Special Effects Supervisor
Barbie (2023)
Directed by: Greta Gerwig
Cinematography by: Rodrigo Prieto
Edited by: Nick Houy
Cameras: ARRI ALEXA 65 Camera
Special Effects Supervisor - 11 Episodes, 2022
The Sandman (2022)
Directed by: Jamie Childs, Andrés Baiz, Louise Hooper, Hisko Hulsing, Mairzee Almas, Mike Barker, Coralie Fargeat
Cameras: Red Monstro 8K Camera
Special Effects Supervisor
Zack Snyder's Justice League (2021)
Directed by: Zack Snyder
Cinematography by: Fabian Wagner
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Leitz Summilux-C Series Lenses
Special Effects Supervisor
Wonder Woman 1984 (2020)
Directed by: Patty Jenkins
Cinematography by: Matthew Jensen
Edited by: Richard Pearson
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Special Effects Supervisor
Bohemian Rhapsody (2018)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Edited by: John Ottman
Editing System: Avid Editing System
Special Effects Supervisor
King Arthur: Legend of the Sword (2017)
Directed by: Guy Ritchie
Cinematography by: John Mathieson
Edited by: James Herbert
Cameras: ARRI ALEXA XT Camera
Special Effects
Florence Foster Jenkins (2016)
Directed by: Stephen Frears
Cinematography by: Danny Cohen
Edited by: Valerio Bonelli
Cameras: ARRI ALEXA XT Camera
Special Effects Supervisor
Pan (2015)
Directed by: Joe Wright
Cameras: ARRI ALEXA XT Camera, Phantom Flex Camera
Special Effects Supervisor
Paddington (2014)
Directed by: Paul King
Cinematography by: Erik Wilson
Edited by: Mark Everson
Cameras: ARRI ALEXA Studio Camera, ARRI ALEXA XT Camera
Lenses: Cooke S4 Lenses
Special Effects Supervisor
The Theory of Everything (2014)
Directed by: James Marsh
Cinematography by: Benoît Delhomme
Edited by: Jinx Godfrey
Special Effects Supervisor
Great Expectations (2012)
Directed by: Mike Newell
Cinematography by: John Mathieson
Edited by: Tariq Anwar
Special Effects Supervisor
Les Misérables (2012)
Directed by: Tom Hooper
Cinematography by: Danny Cohen
Special Effects Supervisor
Gambit (2012)
Directed by: Michael Hoffman
Cinematography by: Florian Ballhaus
Edited by: Paul Tothill
Cameras: ARRI ALEXA Camera
Lenses: Leitz Summilux-C Series Lenses
Special Effects Supervisor
Now Is Good (2012)
Directed by: Ol Parker
Cinematography by: Erik Wilson
Edited by: Peter Lambert
Lenses: Zeiss Master Prime Lenses
Special Effects Supervisor
Anna Karenina (2012)
Directed by: Joe Wright
Cinematography by: Seamus McGarvey
Edited by: Melanie Oliver
Special Effects Supervisor
My Week with Marilyn (2011)
Directed by: Simon Curtis
Cinematography by: Ben Smithard
Edited by: Adam Recht
Lenses: Cooke 5/i Lenses, Cooke S4 Lenses
Special Effects
Salmon Fishing in the Yemen (2011)
Directed by: Lasse Hallström
Cinematography by: Terry Stacey
Edited by: Lisa Gunning
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Special Effects Supervisor
360 (2011)
Directed by: Fernando Meirelles
Cinematography by: Adriano Goldman
Edited by: Daniel Rezende
Special Effects Supervisor
Sherlock Holmes: A Game of Shadows (2011)
Directed by: Guy Ritchie
Cinematography by: Philippe Rousselot
Edited by: James Herbert
Special Effects Supervisor
Johnny English Reborn (2011)
Directed by: Oliver Parker
Cinematography by: Danny Cohen
Edited by: Guy Bensley
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Phantom Flex Camera, Phantom HD Gold Camera
