Director Of Business Affairs: BFI Film Fund
Calvary (2014)
Directed by: John Michael McDonagh
Cinematography by: Larry Smith
Edited by: Chris Gill
Cameras: ARRI ALEXA Series Cameras
Director Of Business Affairs: BFI Film Fund
The Invisible Woman (2013)
Directed by: Ralph Fiennes
Cinematography by: Rob Hardy
Edited by: Nicolas Gaster
Editing System: Avid Editing System
Director Of Business Affairs: BFI Film Fund
Under the Skin (2013)
Directed by: Jonathan Glazer
Cinematography by: Daniel Landin
Edited by: Paul Watts
Cameras: ARRI ALEXA Plus Camera, one-cam Camera
Head Of Business Affairs: UK Film Council
The Woman in Black (2012)
Directed by: James Watkins
Cinematography by: Tim Maurice-Jones
Edited by: Jon Harris
Director Of Business Affairs: BFI
Great Expectations (2012)
Directed by: Mike Newell
Cinematography by: John Mathieson
Edited by: Tariq Anwar
Head Of Business Affairs: UKFC/BFI
Shadow Dancer (2012)
Directed by: James Marsh
Cinematography by: Rob Hardy
Edited by: Jinx Godfrey
Head Of Business Affairs: The BFI Film Fund
Seven Psychopaths (2012)
Directed by: Martin McDonagh
Cinematography by: Ben Davis
Edited by: Lisa Gunning
Representative: BFI
The Angels' Share (2012)
Directed by: Ken Loach
Cinematography by: Robbie Ryan
Edited by: Jonathan Morris
Head Of Business Affairs: UK Film Council
The Iron Lady (2011)
Directed by: Phyllida Lloyd
Cinematography by: Elliot Davis
Edited by: Justine Wright
Head Of Business Affairs: UK Film Council
Horrid Henry: The Movie (2011)
Directed by: Nick Moore
Cinematography by: Sam McCurdy
Edited by: Simon Cozens
Head Of Business Affairs: UK Film Council
Attack the Block (2011)
Directed by: Joe Cornish
Cinematography by: Thomas Townend
Edited by: Jonathan Amos
Lenses: Cooke S4 Lenses
Head Of Business Affairs: UK Film Councie
Wuthering Heights (2011)
Directed by: Andrea Arnold
Cinematography by: Robbie Ryan
Edited by: Nicolas Chaudeurge
Head Of Business Affairs: UK Film Council
Salmon Fishing in the Yemen (2011)
Directed by: Lasse Hallström
Cinematography by: Terry Stacey
Edited by: Lisa Gunning
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Head Of Business Affairs: UK Film Council
Shame (2011)
Directed by: Steve McQueen
Cinematography by: Sean Bobbitt
Edited by: Joe Walker
Cameras: ARRICAM Lite (LT) Camera
Lenses: Cooke S4 Lenses
Head Of Business Affairs: UK Film Council
Brighton Rock (2010)
Directed by: Rowan Joffe
Cinematography by: John Mathieson
Edited by: Joe Walker
Head Of Business Affairs: UK Film Council
Centurion (2010)
Directed by: Neil Marshall
Cinematography by: Sam McCurdy
Edited by: Chris Gill
Editing System: Lightworks Editing System
Head Of Business Affairs: UK Film Council
The King's Speech (2010)
Directed by: Tom Hooper
Cinematography by: Danny Cohen
Edited by: Tariq Anwar
Lenses: Zeiss Master Prime Lenses
Editing System: Lightworks Editing System
Head Of Business Affairs: UK Film Council
Another Year (2010)
Directed by: Mike Leigh
Cinematography by: Dick Pope
Edited by: Jon Gregory
Lenses: Cooke S4 Lenses
Head Of Business Affairs: UK Film Council
Made in Dagenham (2010)
Directed by: Nigel Cole
Cinematography by: John de Borman
Edited by: Michael Parker
Head Of Business Affairs: UK Film Council
In the Loop (2009)
Directed by: Armando Iannucci
Cinematography by: Jamie Cairney
Cameras: Sony HDW-F900 Camera
Lenses: Zeiss DigiPrime Lenses
Head Of Business Affairs: UK Film Council
Glorious 39 (2009)
Directed by: Stephen Poliakoff
Cinematography by: Danny Cohen
Edited by: Jason Krasucki
Cameras: ARRICAM Lite (LT) Camera
Head Of Business Affairs: UK Film Council
Fish Tank (2009)
Directed by: Andrea Arnold
Cinematography by: Robbie Ryan
Edited by: Nicolas Chaudeurge
Head Of Business Affairs: UK Film Council
Dorian Gray (2009)
Directed by: Oliver Parker
Cinematography by: Roger Pratt
Edited by: Guy Bensley
