Special Effects Supervisor
Vice (2018)
Directed by: Adam McKay
Cinematography by: Greig Fraser
Edited by: Hank Corwin
Special Effects Supervisor
Mother! (2017)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Andrew Weisblum
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 416 Camera
Special Effects Foreman
Ain't Them Bodies Saints (2013)
Directed by: David Lowery
Cinematography by: Bradford Young
Special Effects Supervisor
Journey 2: The Mysterious Island (2012)
Directed by: Brad Peyton
Cinematography by: David Tattersall
Edited by: David Rennie
Special Effects Coordinator
I Am Number Four (2011)
Directed by: D.J. Caruso
Cinematography by: Guillermo Navarro
Special Effects Coordinator
Eagle Eye (2008)
Directed by: D.J. Caruso
Cinematography by: Dariusz Wolski
Edited by: Jim Page
Special Effects Coordinator
No Country for Old Men (2007)
Cinematography by: Roger Deakins
Lenses: Cooke S4 Lenses, Zeiss Master Prime Lenses
Editing System: Final Cut Pro Editing System
Special Effects Coordinator
Seraphim Falls (2006)
Directed by: David Von Ancken
Cinematography by: John Toll
Edited by: Conrad Buff IV
Special Effects Coordinator
The Ring Two (2005)
Directed by: Hideo Nakata
Cinematography by: Gabriel Beristain
Edited by: Michael N. Knue
Additional Mechanical Effects Supervisor / Special Effects Supervisor
Dark Water (2005)
Directed by: Walter Salles
Cinematography by: Affonso Beato
Edited by: Daniel Rezende
Special Effects Coordinator
The Ladykillers (2004)
Cinematography by: Roger Deakins
Editing System: Final Cut Pro Editing System
Special Effects Coordinator
Looney Tunes: Back in Action (2003)
Directed by: Joe Dante
Cinematography by: Dean Cundey
Special Effects Coordinator / Special Effects Technician
The Mothman Prophecies (2002)
Directed by: Mark Pellington
Cinematography by: Fred Murphy
Edited by: Brian Berdan
Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision Lenses
Special Effects Supervisor
The Man Who Wasn't There (2001)
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke S4 Lenses
Special Effects Coordinator
O Brother, Where Art Thou? (2000)
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke S4 Lenses
Editing System: Final Cut Pro Editing System
Special Effects , Special Rigging: Gadgetmobile
Inspector Gadget (1999)
Directed by: David Kellogg
Cinematography by: Adam Greenberg
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Boat Effects Designer
The Truman Show (1998)
Directed by: Peter Weir
Cinematography by: Peter Biziou
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Mechanical Effects Designer
The Big Lebowski (1998)
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 535 B Camera
Special Effects Coordinator
Men in Black (1997)
Directed by: Barry Sonnenfeld
Cinematography by: Donald Peterman
Edited by: Jim Miller
Second Unit Director , Special Effects Designer
Vampire in Brooklyn (1995)
Directed by: Wes Craven
Cinematography by: Mark Irwin
Edited by: Patrick Lussier
Cameras: Moviecam Compact Camera
Physical Effects Designer
Waterworld (1995)
Directed by: Kevin Reynolds
Cinematography by: Dean Semler
Edited by: Peter Boyle
Mechanical Effects
The Hudsucker Proxy (1994)
Cinematography by: Roger Deakins
Edited by: Thom Noble
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Lenses
Special Effects Designer
Mother's Boys (1993)
Directed by: Yves Simoneau
Cinematography by: Elliot Davis
Edited by: Michael D. Ornstein
Mechanical Effects Designer/coordinator: Image Special Effects Co.
Honey, I Blew Up the Kid (1992)
Directed by: Randal Kleiser
Cinematography by: John Hora
Lenses: Canon K35 Prime Lenses
Special Effects Supervisor
Forever Young (1992)
Directed by: Steve Miner
Cinematography by: Russell Boyd
Edited by: Jon Poll
Second Unit Director, Special Effects Supervisor
The People Under the Stairs (1991)
Directed by: Wes Craven
Cinematography by: Sandi Sissel
Edited by: James Coblentz
Second Unit Director, Special Effects Supervisor: Image Engineering, Inc.
Graveyard Shift (1990)
Directed by: Ralph S. Singleton
Cinematography by: Peter Stein
Special Effects Coordinator
Miller's Crossing (1990)
Cinematography by: Barry Sonnenfeld
Edited by: Michael R. Miller
Mechanical Effects Coordinator
Honey, I Shrunk the Kids (1989)
Directed by: Joe Johnston
Cinematography by: Hiro Narita
Edited by: Michael A. Stevenson
Mechanical Effects Coordinator: Image Engineering, Inc.
K-9 (1989)
Directed by: Rod Daniel
Cinematography by: Dean Semler
Edited by: Lois Freeman-Fox
Mechanical Effects Coordinator
Pet Sematary (1989)
Directed by: Mary Lambert
Cinematography by: Peter Stein
Cameras: Panavision Cameras
Special Effects Coordinator
Raising Arizona (1987)
Cinematography by: Barry Sonnenfeld
Edited by: Michael R. Miller
Special Effects Coordinator
The Osterman Weekend (1983)
Directed by: Sam Peckinpah
Cinematography by: John Coquillon
Cameras: Panavision Cameras