Lenses: Zeiss Master Prime Lenses
Special Effects Supervisor
'Misfits' Episode #3.8 (2011)
Directed by: Jonathan van Tulleken
Cinematography by: Felix Wiedemann
Edited by: James Hughes
Special Effects Supervisor
Swinging with the Finkels (2011)
Directed by: Jonathan Newman
Cinematography by: Dirk Nel
Edited by: Eddie Hamilton
Cameras: Sony CineAlta F35 Camera
Lenses: Angenieux Optimo Zoom Lenses
Special Effects Supervisor
One Day (2011)
Directed by: Lone Scherfig
Cinematography by: Benoît Delhomme
Edited by: Barney Pilling
Special Effects Supervisor
Tinker Tailor Soldier Spy (2011)
Directed by: Tomas Alfredson
Cinematography by: Hoyte Van Hoytema
Edited by: Dino Jonsäter
Editing System: Avid Editing System
Special Effects
'Misfits' Episode #2.3 (2010)
Directed by: Tom Green
Cinematography by: Christopher Ross
Special Effects Supervisor
Nanny McPhee Returns (2010)
Directed by: Susanna White
Cinematography by: Mike Eley
Edited by: Sim Evan-Jones
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens
Editing System: Avid Editing System
Special Effects
'Misfits' Episode #2.4 (2010)
Directed by: Owen Harris
Cinematography by: Christopher Ross
Edited by: Tom Hemmings
Special Effects Supervisor
The King's Speech (2010)
Directed by: Tom Hooper
Cinematography by: Danny Cohen
Edited by: Tariq Anwar
Lenses: Zeiss Master Prime Lenses
Editing System: Lightworks Editing System
Special Effects
'Misfits' Episode #2.5 (2010)
Directed by: Owen Harris
Cinematography by: Christopher Ross
Edited by: Tom Hemmings
Special Effects
'Misfits' Episode #2.6 (2010)
Directed by: Owen Harris
Cinematography by: Christopher Ross
Edited by: Tom Hemmings
Special Effects
'Misfits' Christmas Special (2010)
Directed by: Tom Harper
Cinematography by: Christopher Ross
Edited by: Mark Eckersley
Special Effects Supervisor
St Trinian's 2: The Legend of Fritton's Gold (2009)
Cinematography by: David Higgs
Edited by: Emma E. Hickox
Special Effects Supervisor
Dorian Gray (2009)
Directed by: Oliver Parker
Cinematography by: Roger Pratt
Edited by: Guy Bensley
Lenses: Angenieux Lenses, Cooke S4 Lenses
Special Effects Supervisor
Bright Star (2009)
Directed by: Jane Campion
Cinematography by: Greig Fraser
Edited by: Alexandre de Franceschi
Lenses: Cooke S4 Lenses, Optica Elite Lenses
Special Effects Supervisor
Sherlock Holmes (2009)
Directed by: Guy Ritchie
Cinematography by: Philippe Rousselot
Edited by: James Herbert
Special Effects / Special Effects Supervisor - 7 Episodes, 2009-2011
Misfits (2009)
Directed by: Tom Green, Jonathan van Tulleken, Tom Harper, Wayne Yip, China Moo-Young, Owen Harris, Alex Garcia Lopez, William Sinclair, Nirpal Bhogal, William McGregor, Dusan Lazarevic, Lewis Arnold, Lawrence Gough, Amanda Boyle
Cinematography by: Christopher Ross, Felix Wiedemann, Damian Bromley, David Raedeker, Adam Etherington, Tim Sidell, Simon Tindall, Jonathan Harvey, Sam Care
Edited by: Tom Hemmings, Andrew MacRitchie, Crispin Green, David Head, Robin Peters, Jake Roberts, Matthew Tabern, Robin Hill, Celia Haining, James Hughes, Richard Graham, Stephen Haren, Christopher Watson, Mark Eckersley, Kim Gaster
Cameras: Red One Camera
Special Effects Supervisor
Perrier's Bounty (2009)
Directed by: Ian Fitzgibbon
Cinematography by: Seamus Deasy
Edited by: Tony Cranstoun
Special Effects
'Misfits' Episode #1.1 (2009)
