"B" Camera Operator
The Color Purple (2023)
Directed by: Blitz Bazawule
Cinematography by: Dan Laustsen
Edited by: Jon Poll
Lenses: ARRI Signature Prime Lenses
Camera Operator: "b" Camera
A Star Is Born (2018)
Directed by: Bradley Cooper
Cinematography by: Matthew Libatique
Edited by: Jay Cassidy
Cameras: ARRI ALEXA Mini Camera
Lenses: Angenieux Optimo Anamorphic Lenses, Cooke Anamorphic/i SF 25mm T2.3 Lens, Cooke Anamorphic/i SF 32mm T2.3 Lens, Cooke Anamorphic/i SF 40mm T2.3 Lens, Cooke Anamorphic/i SF 50mm T2.3 Lens, Cooke Anamorphic/i SF 75mm T2.3 Lens, Cooke Anamorphic/i SF Prime Lenses, Kowa Cine Prominar Anamorphic Lenses
Camera Operator , Second Unit: Director Of Photography
Mother! (2017)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Andrew Weisblum
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 416 Camera
Camera Operator: "a" Camera, Fight Unit / Director Of Photography: Fight Unit
'Into the Badlands' Chapter IV: Two Tigers Subdue Dragons (2015)
Directed by: Guy Ferland
Cinematography by: Shane Hurlbut
Director Of Photography: Fight Unit
'Into the Badlands' Chapter I: The Fort (2015)
Directed by: David Dobkin
Cinematography by: Shane Hurlbut
Edited by: Vikash Patel
Director Of Photography: Fight Unit
'Into the Badlands' Chapter II: Fist Like a Bullet (2015)
Directed by: David Dobkin
Cinematography by: Shane Hurlbut
Edited by: Anthony Pinker
Director Of Photography: Fight Unit
'Into the Badlands' Chapter III: White Stork Spreads Wings (2015)
Directed by: David Dobkin
Cinematography by: Shane Hurlbut
Edited by: Ray Daniels III
Director Of Photography: Fight Unit
'Into the Badlands' Chapter V: Snake Creeps Down (2015)
Directed by: Guy Ferland
Cinematography by: Shane Hurlbut
Edited by: Anthony Pinker
Director Of Photography: Fight Unit
'Into the Badlands' Chapter VI: Hand of Five Poisons (2015)
Directed by: Guy Ferland
Cinematography by: Shane Hurlbut
Edited by: Ray Daniels III
Director Of Photography: Fight Unit / Camera Operator: "a" Camera, Fight Unit - 6 Episodes, 2015
Into the Badlands (2015)
TV Series
Directed by: Paco Cabezas, Toa Fraser, David Dobkin, Guy Ferland, Nick Copus, Stephen Fung, James Marshall, Tricia Brock, Miles Millar, Wayne Yip
Cinematography by: Owen McPolin, Shane Hurlbut, Sam McCurdy, Daniel Aranyó, Nigel Willoughby, Denis Crossan, P.J. Dillon, Jean-Philippe Gossart
Camera Operator / Cinematographer: Additional Scene Unit
Noah (2014)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Andrew Weisblum
Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera
Editing System: Avid Editing System
Director Of Photography: Second Unit
Nightcrawler (2014)
Directed by: Dan Gilroy
Cinematography by: Robert Elswit
Edited by: John Gilroy
Camera Operator: "b" Camera, Hawaii
Battleship (2012)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Edge Camera Operator: Second Unit
Stand Up Guys (2012)
Directed by: Fisher Stevens
Cinematography by: Michael Grady
Edited by: Mark Livolsi
Cameras: Red Epic Camera
Camera Operator: "b" Camera, Los Angeles
This Means War (2012)
Directed by: McG
Cinematography by: Russell Carpenter
Edited by: Nicolas De Toth
Camera Operator
Rock of Ages (2012)
Directed by: Adam Shankman
Cinematography by: Bojan Bazelli
Edited by: Emma E. Hickox
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Camera Operator: "b" Camera
Cowboys & Aliens (2011)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Camera Operator: "c" Camera
Burlesque (2010)
Directed by: Steve Antin
Cinematography by: Bojan Bazelli
Edited by: Virginia Katz
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
A Camera Operator
Terminator Salvation (2009)
Directed by: McG
Cinematography by: Shane Hurlbut
Edited by: Conrad Buff IV
Camera Operator - 1 Episode, 2009
Modern Family (2009)
Directed by: Gail Mancuso, Steven Levitan, Michael Spiller, Beth McCarthy-Miller, Jason Winer, James R. Bagdonas, James Alan Hensz, Fred Savage, Chris Koch, Jeffrey Walker, Ryan Case, Alisa Statman, Eric Dean Seaton, Scott Ellis, Reginald Hudlin, Randall Einhorn, Bryan Cranston, Ken Whittingham, John Riggi, Julie Bowen, Abraham Higginbotham, Iwona Kanclerz, Helena Lamb, Seth Gordon, Kevin Rodney Sullivan, Dean Parisot, Adam Shankman, Jeff Melman, Fred Goss, Lev L. Spiro, Claire Scanlon, Phil Traill, Michelle MacLaren, Kat Coiro, Jaffar Mahmood, Elaine Ko
Edited by: Ryan Case, Tony Orcena, Christian Miglio, Giselle Murillo, Jonathan Schwartz, Steven Rasch, Shaheed Qaasim, Michael Kamens, Jamie Kennedy
Cameras: ARRI ALEXA Camera, Sony CineAlta F35 Camera
Additional Camera Operator: "b" Camera
Couples Retreat (2009)
Directed by: Peter Billingsley
Cinematography by: Eric Alan Edwards
Edited by: Dan Lebental
Editing System: Final Cut Pro Editing System
Director Of Photography: Second Unit
The Soloist (2009)
Directed by: Joe Wright
Cinematography by: Seamus McGarvey
