Executive Visual Effects Supervisor: FUSEFX
'True Detective' Hunters in the Dark (2019)
Directed by: Daniel Sackheim
Cinematography by: Germain McMicking
Edited by: Leo Trombetta
Executive Visual Effects Supervisor: FUSEFX
'Agents of S.H.I.E.L.D.' Episode #6.13 (2019)
Edited by: Eric Litman
Executive Visual Effects Supervisor: FUSEFX
'Agents of S.H.I.E.L.D.' Episode #6.11 (2019)
Directed by: Jennifer Phang
Executive Visual Effects Supervisor: FUSEFX
'Agents of S.H.I.E.L.D.' Episode #6.9 (2019)
Executive Visual Effects Supervisor: FUSEFX
'Agents of S.H.I.E.L.D.' Episode #6.10 (2019)
Cinematography by: Kyle Jewell
Edited by: Eric Litman
Executive Visual Effects Supervisor: FUSEFX
'Agents of S.H.I.E.L.D.' Collision Course (Part I) (2019)
Cinematography by: Kyle Jewell
Executive Visual Effects Supervisor: FUSEFX
'Agents of S.H.I.E.L.D.' Inescapable (2019)
Cinematography by: Kyle Jewell
Executive Visual Effects Supervisor: FUSEFX
'Agents of S.H.I.E.L.D.' Toldja (2019)
Edited by: Eric Litman
Executive Visual Effects Supervisor: FUSEFX
'Agents of S.H.I.E.L.D.' The Other Thing (2019)
Directed by: Lou Diamond Phillips
Executive Visual Effects Supervisor: FUSEFX
'Agents of S.H.I.E.L.D.' Code Yellow (2019)
Directed by: Mark Kolpack
Cinematography by: Kyle Jewell
Edited by: Eric Litman
Executive Visual Effects Supervisor: FUSEFX
'Agents of S.H.I.E.L.D.' Fear and Loathing on the Planet of Kitson (2019)
Directed by: Jesse Bochco
Edited by: Kelly Stuyvesant
Executive Visual Effects Supervisor: FUSEFX
'Agents of S.H.I.E.L.D.' Window of Opportunity (2019)
Directed by: Kevin Tancharoen
Cinematography by: Kyle Jewell
Edited by: Dexter N. Adriano
Executive Visual Effects Supervisor: FUSEFX
'Agents of S.H.I.E.L.D.' Missing Pieces (2019)
Directed by: Clark Gregg
Edited by: Eric Litman
Executive Visual Effects Supervisor: FUSEFX
'True Detective' Now Am Found (2019)
Directed by: Daniel Sackheim
Cinematography by: Germain McMicking
Edited by: Leo Trombetta
Executive Visual Effects Supervisor: FUSEFX
'True Detective' The Final Country (2019)
Directed by: Daniel Sackheim
Cinematography by: Germain McMicking
Edited by: Leo Trombetta
Executive Visual Effects Supervisor: FUSEFX
'Agents of S.H.I.E.L.D.' Episode #6.12 (2019)
Cinematography by: Kyle Jewell
Executive Visual Effects Supervisor: FUSEFX
'True Detective' If You Have Ghosts (2019)
Directed by: Nic Pizzolatto
Cinematography by: Nigel Bluck
Edited by: Leo Trombetta
Executive Visual Effects Supervisor: FUSEFX
'True Detective' The Hour and the Day (2019)
Directed by: Nic Pizzolatto
Cinematography by: Nigel Bluck
Edited by: Leo Trombetta
Executive Visual Effects Supervisor: FUSEFX
'True Detective' The Big Never (2019)
Directed by: Daniel Sackheim
Cinematography by: Germain McMicking
Edited by: Leo Trombetta
Executive Visual Effects Supervisor: FUSEFX
'True Detective' Kiss Tomorrow Goodbye (2019)
Directed by: Jeremy Saulnier
Cinematography by: Germain McMicking
Edited by: Leo Trombetta
Executive Visual Effects Supervisor: FuseFX
'True Detective' The Great War and Modern Memory (2019)
Directed by: Jeremy Saulnier
Cinematography by: Germain McMicking
Edited by: Leo Trombetta
Executive Visual Effects Supervisor: FuseFX
Deadwood: The Movie (2019)
Directed by: Daniel Minahan
Cinematography by: David Klein
Cameras: ARRI ALEXA Mini Camera
Executive Visual Effects Supervisor: FuseFX
'Barry' The Show Must Go On, Probably? (2019)
Directed by: Hiro Murai
Cinematography by: Paula Huidobro
Edited by: Jeff Buchanan
Executive Visual Effects Supervisor: FuseFX
'Barry' The Power of No (2019)
Directed by: Hiro Murai
Cinematography by: Paula Huidobro
Edited by: Kyle Reiter
