Jason Bedig

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Guardians of the Galaxy Vol. 3 | ShotOnWhat?

Leadman

Guardians of the Galaxy Vol. 3 (2023)

Directed by: James Gunn

Cinematography by: Henry Braham

Edited by: Greg D'Auria, Fred Raskin

Cameras: Red Digital Cinema Cameras, Red Komodo Camera, Red Monstro 8K Camera, Red V-Raptor Camera

Lenses: Angenieux Optimo Ultra 12x Lens, Angenieux Type EZ-1 VV 45-135 mm T3.0 Lens, Angenieux Type EZ-2 VV 22-60 mm T3.0 Lens, Leitz M 0.8 Series Lenses

Ford v Ferrari | ShotOnWhat?

Lead Man

Ford v Ferrari (2019)

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Andrew Buckland, Michael McCusker, Dirk Westervelt

Cameras: ARRI ALEXA LF Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision H Series Lenses, Panavision T Series Anamorphic Lenses

Bird Box | ShotOnWhat?

Leadman

Bird Box (2018)

Directed by: Susanne Bier

Cinematography by: Salvatore Totino

Edited by: Ben Lester

Cameras: Red Helium (Weapon) 8K

Lenses: Zeiss Master Prime Lenses

Transformers: The Last Knight | ShotOnWhat?

The Hateful Eight | ShotOnWhat?

Leadman

The Hateful Eight (2015)

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Fred Raskin

Cameras: ARRIFLEX 765 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision APO Panatar 100mm T2.8 Lens, Panavision APO Panatar 135mm T3.0 Lens, Panavision APO Panatar 35mm T2.8 Lens, Panavision APO Panatar 50mm T2.8 Lens, Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Prism 150mm T3.6 Lens, Panavision APO Panatar Prism 57mm T4.0 Lens, Panavision APO Panatar Prism 75mm T3.5 Lens, Panavision Variable APO Panatar 135mm T3.2 Lens

Editing System: Avid Editing System

The Gambler | ShotOnWhat?

Leadman

The Gambler (2014)

Directed by: Rupert Wyatt

Cinematography by: Greig Fraser

Edited by: Pete Beaudreau

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Transformers: Age of Extinction | ShotOnWhat?

Lead Man

Transformers: Age of Extinction (2014)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Paul Rubell

Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

After Earth | ShotOnWhat?

Leadman

After Earth (2013)

Directed by: M. Night Shyamalan

Cinematography by: Peter Suschitzky

Edited by: Steven Rosenblum

Cameras: Canon EOS-C500 Camera, Sony CineAlta F65 Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Cooke S4 Lenses

The Avengers | ShotOnWhat?

Leadman

The Avengers (2012)

Directed by: Joss Whedon

Cinematography by: Seamus McGarvey

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera

Lenses: Panavision Frazier Lenses, Panavision Lenses

Editing System: Avid Editing System

J. Edgar | ShotOnWhat?

Set Dresser

J. Edgar (2011)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision C100 100 mm T2.8 Lens, Panavision C75 75 mm T2.5 Lens, Panavision E Series Anamorphic Lenses, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens

The Rum Diary | ShotOnWhat?

Leadman

The Rum Diary (2011)

Directed by: Bruce Robinson

Cinematography by: Dariusz Wolski

Edited by: Carol Littleton

Cameras: ARRIFLEX 16SR3 Advanced Camera, ARRIFLEX 416 Camera

Lenses: Zeiss Ultra Prime Lenses

Rampart | ShotOnWhat?

Leadman

Rampart (2011)

Directed by: Oren Moverman

Cinematography by: Bobby Bukowski

Edited by: Jay Rabinowitz

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Zeiss Super Speed Lenses

Bridesmaids | ShotOnWhat?

Leadman

Bridesmaids (2011)

Directed by: Paul Feig

Cinematography by: Robert D. Yeoman

Edited by: William Kerr, Michael L. Sale

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Unstoppable | ShotOnWhat?

Leadman

Unstoppable (2010)

Directed by: Tony Scott

Cinematography by: Ben Seresin

Edited by: Robert Duffy, Chris Lebenzon

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Public Enemies | ShotOnWhat?

Leadman

Public Enemies (2009)

Directed by: Michael Mann

Cinematography by: Dante Spinotti

Edited by: Jeffrey Ford, Paul Rubell

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Sony HDC-F950 Camera, Sony PMW-EX1 Camera

Lenses: Cooke S4 Lenses, Fujinon E Series Lenses, Zeiss DigiPrime Lenses

21 | ShotOnWhat?

Leadman: Las Vegas

21 (2008)

Directed by: Robert Luketic

Cinematography by: Russell Carpenter

Edited by: Elliot Graham

Cameras: Pan-Arri 435 Camera, Panavision Genesis Camera

Lenses: Panavision Primo Anamorphic Lenses

Hancock | ShotOnWhat?

Lead Man

Hancock (2008)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr., Paul Rubell

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

The Fast and the Furious: Tokyo Drift | ShotOnWhat?

