Music Supervisor
Saltburn (2023)
Directed by: Emerald Fennell
Cinematography by: Linus Sandgren
Edited by: Victoria Boydell
Music Consultant
Mary Queen of Scots (2018)
Directed by: Josie Rourke
Cinematography by: John Mathieson
Edited by: Chris Dickens
Music Consultant, Music Supervisor
Ophelia (2018)
Directed by: Claire McCarthy
Cinematography by: Denson Baker
Edited by: Luke Dunkley
Lenses: Angenieux Optimo Anamorphic 44-440 mm A2S T4.5 Lens, Hawk C-Series 100 mm T3.0 Lens, Hawk C-Series 40 mm T2.2 Lens, Hawk C-Series 50 mm T2.2 Lens, Hawk C-Series 75 mm T2.2 Lens, Hawk Super Wide Angle Zoom 10-24 mm T2.5 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Series 180 mm T3.0 Lens, Hawk V-Series 250 mm T3.0 Lens
Music Consultant
The Brothers Grimsby (2016)
Directed by: Louis Leterrier
Cinematography by: Oliver Wood
Music Consultant
The Program (2015)
Directed by: Stephen Frears
Cinematography by: Danny Cohen
Edited by: Valerio Bonelli
Cameras: Red Epic Camera
Music Consultant: Right Music
The World's End (2013)
Directed by: Edgar Wright
Cinematography by: Bill Pope
Edited by: Paul Machliss
Music Consultant
I Give It a Year (2013)
Directed by: Dan Mazer
Cinematography by: Ben Davis
Edited by: Tony Cranstoun
Cameras: ARRI ALEXA Plus Camera
Music Clearance
Something from Nothing: The Art of Rap (2012)
Cinematography by: Jeremy Hewson
Edited by: Kieran Smyth
Music Consultant
Big Miracle (2012)
Directed by: Ken Kwapis
Cinematography by: John Bailey
Edited by: Cara Silverman
Music Consultant
Johnny English Reborn (2011)
Directed by: Oliver Parker
Cinematography by: Danny Cohen
Edited by: Guy Bensley
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Phantom Flex Camera, Phantom HD Gold Camera
Lenses: Zeiss Master Prime Lenses
Music Consultant: Right Music
Tinker Tailor Soldier Spy (2011)
Directed by: Tomas Alfredson
Cinematography by: Hoyte Van Hoytema
Edited by: Dino Jonsäter
Editing System: Avid Editing System
Music Consultant
Green Zone (2010)
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Edited by: Christopher Rouse
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Music Consultant
Nanny McPhee Returns (2010)
Directed by: Susanna White
Cinematography by: Mike Eley
Edited by: Sim Evan-Jones
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens
Editing System: Avid Editing System
Music Consultant
State of Play (2009)
Directed by: Kevin Macdonald
Cinematography by: Rodrigo Prieto
Edited by: Justine Wright
Music Consultant: Right Music Limited
Atonement (2007)
Directed by: Joe Wright
Cinematography by: Seamus McGarvey
Edited by: Paul Tothill
Lenses: Panavision Hylén System Lens, Panavision Primo Primes Spherical Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens
Editing System: Avid Editing System
Music Consultant
Hot Fuzz (2007)
Directed by: Edgar Wright
Cinematography by: Jess Hall
Edited by: Chris Dickens
Music Consultant
Elizabeth: The Golden Age (2007)
Directed by: Shekhar Kapur
Cinematography by: Remi Adefarasin
Edited by: Jill Bilcock
Music Consultant
Mr. Bean's Holiday (2007)
Directed by: Steve Bendelack
Cinematography by: Baz Irvine
Edited by: Tony Cranstoun
Music Consultant
Sixty Six (2006)
Directed by: Paul Weiland
Cinematography by: Daniel Landin
Edited by: Paul Tothill
Music Consultant: Right Music Ltd.
Smokin' Aces (2006)
Directed by: Joe Carnahan
Cinematography by: Mauro Fiore
Edited by: Robert Frazen
Music Consultant: Right Music Limited
Nanny McPhee (2005)
Directed by: Kirk Jones
Cinematography by: Henry Braham
Music Consultant
The Interpreter (2005)
Directed by: Sydney Pollack
Cinematography by: Darius Khondji
Edited by: William Steinkamp
Music Consultant: Right Music Ltd.
Pride & Prejudice (2005)
Directed by: Joe Wright
Cinematography by: Roman Osin
Edited by: Paul Tothill
Lenses: Cooke S4 Lenses
Editing System: Lightworks Editing System
Music Consultant: Right Music Limited
Bridget Jones: The Edge of Reason (2004)
Directed by: Beeban Kidron
Cinematography by: Adrian Biddle
Edited by: Greg Hayden
Music Consultant
Shaun of the Dead (2004)
Directed by: Edgar Wright
Cinematography by: David M. Dunlap
Edited by: Chris Dickens
Cameras: ARRI Cameras
Music Consultant
The Calcium Kid (2004)
Directed by: Alex De Rakoff
Cinematography by: David M. Dunlap
Music Consultant
Thunderbirds (2004)
Directed by: Jonathan Frakes
Cinematography by: Brendan Galvin
Edited by: Martin Walsh
Music Consultant
Johnny English (2003)
Directed by: Peter Howitt
Cinematography by: Remi Adefarasin
Edited by: Robin Sales
Lenses: Angenieux Lenses, Zeiss Lenses
Editing System: Lightworks Editing System
Music Consultant
The Shape of Things (2003)
Directed by: Neil LaBute
Cinematography by: James L. Carter
Edited by: Joel Plotch
Music Consultant
About a Boy (2002)
Cinematography by: Remi Adefarasin
Edited by: Nick Moore
Cameras: ARRIFLEX 35mm Cameras
Lenses: ARRI Lenses
Editing System: Avid Editing System
Music Licensing Coordinator
Notting Hill (1999)
Directed by: Roger Michell
Cinematography by: Michael Coulter
Edited by: Nick Moore
Cameras: Moviecam Cameras
Editing System: Lightworks Editing System
Music Licensing Coordinator
Plunkett & Macleane (1999)
Directed by: Jake Scott
Cinematography by: John Mathieson
Edited by: Oral Norrie Ottey
Music Licensing Coordinator
Elizabeth (1998)
Directed by: Shekhar Kapur
Cinematography by: Remi Adefarasin
Edited by: Jill Bilcock
Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera
Music Licensing Coordinator
The MatchMaker (1997)
Directed by: Mark Joffe
Cinematography by: Ellery Ryan
Edited by: Paul Martin Smith
