Supervising Music Editor
The Beekeeper (2024)
Directed by: David Ayer
Cinematography by: Gabriel Beristain
Edited by: Geoffrey O'Brien
Cameras: ARRI Alexa 35 Camera
Score Producer / Music Editor
8-Bit Christmas (2021)
Directed by: Michael Dowse
Cinematography by: Samy Inayeh
Edited by: Trevor Ambrose
Music Consultant
Bright (2017)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Lenses: Panavision Lenses
Supervising Music Editor
Suicide Squad (2016)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Edited by: John Gilroy
Supervising Music Editor
Allegiant (2016)
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Stuart Levy
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera
Music Editor, Score Co-producer
Straight Outta Compton (2015)
Directed by: F. Gary Gray
Cinematography by: Matthew Libatique
Cameras: Red Epic Dragon Camera
Lead Music Editor
Transformers: Age of Extinction (2014)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera
Editing System: Avid Editing System
Supervising Music Editor
Divergent (2014)
Directed by: Neil Burger
Cinematography by: Alwin H. Küchler
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Supervising Music Editor
Lone Survivor (2013)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Edited by: Colby Parker Jr.
Cameras: Phantom Flex Camera, Red Epic Camera
Music Editor
Oblivion (2013)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: Richard Francis-Bruce
Cameras: Red Epic Camera, Sony CineAlta F65 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Editing System: Avid Editing System
Supervising Music Editor
Battleship (2012)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Score Consultant
The Lincoln Lawyer (2011)
Directed by: Brad Furman
Cinematography by: Lukas Ettlin
Edited by: Jeff McEvoy
Cameras: Red One MX Camera
Music Editor
Skyline (2010)
Cinematography by: Michael Watson
Edited by: Nicholas Wayman-Harris
Cameras: Red One MX Camera
Music Editor
Rabbit Hole (2010)
Directed by: John Cameron Mitchell
Cinematography by: Frank G. DeMarco
Edited by: Joe Klotz
Cameras: Red One Camera
Music Editor / Score Producer
A Single Man (2009)
Directed by: Tom Ford
Cinematography by: Eduard Grau
Edited by: Joan Sobel
Additional Music Editor
Journey to the Center of the Earth (2008)
Directed by: Eric Brevig
Cinematography by: Chuck Shuman
Music Producer
The Wackness (2008)
Directed by: Jonathan Levine
Cinematography by: Petra Korner
Edited by: Josh Noyes
Music Editor
Bridge to Terabithia (2007)
Directed by: Gabor Csupo
Cinematography by: Michael Chapman
Edited by: John Gilbert
Cameras: Panavision Cameras
Music Editor
Lars and the Real Girl (2007)
Directed by: Craig Gillespie
Cinematography by: Adam Kimmel
Edited by: Tatiana S. Riegel
Lenses: Cooke S4 Lenses
Music Editor
Zodiac (2007)
Directed by: David Fincher
Cinematography by: Harris Savides
Edited by: Angus Wall
Cameras: Thomson Viper Camera
Lenses: Zeiss DigiPrime Lenses
Editing System: Final Cut Pro Editing System
Music Editor
Good Luck Chuck (2007)
Directed by: Mark Helfrich
Cinematography by: Anthony B. Richmond
Edited by: Julia Wong
Music Editor / Music Score Co-producer
Believe in Me (2006)
Directed by: Robert Collector
Cinematography by: James L. Carter
Edited by: Anthony Redman
Music Editor
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)
Directed by: Andrew Adamson
Cinematography by: Donald McAlpine
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera
Editing System: Avid Editing System
Music Editor
A Lot Like Love (2005)
Directed by: Nigel Cole
Cinematography by: John de Borman
Edited by: Susan Littenberg
Assistant Music Editor
Suspect Zero (2004)
Directed by: E. Elias Merhige
Cinematography by: Michael Chapman
Assistant Music Editor
National Treasure (2004)
Directed by: Jon Turteltaub
Cinematography by: Caleb Deschanel
Edited by: William Goldenberg
Music Editor
The Alamo (2004)
Directed by: John Lee Hancock
Cinematography by: Dean Semler
Edited by: Eric L. Beason
Music Editor
Friday Night Lights (2004)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Assistant Music Editor
The Order (2003)
Directed by: Brian Helgeland
Cinematography by: Nicola Pecorini
Edited by: Kevin Stitt
Assistant Music Editor
One Hour Photo (2002)
Directed by: Mark Romanek
Cinematography by: Jeff Cronenweth
Edited by: Jeffrey Ford
Assistant Music Editor
S1m0ne (2002)
Directed by: Andrew Niccol
Cinematography by: Edward Lachman
Edited by: Paul Rubell
Assistant Music Editor
Adaptation. (2002)
Directed by: Spike Jonze
Cinematography by: Lance Acord
Edited by: Eric Zumbrunnen
Assistant Music Editor
The Rookie (2002)
Directed by: John Lee Hancock
Cinematography by: John Schwartzman
Edited by: Eric L. Beason
Cameras: Panavision Panaflex Platinum Camera
