Visual Effects Crew: Scanline VFX
The Batman (2022)
Directed by: Matt Reeves
Cinematography by: Greig Fraser
Additional Visual Effects By: Scanline Munich GmbH
6 Underground (2019)
Directed by: Michael Bay
Cinematography by: Bojan Bazelli
Visual Effects: Scanline VFX
'Game of Thrones' The Bells (2019)
Directed by: Miguel Sapochnik
Cinematography by: Fabian Wagner
Edited by: Tim Porter
Matte Painting Supervisor: ScanlineVFX Munich
'Stranger Things' Chapter Eight: The Battle of Starcourt (2019)
Cinematography by: Lachlan Milne
Matte Painting Supervisor: ScanlineVFX Munich
'Stranger Things' Chapter Six: The Birthday (2019)
Directed by: Uta Briesewitz
Matte Painting Supervisor: ScanlineVFX Munich
'Stranger Things' Chapter Five: The Source (2019)
Directed by: Uta Briesewitz
Matte Painting Supervisor: ScanlineVFX Munich
Bird Box (2018)
Directed by: Susanne Bier
Cinematography by: Salvatore Totino
Edited by: Ben Lester
Cameras: Red Helium (Weapon) 8K
Lenses: Zeiss Master Prime Lenses
Lead Digital Artist: Scanline VFX
The Meg (2018)
Directed by: Jon Turteltaub
Cinematography by: Tom Stern
Matte Painting Artist: ScanlineVFX Munich
Guardians of the Galaxy Vol. 2 (2017)
Directed by: James Gunn
Cinematography by: Henry Braham
Cameras: Red Weapon Dragon Camera
Lenses: Panavision Primo 70 Lenses
Matte Painting Supervisor: Scanline VFX GmbH
Transformers: The Last Knight (2017)
Directed by: Michael Bay
Cinematography by: Jonathan Sela
Matchmove Artist: ScanlineVFX - 2 Episodes, 2019, Matte Painting Supervisor: ScanlineVFX Munich - 3 Episodes, 2019
Stranger Things (2016)
Directed by: Matt Duffer, Ross Duffer, Shawn Levy, Andrew Stanton, Uta Briesewitz, Nimród Antal, Rebecca Thomas, Dan Trachtenberg
Cinematography by: Tim Ives, Caleb Heymann, Tod Campbell, Lachlan Milne, Brett Jutkiewicz, David Franco
Cameras: ARRI ALEXA LF Camera, Red Epic Dragon Camera, Red Helium (Weapon) 8K, Red Monstro 8K Camera
Lenses: Leitz Summilux-C Series Lenses
Editing System: Avid Editing System
Matte Painting Supervisor: ScanlineVFX
Rogue One (2016)
Directed by: Gareth Edwards
Cinematography by: Greig Fraser
Cameras: ARRI ALEXA 65 Camera
Lenses: Panavision APO Panatar Lenses
Editing System: Avid Editing System
Visual Effects Crew: Scanline VFX
Captain America: The Winter Soldier (2014)
Cinematography by: Trent Opaloch
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens
Matte Painting Supervisor: ScanlineVFX
Big Game (2014)
Directed by: Jalmari Helander
Cinematography by: Mika Orasmaa
Edited by: Iikka Hesse
Cameras: ARRI ALEXA Camera, Blackmagic Cinema Camera, Canon EOS-C300 Camera, Phantom Flex Camera, Red Epic Camera
Lenses: Hawk Anamorphic Lenses
Matte Painter: Pixomondo
After Earth (2013)
Directed by: M. Night Shyamalan
Cinematography by: Peter Suschitzky
Edited by: Steven Rosenblum
Matte Painting Artist: ScanlineVFX
Percy Jackson: Sea of Monsters (2013)
Directed by: Thor Freudenthal
Cinematography by: Shelly Johnson
Edited by: Mark Goldblatt
Matte Painting Artist: ScanlineVFX
White House Down (2013)
Directed by: Roland Emmerich
Cinematography by: Anna Foerster
Edited by: Adam Wolfe
Matte Painting Artist: ScanlineVFX
Snowpiercer (2013)
Directed by: Joon-ho Bong
Cinematography by: Kyung-pyo Hong
Matte Painting: ScanlineVFX
The Avengers (2012)
Directed by: Joss Whedon
Cinematography by: Seamus McGarvey
Editing System: Avid Editing System
Digital Matte Painter: ScanlineVFX
Cloud Atlas (2012)
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, Phantom HD Camera
Editing System: Avid Editing System
Matte Painting Artist: Scanline VFX
Looper (2012)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Mattepainting: ScanlineVFX
The Apparition (2012)
Directed by: Todd Lincoln
Cinematography by: Daniel Pearl
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Visual Effects: Scanline VFX - 1 Episode, 2019
Game of Thrones (2011)
Directed by: David Nutter, Alan Taylor, Alex Graves, Miguel Sapochnik, Mark Mylod, Jeremy Podeswa, Daniel Minahan, Alik Sakharov, Michelle MacLaren, Brian Kirk, David Benioff, D.B. Weiss, Timothy Van Patten, Neil Marshall, David Petrarca, Michael Slovis, Jack Bender, Daniel Sackheim, Matt Shakman
Cinematography by: Anette Haellmigk, Jonathan Freeman, Robert McLachlan, Fabian Wagner, David Franco, Gregory Middleton, P.J. Dillon, Matthew Jensen, Alik Sakharov, Martin Kenzie, Marco Pontecorvo, Kramer Morgenthau, Chris Seager, Sam McCurdy, David Katznelson
Edited by: Katie Weiland, Frances Parker, Crispin Green, Tim Porter, Oral Norrie Ottey, Martin Nicholson, Jesse Parker, Yan Miles
Editing System: Avid Editing System
Mattepaintings: ScanlineVFX
Wickie auf großer Fahrt (2011)
Directed by: Christian Ditter
Cinematography by: Christian Rein
Edited by: Ueli Christen
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Matte Painting: ScanlineVFX
Pirates of the Caribbean: On Stranger Tides (2011)
Directed by: Rob Marshall
Cinematography by: Dariusz Wolski
Cameras: Red Epic Camera, Red One MX Camera
Matte Painter: ScanlineVFX
The Ghost Writer (2010)
Directed by: Roman Polanski
Cinematography by: Pawel Edelman
Edited by: Hervé de Luze
Matte Painter
The Last Airbender (2010)
Directed by: M. Night Shyamalan
Cinematography by: Andrew Lesnie
Edited by: Conrad Buff IV
Mattepaintings: ScanlineVFX
2012 (2009)
Directed by: Roland Emmerich
Cinematography by: Dean Semler
Cameras: Panavision Cameras, Panavision Genesis Camera
Editing System: Avid Editing System
Matte Painter: CA Scanline Production GmbH
Dresden (2006)
Directed by: Roland Suso Richter
Cinematography by: Holly Fink
Edited by: Bernd Schlegel
