Key Costume Shopper
'Queen of the South' Bienvenidos a Nueva Orleans (2019)
Directed by: Eduardo Sánchez
Cinematography by: Abraham Martinez
Key Costumer
Under the Silver Lake (2018)
Directed by: David Robert Mitchell
Cinematography by: Mike Gioulakis
Edited by: Julio C. Perez IV
Cameras: ARRI ALEXA Mini Camera
Lenses: Cooke S4/i Lenses
Costumer
'Queen of the South' El Mundo (2018)
Directed by: Eduardo Sánchez
Cinematography by: Abraham Martinez
Edited by: Matthew Philip Smith
Costumer
'Queen of the South' Justicia (2018)
Directed by: Laura Belsey
Cinematography by: Abraham Martinez
Edited by: Nicole Brik
Costumer
'Queen of the South' Diez de Copas (2018)
Directed by: Nick Copus
Cinematography by: Abraham Martinez
Edited by: Philip Carr Neel
Costumer
'Queen of the South' La Muerte (2018)
Directed by: David Boyd
Cinematography by: Abraham Martinez
Edited by: Matthew Philip Smith
Costumer
'Queen of the South' El Diablo (2018)
Directed by: Eduardo Sánchez
Cinematography by: Abraham Martinez
Edited by: Nicole Brik
Costumer
'Queen of the South' El Carro (2018)
Directed by: Ben Hernandez Bray
Cinematography by: Abraham Martinez
Edited by: Philip Carr Neel
Costumer
'Queen of the South' Los Enamorados (2018)
Directed by: Rebecca Rodriguez
Cinematography by: Abraham Martinez
Edited by: Matthew Philip Smith
Costumer
'Queen of the South' Reina de Espadas (2018)
Directed by: Meera Menon
Cinematography by: Abraham Martinez
Edited by: Betsy C. Thompson
Costumer
'Queen of the South' La Fuerza (2018)
Directed by: Darren Grant
Cinematography by: Abraham Martinez
Edited by: Matthew Philip Smith
Costumer
'Queen of the South' El Juicio (2018)
Directed by: Eduardo Sánchez
Cinematography by: Abraham Martinez
Edited by: Nicole Brik
Costumer
'Queen of the South' Reina de Oros (2018)
Directed by: David Grossman
Cinematography by: Abraham Martinez
Edited by: Betsy C. Thompson
Costumer
'Queen of the South' La Ermitaña (2018)
Directed by: David Boyd
Cinematography by: Abraham Martinez
Edited by: Matthew Philip Smith
Costumer
'Queen of the South' El Colgado (2018)
Directed by: David Boyd
Cinematography by: Abraham Martinez
Edited by: Nicole Brik
Costumer
'Queen of the South' Que Manden los Payasos (2017)
Directed by: Loni Peristere
Cinematography by: John Brawley
Edited by: Priscilla Nedd-Friendly
Costumer
'Queen of the South' La Noche Oscura del Alma (2017)
Directed by: Tina Mabry
Cinematography by: John Brawley
Edited by: Philip Carr Neel
Costumer
'Queen of the South' Todas las Horas Hieren (2017)
Directed by: Eduardo Sánchez
Cinematography by: John Brawley
Edited by: Matthew Philip Smith
Costumer
'Queen of the South' La Última Hora Mata (2017)
Directed by: David Boyd
Cinematography by: John Brawley
Edited by: Priscilla Nedd-Friendly
Costumer
'Queen of the South' Sólo el Amor de Una Madre (2017)
Directed by: David Rodriguez
Cinematography by: John Brawley
Edited by: Matthew Philip Smith
Costumer
'Queen of the South' El Precio de la Fe (2017)
Directed by: Joe Menendez
Cinematography by: John Brawley
Edited by: Priscilla Nedd-Friendly
Costumer
'Queen of the South' Sacar Con Sifón el Mar (2017)
Directed by: Bronwen Hughes
Cinematography by: John Brawley
Edited by: Philip Carr Neel
Costumer
'Queen of the South' Dios y el Abogado (2017)
Directed by: Nick Gomez
Cinematography by: John Brawley
Edited by: Briana London
Costumer
'Queen of the South' Un Pacto con el Diablo (2017)
Directed by: Eduardo Sánchez
Cinematography by: John Brawley
Edited by: Matthew Philip Smith
Costumer
'Queen of the South' El Beso de Judas (2017)
