Special Effects Coordinator
Black Panther (2018)
Directed by: Ryan Coogler
Cinematography by: Rachel Morrison
Special Effects Supervisor
The Babysitter (2017)
Directed by: McG
Cinematography by: Shane Hurlbut
Cameras: Red Weapon Dragon Camera
Special Effects Coordinator: Additional Photography
Captain America: Civil War (2016)
Cinematography by: Trent Opaloch
Special Effects Coordinator: Additional Photography
Avengers: Age of Ultron (2015)
Directed by: Joss Whedon
Cinematography by: Ben Davis
Special Effects Supervisor
'Gortimer Gibbon's Life on Normal Street' Gortimer and the Leaky Dreamcatcher (2015)
Directed by: Steven K. Tsuchida
Cinematography by: Eduardo Enrique Mayén
Edited by: Cheryl Campsmith
Special Effects Supervisor
'Gortimer Gibbon's Life on Normal Street' The Mystery of the Blood Moon Eclipse (2015)
Directed by: Sasie Sealy
Cinematography by: Eduardo Enrique Mayén
Edited by: Marcelo Sansevieri
Special Effects Supervisor
'Gortimer Gibbon's Life on Normal Street' Ranger and the Mysterious Metamorphosis (2015)
Directed by: Eduardo Enrique Mayén
Cinematography by: Francisco Bulgarelli
Edited by: Cheryl Campsmith
Special Effects Supervisor
'Gortimer Gibbon's Life on Normal Street' Mel vs. The Fickle Fortune Teller of Fate (2015)
Directed by: Luke Matheny
Cinematography by: Eduardo Enrique Mayén
Edited by: Marcelo Sansevieri
Special Effects Supervisor
'Gortimer Gibbon's Life on Normal Street' Gortimer and the Surprise Signature (2015)
Directed by: J.J. Johnson
Cinematography by: Eduardo Enrique Mayén
Edited by: Cheryl Campsmith
Special Effects Supervisor
'Gortimer Gibbon's Life on Normal Street' Gortimer and the Lost Treasure of Normal Street (2015)
Directed by: Suzi Yoonessi
Cinematography by: Eduardo Enrique Mayén
Edited by: Cheryl Campsmith
Special Effects Supervisor
'Gortimer Gibbon's Life on Normal Street' Gortimer vs. The Relentless Rainbow of Joy (2015)
Directed by: Luke Matheny
Cinematography by: Eduardo Enrique Mayén
Edited by: Marcelo Sansevieri
Special Effects Supervisor
'Gortimer Gibbon's Life on Normal Street' Gortimer and the Blazer of Glory (2015)
Directed by: Luke Matheny
Cinematography by: Eduardo Enrique Mayén
Edited by: Cheryl Campsmith
Special Effects Supervisor
'Gortimer Gibbon's Life on Normal Street' Mel and the Mel-Functioning Brain (2015)
Directed by: Luke Matheny
Cinematography by: Eduardo Enrique Mayén
Edited by: Cheryl Campsmith
Special Effects Supervisor
'Gortimer Gibbon's Life on Normal Street' Gortimer vs. The Mobile of Misfortune (2014)
Directed by: Luke Matheny
Cinematography by: Eduardo Enrique Mayén
Edited by: Cheryl Campsmith
Special Effects Coordinator
'Gortimer Gibbon's Life on Normal Street' Mel vs. the Mel-o-dramatic Robot (2014)
Directed by: Luke Matheny
Cinematography by: Eduardo Enrique Mayén
Edited by: Marcelo Sansevieri
Special Effects Coordinator
'Gortimer Gibbon's Life on Normal Street' Gortimer and the Mystical Mind Eraser (2014)
Directed by: Joe Nussbaum
Cinematography by: Eduardo Enrique Mayén
Edited by: Cheryl Campsmith
Special Effects Supervisor / Special Effects Coordinator - 14 Episodes, 2014-2015
Gortimer Gibbon's Life on Normal Street (2014)
Directed by: Luke Matheny, Sasie Sealy, Alethea Jones, Ryan Shiraki, Joe Nussbaum, Steven K. Tsuchida, J.J. Johnson, Paul Hoen, Eduardo Enrique Mayén, Suzi Yoonessi, Jonathan Judge
Cameras: Sony PMW-F55 Camera
Lenses: Cooke S4 Lenses
Special Effects Supervisor
'Gortimer Gibbon's Life on Normal Street' Gortimer Gets Shushed (2014)
Directed by: Steven K. Tsuchida
Cinematography by: Eduardo Enrique Mayén
Edited by: Marcelo Sansevieri
Special Effects Coordinator
'Gortimer Gibbon's Life on Normal Street' Ranger and the Legend of Pendragon's Gavel (2014)
Directed by: Alethea Jones
Cinematography by: Eduardo Enrique Mayén
Edited by: Marcelo Sansevieri
Special Effects Technician
The Wolf of Wall Street (2013)
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 140 mm T3.5 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 135 mm T3.0 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Plus 80-180 mm T2.8 Lens, Hawk V-Series 180 mm T3.0 Lens, Zeiss Master Prime Lenses
Editing System: Lightworks Editing System
Special Effects Technician
Thor (2011)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Paul Rubell
Special Effects
The Muppets (2011)
Directed by: James Bobin
Cinematography by: Don Burgess
Edited by: James Thomas
Cameras: Red Epic Camera, Red One MX Camera
Special Effects Technician
Cowboys & Aliens (2011)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Special Effects Technician
Iron Man 2 (2010)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Special Effects Technician
Takers (2010)
Directed by: John Luessenhop
Cinematography by: Michael Barrett
Edited by: Armen Minasian
Special Effects Technician
G.I. Joe: The Rise of Cobra (2009)
Directed by: Stephen Sommers
Cinematography by: Mitchell Amundsen
Motion Base Technician
Race to Witch Mountain (2009)
Directed by: Andy Fickman
Cinematography by: Greg Gardiner
Edited by: David Rennie
Special Effects Technician: Bus Sequence
Jumper (2008)
Directed by: Doug Liman
Cinematography by: Barry Peterson
Cameras: Panavision Cameras, Red One Camera
Gimbal Operator
The Incredible Hulk (2008)
Directed by: Louis Leterrier
Cinematography by: Peter Menzies Jr.
Editing System: Avid Editing System
Motion Base Foreperson
Lions for Lambs (2007)
Directed by: Robert Redford
Cinematography by: Philippe Rousselot
Edited by: Joe Hutshing
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Special Effects Technician
Transformers (2007)
Directed by: Michael Bay
Cinematography by: Mitchell Amundsen
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Angenieux HR 25-250 mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens
Editing System: Avid Editing System, Final Cut Pro Editing System
Special Effects Technician
Spider-Man 3 (2007)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Editing System: Avid Editing System
Special Effects Hydraulics Crew
Pirates of the Caribbean: At World's End (2007)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Special Effects Technician
xXx: State of the Union (2005)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Special Effects Technician
The Island (2005)
Directed by: Michael Bay
Cinematography by: Mauro Fiore
