Supervising Art Director
The Finest Hours (2016)
Directed by: Craig Gillespie
Cinematography by: Javier Aguirresarobe
Edited by: Tatiana S. Riegel
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Leitz Summilux-C Series Lenses
Art Director
Transformers: Age of Extinction (2014)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera
Editing System: Avid Editing System
Art Director
This Is the End (2013)
Cinematography by: Brandon Trost
Edited by: Zene Baker
Cameras: Panavision Cameras, Red Epic Camera
Art Director: Additional Photography
The Amazing Spider-Man (2012)
Directed by: Marc Webb
Cinematography by: John Schwartzman
Cameras: Red Epic Camera
Art Director
Battleship (2012)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Art Director: US
Gulliver's Travels (2010)
Directed by: Rob Letterman
Cinematography by: David Tattersall
Cameras: Canon EOS-1D Mark IV Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera
Editing System: Avid Editing System
Art Director
Tron (2010)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: James Haygood
Cameras: Phantom HD Camera, Sony CineAlta F35 Camera
Editing System: Avid Editing System
Art Director
Public Enemies (2009)
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Art Director
Mr. Brooks (2007)
Directed by: Bruce A. Evans
Cinematography by: John Lindley
Edited by: Miklos Wright
Art Director
I Am Legend (2007)
Directed by: Francis Lawrence
Cinematography by: Andrew Lesnie
Edited by: Wayne Wahrman
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Lenses
Art Director
Pirates of the Caribbean: At World's End (2007)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Art Director
Pirates of the Caribbean: Dead Man's Chest (2006)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Art Director
Idiocracy (2006)
Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: David Rennie
Art Director: Caribbean Unit
Pirates of the Caribbean: The Curse of the Black Pearl (2003)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Art Director: Los Angeles
Timeline (2003)
Directed by: Richard Donner
Cinematography by: Caleb Deschanel
Edited by: Richard Marks
Art Director
K-19: The Widowmaker (2002)
Directed by: Kathryn Bigelow
Cinematography by: Jeff Cronenweth
Edited by: Walter Murch
Art Director: Additional Photography
Rollerball (2002)
Directed by: John McTiernan
Cinematography by: Steve Mason
Set Designer
Star Trek: Nemesis (2002)
Directed by: Stuart Baird
Cinematography by: Jeffrey L. Kimball
Edited by: Dallas Puett
Art Director
Pearl Harbor (2001)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Production Designer
U-571 (2000)
Directed by: Jonathan Mostow
Cinematography by: Oliver Wood
Edited by: Wayne Wahrman
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Cooke S4 Lenses, Nikon - Nikkor Lenses
Supervising Art Director
Godzilla (1998)
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Art Director: Los Angeles
The Peacemaker (1997)
Directed by: Mimi Leder
Cinematography by: Dietrich Lohmann
Edited by: David Rosenbloom
Art Director
Speed 2: Cruise Control (1997)
Directed by: Jan de Bont
Cinematography by: Jack N. Green
Edited by: Alan Cody
Art Director
Eraser (1996)
Directed by: Chuck Russell
Cinematography by: Adam Greenberg
Edited by: Michael Tronick
Art Director
Twelve Monkeys (1995)
Directed by: Terry Gilliam
Cinematography by: Roger Pratt
Edited by: Mick Audsley
Cameras: Moviecam Cameras
Lenses: Cooke Lenses
Art Director
Oscar (1991)
Directed by: John Landis
Cinematography by: Mac Ahlberg
Edited by: Dale Beldin
Art Director
Dances with Wolves (1990)
Directed by: Kevin Costner
Cinematography by: Dean Semler
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Art Director: Los Angeles
Lock Up (1989)
Directed by: John Flynn
Cinematography by: Donald E. Thorin
Cameras: Panavision Cameras
Art Director
Cobra (1986)
Directed by: George P. Cosmatos
Cinematography by: Ric Waite
Cameras: Panavision Cameras
Art Director, Assistant Art Director
Rocky IV (1985)
Directed by: Sylvester Stallone
Cinematography by: Bill Butler
Cameras: Panavision Panaflex Gold Camera
Set Decorator
Rambo: First Blood Part II (1985)
Directed by: George P. Cosmatos
Cinematography by: Jack Cardiff
Set Designer
2010: The Year We Make Contact (1984)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Set Designer
Against All Odds (1984)
Directed by: Taylor Hackford
Cinematography by: Donald E. Thorin
Set Designer
The River (1984)
Directed by: Mark Rydell
Cinematography by: Vilmos Zsigmond
Edited by: Sidney Levin
Set Designer
Looker (1981)
Directed by: Michael Crichton
Cinematography by: Paul Lohmann
Edited by: Carl Kress
Set Designer
The Postman Always Rings Twice (1981)
Directed by: Bob Rafelson
Cinematography by: Sven Nykvist
Edited by: Graeme Clifford
Set Designer
Stir Crazy (1980)
Directed by: Sidney Poitier
Cinematography by: Fred Schuler
Edited by: Harry Keller
Set Designer
The Main Event (1979)
Directed by: Howard Zieff
Cinematography by: Mario Tosi
Edited by: Edward Warschilka
Set Designer
Nightwing (1979)
Directed by: Arthur Hiller
Cinematography by: Charles Rosher Jr.
Edited by: John C. Howard
Set Designer
The China Syndrome (1979)
Directed by: James Bridges
Cinematography by: James Crabe
Edited by: David Rawlins
Set Designer
1941 (1979)
Directed by: Steven Spielberg
Cinematography by: William A. Fraker
Edited by: Michael Kahn
Cameras: Panavision Panaflex Series Cameras
Set Designer
Foul Play (1978)
Directed by: Colin Higgins
Cinematography by: David M. Walsh
Edited by: Pembroke J. Herring
Set Designer
Coma (1978)
Directed by: Michael Crichton
Cinematography by: Victor J. Kemper
Edited by: David Bretherton
Set Designer
Oh, God! (1977)
Directed by: Carl Reiner
Cinematography by: Victor J. Kemper
Edited by: Bud Molin
Set Designer
New York, New York (1977)
Directed by: Martin Scorsese
Cinematography by: László Kovács
Cameras: Panavision Cameras
Set Designer
A Piece of the Action (1977)
Directed by: Sidney Poitier
Cinematography by: Donald M. Morgan
Edited by: Pembroke J. Herring
Cameras: Panavision Cameras
Set Designer
Winter Kill (1974)
Directed by: Jud Taylor
Cinematography by: Frank Stanley
Edited by: Henry Berman
Set Designer
Uptown Saturday Night (1974)
Directed by: Sidney Poitier
Cinematography by: Fred J. Koenekamp
Edited by: Pembroke J. Herring
