Digital Intermediate Account Executive
Everything Everywhere All at Once (2022)
Cinematography by: Larkin Seiple
Edited by: Paul Rogers
Cameras: ARRI ALEXA Mini Camera
Lenses: Atlas Orion Anamorphic Series Lenses, Hawk V-Lite Lenses, Todd-AO Lenses, Zeiss Master Prime Lenses
Editing System: Adobe Premiere Editing System
Dailies Project Manager / Digital Intermediate Project Manager
Us (2019)
Directed by: Jordan Peele
Cinematography by: Mike Gioulakis
Edited by: Nicholas Monsour
Post-production Project Manager
Bad Times at the El Royale (2018)
Directed by: Drew Goddard
Cinematography by: Seamus McGarvey
Edited by: Lisa Lassek
Post-production Project Manager
The Meg (2018)
Directed by: Jon Turteltaub
Cinematography by: Tom Stern
Dailies/DI Project Manager
Ready Player One (2018)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Project Manager: Technicolor
Ghost in the Shell (2017)
Directed by: Rupert Sanders
Cinematography by: Jess Hall
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Post-production Project Manager
The Post (2017)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Account Manager
The Beguiled (2017)
Directed by: Sofia Coppola
Cinematography by: Philippe Le Sourd
Edited by: Sarah Flack
Cameras: ARRICAM Lite (LT) Camera
Post-production Project Manager
The BFG (2016)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: ARRI ALEXA XT Series Cameras
Project Manager
Nebraska (2013)
Directed by: Alexander Payne
Cinematography by: Phedon Papamichael
Edited by: Kevin Tent
Lenses: Panavision Anamorphic Telephoto Lenses, Panavision Anamorphic Zoom Lenses, Panavision C Anamorphic Flare Lenses, Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses
Editing System: Avid Editing System
Account Executive: Technicolor
The Dictator (2012)
Directed by: Larry Charles
Cinematography by: Lawrence Sher
Digital Intermediate Project Manager
Promised Land (2012)
Directed by: Gus Van Sant
Cinematography by: Linus Sandgren
Edited by: Billy Rich
Lenses: Hawk V-Lite Lenses
Project Manager: Technicolor
Lincoln (2012)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Editing System: Avid Editing System
Account Executive: Technicolor
Lawless (2012)
Directed by: John Hillcoat
Cinematography by: Benoît Delhomme
Edited by: Dylan Tichenor
Cameras: ARRI ALEXA Camera
Digital Intermediate Account Executive
Source Code (2011)
Directed by: Duncan Jones
Cinematography by: Don Burgess
Edited by: Paul Hirsch
Digital Intermediate Executive Producer: Pacific Title And Art Studio
Ninja Assassin (2009)
Directed by: James McTeigue
Cinematography by: Karl Walter Lindenlaub
Lenses: Zeiss Master Prime Lenses
Visual Effects Producer
In the Electric Mist (2009)
Directed by: Bertrand Tavernier
Cinematography by: Bruno de Keyzer
Digital Intermediate Executive Producer: Pacific Title & Art Studio
Orphan (2009)
Directed by: Jaume Collet-Serra
Cinematography by: Jeff Cutter
Edited by: Timothy Alverson
Visual Effects Producer: Pacific Title And Art Srtudio
Appaloosa (2008)
Directed by: Ed Harris
Cinematography by: Dean Semler
Edited by: Kathryn Himoff
Visual Effects Producer: Pacific Title & Art Studio
The Mummy: Tomb of the Dragon Emperor (2008)
Directed by: Rob Cohen
Cinematography by: Simon Duggan
Editing System: Avid Editing System
Visual Effects Producer: Pacific Title
Doubt (2008)
Directed by: John Patrick Shanley
Cinematography by: Roger Deakins
Edited by: Dylan Tichenor
Cameras: ARRIFLEX 535 B Camera
Lenses: Zeiss Master Prime Lenses
Visual Effects Producer
The Promotion (2008)
Directed by: Steve Conrad
Cinematography by: Lawrence Sher
Visual Effects Producer: Pacific Title
Disturbia (2007)
Directed by: D.J. Caruso
Cinematography by: Rogier Stoffers
Edited by: Jim Page
Cameras: Panavision Panaflex Platinum Camera
Visual Effects Producer: Pacific Title And Art Studio
Then She Found Me (2007)
Directed by: Helen Hunt
Cinematography by: Peter Donahue
Edited by: Pam Wise
Producer: Pacific Title And Art Studio
There Will Be Blood (2007)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
Digital Intermediate Executive Producer: Pacific Title And Art Studio
Hostel: Part II (2007)
Directed by: Eli Roth
Cinematography by: Milan Chadima
Edited by: George Folsey Jr.
Visual Effects Producer: Pacific Title
Blades of Glory (2007)
Cinematography by: Stefan Czapsky
Edited by: Richard Pearson
Visual Effects Producer: Pacific Title
The Oh in Ohio (2006)
Directed by: Billy Kent
Cinematography by: Ramsey Nickell
Visual Effects Producer: Pacific Title
Rocky Balboa (2006)
Directed by: Sylvester Stallone
Cinematography by: Clark Mathis
Edited by: Sean Albertson
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony HDW-F900R Camera
Lenses: Zeiss Master Prime Lenses
Effects Producer: Pacific Title And Art Studio
The Three Burials of Melquiades Estrada (2005)
Directed by: Tommy Lee Jones
Cinematography by: Chris Menges
Edited by: Roberto Silvi
Visual Effects Producer: Pacific Title And Art Studio
xXx: State of the Union (2005)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Digital Intermediate Executive Producer: Pacific Title
The Ring Two (2005)
Directed by: Hideo Nakata
Cinematography by: Gabriel Beristain
Edited by: Michael N. Knue
Digital Intermediate Executive, Visual Effects Producer
A Little Trip to Heaven (2005)
Directed by: Baltasar Kormákur
Cinematography by: Óttar Guðnason
Visual Effects Producer: Pacific Title And Art Studio
Club Dread (2004)
Directed by: Jay Chandrasekhar
Cinematography by: Lawrence Sher
Edited by: Ryan Folsey
Visual Effects Producer: Pacific Title
Bad Boys II (2003)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: Bell & Howell Eyemo Camera, Cine SL-35 Camera, Pan-Arri 435es Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
First Assistant Editor
Punch-Drunk Love (2002)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Leslie Jones
Cameras: Panavision Panaflex Platinum Camera
First Assistant Editor
Unbreakable (2000)
Directed by: M. Night Shyamalan
Cinematography by: Eduardo Serra
Edited by: Dylan Tichenor
Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
First Assistant Editor
Magnolia (1999)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
Cameras: Panavision Cameras, Pathé Cameras
Lenses: Panavision Lenses
First Assistant Film Editor
Armageddon (1998)
Directed by: Michael Bay
Cinematography by: John Schwartzman
First Assistant Editor
Titanic (1997)
Directed by: James Cameron
Cinematography by: Russell Carpenter