Executive Visual Effects Supervisor: FuseFX
'Barry' Past = Present x Future Over Yesterday (2019)
Directed by: Minkie Spiro
Cinematography by: Paula Huidobro
Edited by: Jeff Buchanan
Executive Visual Effects Supervisor: FuseFX
'Barry' What?! (2019)
Directed by: Liza Johnson
Cinematography by: Paula Huidobro
Edited by: Kyle Reiter
Executive Visual Effects Supervisor: FuseFX
'Barry' ronny/lily (2019)
Directed by: Bill Hader
Cinematography by: Paula Huidobro
Edited by: Jeff Buchanan
Executive Visual Effects Supervisor: FuseFX
'Barry' The Truth Has a Ring to It (2019)
Directed by: Alec Berg
Cinematography by: Paula Huidobro
Edited by: Kyle Reiter
Executive Visual Effects Supervisor: FuseFX
'Barry' The Audition (2019)
Directed by: Alec Berg
Cinematography by: Paula Huidobro
Edited by: Jeff Buchanan
Executive Visual Effects Supervisor: FuseFX
'Barry' berkman > block (2019)
Directed by: Bill Hader
Cinematography by: Paula Huidobro
Edited by: Kyle Reiter
Executive Visual Effects Supervisor: FuseFX - 8 Episodes, 2019
Barry (2018)
Cameras: ARRI ALEXA Mini Camera
Visual Effects Supervisor
Ben-Hur (2016)
Directed by: Timur Bekmambetov
Cinematography by: Oliver Wood
Editing System: Avid Editing System
Executive Visual Effects Supervisor: FUSEFX / Executive Visual Effects Supervisor: FuseFX - 8 Episodes, 2019
True Detective (2014)
Directed by: Cary Joji Fukunaga, Issa López, Daniel Sackheim, John Crowley, Justin Lin, Nic Pizzolatto, Jeremy Saulnier, Daniel Attias, Janus Metz, Jeremy Podeswa, Miguel Sapochnik
Edited by: Alex Hall, Leo Trombetta, Affonso Gonçalves, Chris Figler, Byron Smith, Meg Reticker, Brenna Rangott
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses
Visual Effects Supervisor
Godzilla (2014)
Directed by: Gareth Edwards
Cinematography by: Seamus McGarvey
Edited by: Bob Ducsay
Cameras: ARRI ALEXA Plus Camera, Phantom Flex Camera
Executive Visual Effects Supervisor: FUSEFX - 13 Episodes, 2019
Agents of S.H.I.E.L.D. (2013)
Directed by: Kevin Tancharoen, Jesse Bochco, Billy Gierhart, Vincent Misiano, Garry A. Brown, Bobby Roth, Nina Lopez-Corrado, Roxann Dawson, Milan Cheylov, Kevin Hooks, Ron Underwood, Kate Woods, David Solomon, Brad Turner, Wendey Stanzler, Holly Dale, David Straiton, John Terlesky, Michael Zinberg, Eric Laneuville, Jed Whedon, Clark Gregg, Jonathan Frakes, Joss Whedon, Paul A. Edwards, Kenneth Fink, Karen Gaviola, Dwight H. Little, Elodie Keene, Magnus Martens, Stanley M. Brooks, Oz Scott, Cherie Gierhart, Jennifer Lynch, Salli Richardson-Whitfield, Mark Kolpack, Jennifer Phang, Lou Diamond Phillips
Visual Effects Supervisor
The Amazing Spider-Man (2012)
Directed by: Marc Webb
Cinematography by: John Schwartzman
Cameras: Red Epic Camera
Visual Effects Consultant
The Chronicles of Narnia: The Voyage of the Dawn Treader (2010)
Directed by: Michael Apted
Cinematography by: Dante Spinotti
Edited by: Rick Shaine
Cameras: Sony CineAlta F23 Camera
Editing System: Avid Editing System
Additional Visual Effects Supervisor
The Day the Earth Stood Still (2008)
Directed by: Scott Derrickson
Cinematography by: David Tattersall
Edited by: Wayne Wahrman
Cameras: Panavision Cameras
Senior Visual Effects Supervisor
Eagle Eye (2008)
Directed by: D.J. Caruso
Cinematography by: Dariusz Wolski
Edited by: Jim Page
Additional Visual Effects Supervisor
Fantastic Four: Rise of the Silver Surfer (2007)
Directed by: Tim Story
Cinematography by: Larry Blanford
Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Wescam Cameras
Editing System: Avid Editing System, Sony Vegas Editing System
Additional Second Unit Director, Visual Effects Supervisor
Night at the Museum (2006)
Directed by: Shawn Levy