Lenses: Angenieux Lenses, Cooke S4 Lenses
Head Of Business Affairs: UK Film Council
Nowhere Boy (2009)
Directed by: Sam Taylor-Johnson
Cinematography by: Seamus McGarvey
Edited by: Lisa Gunning
Head Of Legal And Business Affairs: UK Film Council
Harry Brown (2009)
Directed by: Daniel Barber
Cinematography by: Martin Ruhe
Edited by: Joe Walker
Cameras: Sony CineAlta F35 Camera
Head Of Business Affairs: UK Film Council
Happy-Go-Lucky (2008)
Directed by: Mike Leigh
Cinematography by: Dick Pope
Edited by: Jim Clark
Cameras: ARRI ARRIFLEX Series Cameras
Head Of Business Affairs: UK Film Council
Brideshead Revisited (2008)
Directed by: Julian Jarrold
Cinematography by: Jess Hall
Edited by: Chris Gill
Cameras: Panavision Cameras
Head Of Business Affairs: UKFC
The Cottage (2008)
Directed by: Paul Andrew Williams
Cinematography by: Christopher Ross
Edited by: Tom Hemmings
Head Of Business Affairs: UK Film Council
Death Defying Acts (2007)
Directed by: Gillian Armstrong
Cinematography by: Haris Zambarloukos
Edited by: Nicholas Beauman
Head Of Business Affairs: UK Film Council
Closing the Ring (2007)
Directed by: Richard Attenborough
Cinematography by: Roger Pratt
Edited by: Lesley Walker
Head Of Business Affairs: UK Film Council
When Did You Last See Your Father? (2007)
Directed by: Anand Tucker
Cinematography by: Howard Atherton
Edited by: Trevor Waite
Lenses: Hawk V-Series Lenses
Head Of Business Affairs: UK Film Council
Venus (2006)
Directed by: Roger Michell
Cinematography by: Haris Zambarloukos
Edited by: Nicolas Gaster
Cameras: ARRIFLEX 16SR3 Camera
Head Of Business Affairs: UK Film Council
Opal Dream (2006)
Directed by: Peter Cattaneo
Cinematography by: Robert Humphreys
Head Of Business Affairs: UK Film Council
London to Brighton (2006)
Directed by: Paul Andrew Williams
Cinematography by: Christopher Ross
Edited by: Tom Hemmings
Representative: UK Film Council
Miss Potter (2006)
Directed by: Chris Noonan
Cinematography by: Andrew Dunn
Edited by: Robin Sales
Head Of Business Affairs: The UK Film Council
The Proposition (2005)
Directed by: John Hillcoat
Cinematography by: Benoît Delhomme
Edited by: Jon Gregory
Head Of Business Affairs: UK Film Council
The Constant Gardener (2005)
Directed by: Fernando Meirelles
Cinematography by: César Charlone
Edited by: Claire Simpson
Cameras: Aaton A-Minima Camera, Aaton XTR Prod Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Lenses: Angenieux HR Zoom Lenses
Liaison: The UK Film Council
Vera Drake (2004)
Directed by: Mike Leigh
Cinematography by: Dick Pope
Edited by: Jim Clark
Cameras: Aaton XTR Prod Camera
Lenses: Cooke S4 Lenses
Head Of Business Affairs: UK Film Council
Ladies in Lavender (2004)
Directed by: Charles Dance
Cinematography by: Peter Biziou
Edited by: Michael Parker
Executive: Intermedia Films
Enigma (2001)
Directed by: Michael Apted
Cinematography by: Seamus McGarvey
Edited by: Rick Shaine
Cameras: Panavision Panaflex Camera
Representative: Intermedia Films
Iris (2001)
Directed by: Richard Eyre
Cinematography by: Roger Pratt
Edited by: Martin Walsh
Representative: Intermedia Films
The Wedding Planner (2001)
Directed by: Adam Shankman
Cinematography by: Julio Macat
Edited by: Lisa Zeno Churgin
Production Executive: Intermedia Films
Where the Money Is (2000)
Directed by: Marek Kanievska
Cinematography by: Thomas Burstyn
Representative: Intermedia Films
Sliding Doors (1998)
Directed by: Peter Howitt
Cinematography by: Remi Adefarasin
Edited by: John Smith
Executive In Charge Of Production: Intermedia Films
Playing by Heart (1998)
Directed by: Willard Carroll
Cinematography by: Vilmos Zsigmond
Edited by: Pietro Scalia
Cameras: Panavision Panaflex Platinum Camera
Representative: Intermedia Films
Hilary and Jackie (1998)
Directed by: Anand Tucker
Cinematography by: David Johnson
Edited by: Martin Walsh