Directed by: Tom Green
Cinematography by: Christopher Ross
Edited by: Crispin Green
Special Effects Supervisor
Brideshead Revisited (2008)
Directed by: Julian Jarrold
Cinematography by: Jess Hall
Edited by: Chris Gill
Cameras: Panavision Cameras
Special Effects Supervisor
Miss Pettigrew Lives for a Day (2008)
Directed by: Bharat Nalluri
Cinematography by: John de Borman
Edited by: Barney Pilling
Cameras: Panavision Cameras
Special Effects Supervisor
The Duchess (2008)
Directed by: Saul Dibb
Cinematography by: Gyula Pados
Edited by: Masahiro Hirakubo
Special Effects Supervisor
In Bruges (2008)
Directed by: Martin McDonagh
Cinematography by: Eigil Bryld
Edited by: Jon Gregory
Special Effects Supervisor
Easy Virtue (2008)
Directed by: Stephan Elliott
Cinematography by: Martin Kenzie
Edited by: Sue Blainey
Special Effects Supervisor
St. Trinian's (2007)
Cinematography by: Gavin Finney
Edited by: Alex Mackie
Lenses: Cooke S4 Lenses
Special Effects Supervisor: UK
Mr. Bean's Holiday (2007)
Directed by: Steve Bendelack
Cinematography by: Baz Irvine
Edited by: Tony Cranstoun
Special Effects Supervisor
Atonement (2007)
Directed by: Joe Wright
Cinematography by: Seamus McGarvey
Edited by: Paul Tothill
Lenses: Panavision Hylén System Lens, Panavision Primo Primes Spherical Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens
Editing System: Avid Editing System
Special Effects Supervisor: United Kingdom
The Holiday (2006)
Directed by: Nancy Meyers
Cinematography by: Dean Cundey
Edited by: Joe Hutshing
Cameras: Panavision Panaflex Platinum Camera
Special Effects Supervisor
Sixty Six (2006)
Directed by: Paul Weiland
Cinematography by: Daniel Landin
Edited by: Paul Tothill
Special Effects Supervisor
Nanny McPhee (2005)
Directed by: Kirk Jones
Cinematography by: Henry Braham
Special Effects Supervisor
The Girl in the Café (2005)
Directed by: David Yates
Cinematography by: Chris Seager
Edited by: Mark Day
Special Effects
Man to Man (2005)
Directed by: Régis Wargnier
Cinematography by: Laurent Dailland
Edited by: Yann Malcor
Special Effects
Pride & Prejudice (2005)
Directed by: Joe Wright
Cinematography by: Roman Osin
Edited by: Paul Tothill
Lenses: Cooke S4 Lenses
Editing System: Lightworks Editing System
Special Effects Supervisor
Vanity Fair (2004)
Directed by: Mira Nair
Cinematography by: Declan Quinn
Edited by: Allyson C. Johnson
Special Effects
Enduring Love (2004)
Directed by: Roger Michell
Cinematography by: Haris Zambarloukos
Edited by: Nicolas Gaster
Special Effects Coordinator
I Am David (2003)
Directed by: Paul Feig
Cinematography by: Roman Osin
Edited by: Steven Weisberg
Special Effects Supervisor
Bright Young Things (2003)
Directed by: Stephen Fry
Cinematography by: Henry Braham
Edited by: Alex Mackie
Special Effects Supervisor - 2 Episodes, 2002
Shackleton (2002)
Directed by: Charles Sturridge
Cinematography by: Henry Braham
Edited by: Peter Coulson
Special Effects Supervisor
'Shackleton' Episode #1.1 (2002)
Directed by: Charles Sturridge
Cinematography by: Henry Braham
Edited by: Peter Coulson
Special Effects Supervisor
'Shackleton' Episode #1.2 (2002)
Directed by: Charles Sturridge
Cinematography by: Henry Braham
Edited by: Peter Coulson
Special Effects Supervisor
Longitude (2000)
Directed by: Charles Sturridge
Cinematography by: Peter Hannan
Edited by: Peter Coulson