Directed by: Ami Canaan Mann
Cinematography by: John Brawley
Edited by: Priscilla Nedd-Friendly
Costumer
'Queen of the South' El Nacimiento de Bolivia (2017)
Directed by: Nick Copus
Cinematography by: John Brawley
Edited by: Briana London
Costumer
'Queen of the South' El Camino de la Muerte (2017)
Directed by: David Boyd
Cinematography by: John Brawley
Edited by: Matthew Philip Smith
Costumer
'Queen of the South' El Cuerpo de Cristo (2017)
Directed by: David Boyd
Cinematography by: John Brawley
Edited by: Priscilla Nedd-Friendly
Costumer
X-Men: Apocalypse (2016)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: Phantom Flex4K Camera, Red Epic Dragon Camera
Lenses: Leitz Summilux-C Series Lenses
Costumer
'Queen of the South' Billete de Magia (2016)
Directed by: David Boyd
Cinematography by: Cameron Duncan
Edited by: Juan Carlos Garza
Costumer
'Queen of the South' El Hombre Pájaro (2016)
Directed by: David Platt
Cinematography by: Cameron Duncan
Edited by: Briana London
Costumer
'Queen of the South' El Engaño Como la Regla (2016)
Directed by: David Rodriguez
Cinematography by: Cameron Duncan
Costumer
'Queen of the South' Un Alma. Un Mapa. A Futuro (2016)
Directed by: T.J. Scott
Cinematography by: Cameron Duncan
Edited by: Juan Carlos Garza
Costumer
'Queen of the South' Lirio de los Valles (2016)
Directed by: Zetna Fuentes
Cinematography by: Cameron Duncan
Edited by: Briana London
Costumer
'Queen of the South' Estrategia de Entrada (2016)
Directed by: Scott Peters
Cinematography by: Cameron Duncan
Costumer
'Queen of the South' Cuarenta Minutos (2016)
Directed by: Matthew Penn
Cinematography by: Cameron Duncan
Edited by: Juan Carlos Garza
Costumer / Key Costume Shopper - 34 Episodes, 2016-2019
Queen of the South (2016)
Directed by: Eduardo Sánchez, David Boyd, David Rodriguez, Rebecca Rodriguez, Matthew Penn, Scott Peters, Nick Copus, Laura Belsey, Ben Hernandez Bray, Darren Grant, Zetna Fuentes, Constantine Makris, Jamie Payne, David Platt, T.J. Scott, Charlotte Sieling, Nick Gomez, Bronwen Hughes, Tina Mabry, Ami Canaan Mann, Joe Menendez, Loni Peristere, David Grossman, Meera Menon, Steve Acevedo, Leon Ichaso, Jessica Lowrey, Tawnia McKiernan, Batan Silva
Edited by: Matthew Philip Smith, Priscilla Nedd-Friendly, Briana London, Juan Carlos Garza, Philip Carr Neel, Nicole Brik, Amy M. Fleming, Betsy C. Thompson, Harvey Rosenstock, Benjamin Howdeshell
Lenses: Panavision PVintage 100 mm T1.6 Lens, Panavision PVintage 14 mm T1.9 Lens, Panavision PVintage 17 mm T1.9 Lens, Panavision PVintage 24 mm T1.2 Lens, Panavision PVintage 29 mm T1.2 Lens, Panavision PVintage 35 mm T1.6 Lens, Panavision PVintage 40 mm T1.3 Lens, Panavision PVintage 50 mm T1.0 Lens, Panavision PVintage 75 mm T1.6 Lens
Set Costumer
Need for Speed (2014)
Directed by: Scott Waugh
Cinematography by: Shane Hurlbut
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 19.5-94 mm T2.4 Lens, Angenieux Optimo Anamorphic Lenses, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke S4/i Prime 12mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 180mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0, Leica Elmarit-R II 28 mm f2.0, Leica Super Angulon-R 21 mm f4.0, Leica Super-Elmarit-R 15 mm f2.8, Leitz Summicron-C 21 mm T2.0 Lens, Zeiss Distagon T* 15mm f2.8 ZE, Zeiss Distagon T* 18mm f3.5 ZE
Costumer: Re-shoots
Divergent (2014)
Directed by: Neil Burger
Cinematography by: Alwin H. Küchler
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Set Costumer
Get on Up (2014)
Directed by: Tate Taylor