Edited by: Paul Tothill
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Lightworks Editing System
Camera Operator
'Modern Family' Pilot (2009)
Directed by: Jason Winer
Cinematography by: David Hennings
Edited by: Ryan Case
Director Of Photography: Second Unit
Race to Witch Mountain (2009)
Directed by: Andy Fickman
Cinematography by: Greg Gardiner
Edited by: David Rennie
Camera Operator: "b" Camera
Redbelt (2008)
Directed by: David Mamet
Cinematography by: Robert Elswit
Edited by: Barbara Tulliver
Camera Operator
'Lost' One of Us (2007)
Directed by: Jack Bender
Cinematography by: Cort Fey
Edited by: Mark Goldman
Camera Operator
'Lost' Catch-22 (2007)
Directed by: Stephen Williams
Cinematography by: John S. Bartley
Edited by: Stephen Semel
Camera Operator: "a" Camera / Director Of Photography: Second Unit
Slipstream (2007)
Directed by: Anthony Hopkins
Cinematography by: Dante Spinotti
Edited by: Michael R. Miller
Camera Operator: "b" Camera
X-Men: The Last Stand (2006)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Camera Operator: "b" Camera
Dreamgirls (2006)
Directed by: Bill Condon
Cinematography by: Tobias A. Schliessler
Edited by: Virginia Katz
Camera Operator
Friday Night Lights (2004)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Camera Operator - 2 Episodes, 2007
Lost (2004)
Directed by: Jack Bender, Stephen Williams, Paul A. Edwards, Tucker Gates, Eric Laneuville, Greg Yaitanes, Bobby Roth, Kevin Hooks, J.J. Abrams, Daniel Attias, Rod Holcomb, Karen Gaviola, Stephen Semel, Marita Grabiak, Michael Zinberg, Adam Davidson, David Grossman, Robert Mandel, Alan Taylor, Matt Earl Beesley, Roxann Dawson, Deran Sarafian, Paris Barclay, Frederick E.O. Toye, Mark Goldman, Mario Van Peebles
Cinematography by: John S. Bartley, Michael Bonvillain, Cort Fey, Larry Fong, Stephen St. John, Edward J. Pei
Edited by: Stephen Semel, Mark Goldman, Christopher Nelson, Mary Jo Markey, Sarah Boyd, Henk Van Eeghen, David Eisenberg, Lance Stubblefield, Robert Florio, Sue Blainey, Jo Francis, Martin Nicholson, Chris Braun
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Camera Operator
Spider-Man 2 (2004)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera
Editing System: Avid Editing System
Camera Operator: "b" Camera
After the Sunset (2004)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Cameras: ARRICAM Lite (LT) Camera, Panavision Cameras
Camera Operator: Second Unit, USA
The Matrix Reloaded (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Additional Camera Operator: Second Unit
Terminator 3: Rise of the Machines (2003)
Directed by: Jonathan Mostow
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Camera Operator
Blue Crush (2002)
Directed by: John Stockwell
Cinematography by: David Hennings
Edited by: Emma E. Hickox
Camera Operator: Los Angeles
Zoolander (2001)
Directed by: Ben Stiller
Cinematography by: Barry Peterson
Edited by: Greg Hayden
Cameras: Panavision Panaflex Platinum Camera
Camera Operator: "c" Camera
Planet of the Apes (2001)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Cameras: Panavision Panaflex Platinum Camera
Underwater Photographer
The Deep End (2001)
Cinematography by: Giles Nuttgens
Edited by: Lauren Zuckerman
Camera Operator
Swordfish (2001)
Directed by: Dominic Sena
Cinematography by: Paul Cameron
Edited by: Stephen E. Rivkin
Camera Operator
Miss Congeniality (2000)
Directed by: Donald Petrie
Cinematography by: László Kovács
Edited by: Billy Weber
Camera Operator: "b" Camera, Second Unit
The Kid (2000)
Directed by: Jon Turteltaub
Cinematography by: Peter Menzies Jr.
Additional Photographer: Second Unit / Camera Operator
Gone in 60 Seconds (2000)
Directed by: Dominic Sena
Cinematography by: Paul Cameron
Camera Operator: Second Unit
Lethal Weapon 4 (1998)
Directed by: Richard Donner
Cinematography by: Andrzej Bartkowiak
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Camera Operator: Second Unit, Los Angeles
The Negotiator (1998)
Directed by: F. Gary Gray
Cinematography by: Russell Carpenter
Edited by: Christian Wagner
Cameras: Panavision Cameras
Camera Operator: "b" Camera
Trojan War (1997)
Directed by: George Huang
Cinematography by: Dean Semler
Edited by: Ed Marx
First Assistant Camera: "b" Camera
True Lies (1994)
Directed by: James Cameron
Cinematography by: Russell Carpenter
First Assistant Camera
Last Action Hero (1993)
Directed by: John McTiernan
Cinematography by: Dean Semler
Cameras: Panavision Panaflex Gold II Camera
First Assistant Camera
Oscar (1991)
Directed by: John Landis
Cinematography by: Mac Ahlberg
Edited by: Dale Beldin
Second Camera Assistant
DeepStar Six (1989)
Directed by: Sean S. Cunningham
Cinematography by: Mac Ahlberg
Edited by: David Handman
Second Assistant Camera
Chances Are (1989)
Directed by: Emile Ardolino
Cinematography by: William A. Fraker
Edited by: Harry Keramidas
