Visual Effects: VIFX/Video Image
Clear and Present Danger (1994)
Directed by: Phillip Noyce
Cinematography by: Donald McAlpine
Edited by: Neil Travis
Crew: Video Image
Stay Tuned (1992)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Edited by: Peter E. Berger
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Video Image
Toys (1992)
Directed by: Barry Levinson
Cinematography by: Adam Greenberg
Edited by: Stu Linder
Video Image
Batman Returns (1992)
Directed by: Tim Burton
Cinematography by: Stefan Czapsky
Cameras: Panavision Panaflex Gold II Camera
Visual Effects: Video Image
Patriot Games (1992)
Directed by: Phillip Noyce
Cinematography by: Donald McAlpine
24 Frame Video Display Operator: Video Image
For the Boys (1991)
Directed by: Mark Rydell
Cinematography by: Stephen Goldblatt
Crew: Video Image
Soapdish (1991)
Directed by: Michael Hoffman
Cinematography by: Ueli Steiger
Edited by: Garth Craven
Terminator P.o.v., Video And Graphic Displays, Video Image
Terminator 2: Judgment Day (1991)
Directed by: James Cameron
Cinematography by: Adam Greenberg
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera
CG Effects Supervisor: VIFX
Freddy's Dead: The Final Nightmare (1991)
Directed by: Rachel Talalay
Cinematography by: Declan Quinn
Edited by: Janice Hampton
Computer Animation And Displays
Point Break (1991)
Directed by: Kathryn Bigelow
Cinematography by: Donald Peterman
Edited by: Howard E. Smith
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Video And Graphic Displays: Video Image
Solar Crisis (1990)
Cinematography by: Russell Carpenter
Edited by: Richard Trevor
Video And Graphic Displays: Video Image, Los Angeles
The Fly II (1989)
Directed by: Chris Walas
Cinematography by: Robin Vidgeon
Edited by: Sean Barton
Video And Graphic Display Designer: Video Image
The Abyss (1989)
Directed by: James Cameron
Cinematography by: Mikael Salomon
Computer Animation And Displays
Johnny Handsome (1989)
Directed by: Walter Hill
Cinematography by: Matthew F. Leonetti
Video And Graphics Display: Video Image
Die Hard (1988)
Directed by: John McTiernan
Cinematography by: Jan de Bont
Cameras: Panavision Panaflex Gold Camera
Lenses: Carl Zeiss Planar 50 mm f0.7 Lens (Modified by Ed DiGiulio), Carl Zeiss Planar 50mm with Kollmorgen Adaptor 36.5 mm f0.7 (Modified by Ed DiGiulio), Cooke Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses, Panavision Ultra Speed MKII Lenses
Video Displays: Video Image
Scrooged (1988)
Directed by: Richard Donner
Cinematography by: Michael Chapman
Cameras: Panavision Panaflex Gold Camera
Video And Graphic Displays: Video Image
Spaceballs (1987)
Directed by: Mel Brooks
Cinematography by: Nick McLean
Edited by: Conrad Buff IV
Computer Animation And Displays
SpaceCamp (1986)
Directed by: Harry Winer
Cinematography by: William A. Fraker
Computer Animation And Displays: Video Image
Weird Science (1985)
Directed by: John Hughes
Cinematography by: Matthew F. Leonetti
Video Technician
Warning Sign (1985)
Directed by: Hal Barwood
Cinematography by: Dean Cundey
Edited by: Robert Lawrence
Video Computer Graphics: Video Image
2010: The Year We Make Contact (1984)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Compsy Technical Supervisor: Entertainment Effects Group
Brainstorm (1983)
Directed by: Douglas Trumbull
Cinematography by: Richard Yuricich
Computer Engineering: EEG
Blade Runner (1982)
Directed by: Ridley Scott
Cinematography by: Jordan Cronenweth
Cameras: Panavision Panaflex Gold Camera
Electronic And Mechanical Design
Star Trek: The Motion Picture (1979)
Directed by: Robert Wise
Cinematography by: Richard H. Kline
Edited by: Todd C. Ramsay
Electronic Consultant
The China Syndrome (1979)
Directed by: James Bridges
Cinematography by: James Crabe
Edited by: David Rawlins