Cinematography by: Guillermo Navarro
Edited by: Don Zimmerman
Second Unit Director , Visual Effects Designer
Click (2006)
Directed by: Frank Coraci
Cinematography by: Dean Semler
Edited by: Jeff Gourson
Cameras: Panavision Genesis Camera
Visual Effects Consultant
After the Sunset (2004)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Cameras: ARRICAM Lite (LT) Camera, Panavision Cameras
Second Unit Director , Visual Effects Supervisor
The Lord of the Rings: The Return of the King (2003)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jamie Selkirk
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 535 B Camera, Mitchell Cameras, Moviecam Superlight Camera
Editing System: Avid Editing System
Visual Effects Supervisor
The Lord of the Rings: The Two Towers (2002)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Michael Horton
Lenses: Angenieux Lenses, Zeiss Ultra Prime Lenses
Digital Effects
The Fast and the Furious (2001)
Directed by: Rob Cohen
Cinematography by: Ericson Core
Edited by: Peter Honess
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Production Visual Effects Supervisor, Visual Effects Supervisor
The Lord of the Rings: The Fellowship of the Ring (2001)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: John Gilbert
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Visual Effects Supervisor
Anna and the King (1999)
Directed by: Andy Tennant
Cinematography by: Caleb Deschanel
Edited by: Roger Bondelli
Cameras: Panavision Cameras
Visual Effects Supervisor
The Parent Trap (1998)
Directed by: Nancy Meyers
Cinematography by: Dean Cundey
Edited by: Stephen A. Rotter
Visual Effects Supervisor: Blue Sky/VIFX
Star Trek: Insurrection (1998)
Directed by: Jonathan Frakes
Cinematography by: Matthew F. Leonetti
Edited by: Peter E. Berger
Cameras: Panavision Cameras
Visual Effects Supervisor: Boss Film Studios
Desperate Measures (1998)
Directed by: Barbet Schroeder
Cinematography by: Luciano Tovoli
Edited by: Lee Percy
Cameras: Panavision Panaflex Platinum Camera
Visual Effects Supervisor: Boss Film
Starship Troopers (1997)
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Lenses: Zeiss Lenses
Digital Effects Advisor: Boss Film Studios
Multiplicity (1996)
Directed by: Harold Ramis
Cinematography by: László Kovács
Visual Effects Supervisor: Boss Film Studios
Outbreak (1995)
Directed by: Wolfgang Petersen
Cinematography by: Michael Ballhaus
Visual Effects Co-supervisor: Boss Film
Species (1995)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Edited by: Conrad Buff IV
Computer Graphics Supervisor: Boss Film Studio
Last Action Hero (1993)
Directed by: John McTiernan
Cinematography by: Dean Semler
Cameras: Panavision Panaflex Gold II Camera
Digital Effects Supervisor
Cliffhanger (1993)
Directed by: Renny Harlin
Cinematography by: Alex Thomson
Edited by: Frank J. Urioste
Cameras: Panavision Cameras
Digital Effects Supervisor: Boss Film Studios
Batman Returns (1992)
Directed by: Tim Burton
Cinematography by: Stefan Czapsky
Cameras: Panavision Panaflex Gold II Camera
Digital Effects Supervisor
The Last of the Mohicans (1992)
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Cameras: Panavision Cameras
Digital Effects Supervisor
Ghost (1990)
Directed by: Jerry Zucker
Cinematography by: Adam Greenberg
Edited by: Walter Murch
Cameras: ARRI ARRIFLEX Series Cameras
Digital Effects Supervisor , Visual Effects Supervisor
Solar Crisis (1990)
Cinematography by: Russell Carpenter
Edited by: Richard Trevor
Digital Effects Supervisor
2010: The Year We Make Contact (1984)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Cameras: Panavision Cameras
Lenses: Panavision Lenses