Leadman

The Fast and the Furious: Tokyo Drift (2006)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Kelly Matsumoto, Dallas Puett, Fred Raskin

The Skeleton Key | ShotOnWhat?

Leadman

The Skeleton Key (2005)

Directed by: Iain Softley

Cinematography by: Dan Mindel

Edited by: Joe Hutshing

Bad News Bears | ShotOnWhat?

Lead Man

Bad News Bears (2005)

Directed by: Richard Linklater

Cinematography by: Rogier Stoffers

Edited by: Sandra Adair

Collateral | ShotOnWhat?

Leadman

Collateral (2004)

Directed by: Michael Mann

Cinematography by: Dion Beebe, Paul Cameron

Edited by: Jim Miller, Paul Rubell

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony HDC-F950 Camera, Sony HDW-F900 Camera, Thomson Viper Camera

Lenses: Panavision Primo Primes Spherical Lenses, Zeiss DigiPrime Lenses

Editing System: Avid Editing System

Ray | ShotOnWhat?

Leadman

Ray (2004)

Directed by: Taylor Hackford

Cinematography by: Pawel Edelman

Edited by: Paul Hirsch

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 35 IIC Camera

Lenses: Cooke Cinetal Lenses, Cooke S4 Lenses, Cooke Varotal Lenses

Tears of the Sun | ShotOnWhat?

Leadman

Tears of the Sun (2003)

Directed by: Antoine Fuqua

Cinematography by: Mauro Fiore

Edited by: Conrad Buff IV, Christopher Holmes

Cameras: Panavision Cameras

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Austin Powers in Goldmember | ShotOnWhat?

Leadman

Austin Powers in Goldmember (2002)

Directed by: Jay Roach

Cinematography by: Peter Deming

Edited by: Greg Hayden, Jon Poll

America's Sweethearts | ShotOnWhat?

Lead Man

America's Sweethearts (2001)

Directed by: Joe Roth

Cinematography by: Phedon Papamichael

Edited by: Stephen A. Rotter

Rat Race | ShotOnWhat?

Leadman

Rat Race (2001)

Directed by: Jerry Zucker

Cinematography by: Thomas E. Ackerman

Edited by: Tom Lewis

One Night at McCool's | ShotOnWhat?

Leadperson

One Night at McCool's (2001)

Directed by: Harald Zwart

Cinematography by: Karl Walter Lindenlaub

Edited by: Bruce Cannon

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

The Kid | ShotOnWhat?

Leadman

The Kid (2000)

Directed by: Jon Turteltaub

Cinematography by: Peter Menzies Jr.

Edited by: Peter Honess, David Rennie

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Traffic | ShotOnWhat?

Lead Man

Traffic (2000)

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Stephen Mirrione

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Erin Brockovich | ShotOnWhat?

Leadman

Erin Brockovich (2000)

Directed by: Steven Soderbergh

Cinematography by: Edward Lachman

Edited by: Anne V. Coates

Cameras: Moviecam Compact Camera

Lenses: Cooke S4 Lenses

Man on the Moon | ShotOnWhat?

Leadman

Man on the Moon (1999)

Directed by: Milos Forman

Cinematography by: Anastas N. Michos

Edited by: Adam Boome, Lynzee Klingman, Christopher Tellefsen

The Deep End of the Ocean | ShotOnWhat?

Set Dresser

The Deep End of the Ocean (1999)

Directed by: Ulu Grosbard

Cinematography by: Stephen Goldblatt

Edited by: John Bloom

Doctor Dolittle | ShotOnWhat?

Set Dresser

Doctor Dolittle (1998)

Directed by: Betty Thomas

Cinematography by: Russell Boyd

Edited by: Peter Teschner

Nothing to Lose | ShotOnWhat?

Lead Person

Nothing to Lose (1997)

Directed by: Steve Oedekerk

Cinematography by: Donald E. Thorin

Edited by: Malcolm Campbell

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Gone Fishin' | ShotOnWhat?

Leadman

Gone Fishin' (1997)

Directed by: Christopher Cain

Cinematography by: Dean Semler

Edited by: Jack Hofstra

Just Cause | ShotOnWhat?

Lead Person

Just Cause (1995)

Directed by: Arne Glimcher

Cinematography by: Lajos Koltai

Edited by: William M. Anderson, Armen Minasian

The Puppet Masters | ShotOnWhat?

Leadman

The Puppet Masters (1994)

Directed by: Stuart Orme

Cinematography by: Clive Tickner

Edited by: William Goldenberg

Beethoven's 2nd | ShotOnWhat?

Leadman

Beethoven's 2nd (1993)

Directed by: Rod Daniel

Cinematography by: Bill Butler

Edited by: William D. Gordean, Sheldon Kahn

Lost in Yonkers | ShotOnWhat?

Assistant Property Master

Lost in Yonkers (1993)

Directed by: Martha Coolidge

Cinematography by: Johnny E. Jensen, A. Troy Thomas

Edited by: Steven Cohen

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