Cinematography by: Stephen Goldblatt
Edited by: Michael McCusker
Set Costumer
G.I. Joe: Retaliation (2013)
Directed by: Jon M. Chu
Cinematography by: Stephen F. Windon
Principal Set Costumer
Saving Mr. Banks (2013)
Directed by: John Lee Hancock
Cinematography by: John Schwartzman
Edited by: Mark Livolsi
Set Costumer
The Odd Life of Timothy Green (2012)
Directed by: Peter Hedges
Cinematography by: John Toll
Edited by: Andrew Mondshein
Costumer
Thor (2011)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Paul Rubell
Additional Costumer
Crazy, Stupid, Love. (2011)
Cinematography by: Andrew Dunn
Edited by: Lee Haxall
Cameras: Panavision Panaflex Platinum Camera
Additional Costumer
Burlesque (2010)
Directed by: Steve Antin
Cinematography by: Bojan Bazelli
Edited by: Virginia Katz
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Additional Costumer
Iron Man 2 (2010)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Costumer
Inception (2010)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision System 65 Camera, Phantom HD Gold Camera, Photo-Sonics 35mm-4B/4C Camera, Photo-Sonics 35mm-4ER Camera, Super Panavision-70 Camera
Lenses: Panavision 65mm Prime Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision System 65 Lenses
Editing System: Avid Editing System
Costumer
G.I. Joe: The Rise of Cobra (2009)
Directed by: Stephen Sommers
Cinematography by: Mitchell Amundsen
Costumer
Indiana Jones and the Kingdom of the Crystal Skull (2008)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Costumer
Poseidon (2006)
Directed by: Wolfgang Petersen
Cinematography by: John Seale
Edited by: Peter Honess
Set Costumer
Material Girls (2006)
Directed by: Martha Coolidge
Cinematography by: Johnny E. Jensen
Edited by: Steven Cohen
Costume Supervisor
Mulholland Dr. (2001)
Directed by: David Lynch
Cinematography by: Peter Deming
Edited by: Mary Sweeney
Cameras: Panavision Panaflex Platinum Camera
Costume Supervisor
My Little Assassin (1999)
Directed by: Jack Bender
Cinematography by: Ronald Víctor García
Edited by: Mark Melnick
Set Costumer
The Pentagon Wars (1998)
Directed by: Richard Benjamin
Cinematography by: Robert D. Yeoman
Edited by: Jacqueline Cambas
Set Costumer
Air Force One (1997)
Directed by: Wolfgang Petersen
Cinematography by: Michael Ballhaus
Edited by: Richard Francis-Bruce
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Variable Prime Lenses
Costume Supervisor
The Right to Remain Silent (1996)
Directed by: Hubert de La Bouillerie
Cinematography by: Greg Gardiner
Set Costumer
The Cable Guy (1996)
Directed by: Ben Stiller
Cinematography by: Robert Brinkmann
Edited by: Steven Weisberg
Cameras: ARRIFLEX 535 Camera, Moviecam Compact Camera
Costumer
Vampire in Brooklyn (1995)
Directed by: Wes Craven
Cinematography by: Mark Irwin
Edited by: Patrick Lussier
Cameras: Moviecam Compact Camera
Set Costumer
Twin Peaks: Fire Walk with Me (1992)
Directed by: David Lynch
Cinematography by: Ronald Víctor García
Edited by: Mary Sweeney
Cameras: Panavision Panaflex Gold Camera
Set Costumer
Out on a Limb (1992)
Directed by: Francis Veber
Cinematography by: Donald E. Thorin
Cameras: Panavision Cameras
Set Costumer
Wild at Heart (1990)
Directed by: David Lynch
Cinematography by: Frederick Elmes
Edited by: Duwayne Dunham
Set Costumer
Sudie and Simpson (1990)
Directed by: Joan Tewkesbury
Cinematography by: Mario DiLeo
Edited by: Robert P. Seppey
Production Assistant
RoboCop (1987)
Directed by: Paul Verhoeven
Edited by: Frank J. Urioste
Cameras: ARRIFLEX 35 BL Camera
Lenses: Zeiss Super Speed Lenses
