Re-recording Mixer
Three Billboards Outside Ebbing, Missouri (2017)
Directed by: Martin McDonagh
Cinematography by: Ben Davis
Edited by: Jon Gregory
Cameras: ARRI ALEXA XT Series Cameras
Additional Sound Re-recording Mixer
Kingsman: The Secret Service (2014)
Directed by: Matthew Vaughn
Cinematography by: George Richmond
Editing System: Avid Editing System
Additional Sound Re-recording Mixer
Hercules (2014)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Cameras: ARRI ALEXA XT Camera
Re-recording Mixer
Philomena (2013)
Directed by: Stephen Frears
Cinematography by: Robbie Ryan
Edited by: Valerio Bonelli
Cameras: ARRI ALEXA Camera
Re-recording Mixer
The Counselor (2013)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Cameras: Red Epic Camera
Re-recording Mixer
Seven Psychopaths (2012)
Directed by: Martin McDonagh
Cinematography by: Ben Davis
Edited by: Lisa Gunning
Re-recording Mixer
The Cold Light of Day (2012)
Directed by: Mabrouk El Mechri
Cinematography by: Remi Adefarasin
Edited by: Valerio Bonelli
Cameras: ARRIFLEX 435 Camera
Editing System: Avid Editing System
Re-recording Mixer
Tinker Tailor Soldier Spy (2011)
Directed by: Tomas Alfredson
Cinematography by: Hoyte Van Hoytema
Edited by: Dino Jonsäter
Editing System: Avid Editing System
Re-recording Mixer
Kick-Ass (2010)
Directed by: Matthew Vaughn
Cinematography by: Ben Davis
Editing System: Avid Editing System
Re-recording Mixer
Scott Pilgrim vs. the World (2010)
Directed by: Edgar Wright
Cinematography by: Bill Pope
Re-recording Mixer
Pirate Radio (2009)
Directed by: Richard Curtis
Cinematography by: Danny Cohen
Edited by: Emma E. Hickox
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Re-recording Mixer
The Boys Are Back (2009)
Directed by: Scott Hicks
Cinematography by: Greig Fraser
Edited by: Scott Gray
Mix Technician
Hellboy II: The Golden Army (2008)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Edited by: Bernat Vilaplana
Cameras: ARRIFLEX 235 Camera, Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Sound Mix Technician
Quantum of Solace (2008)
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX D-21 Camera, Bell & Howell Eyemo Camera, Dalsa Origin Camera, Sony HDW-F900R Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Re-recording Mixer
10,000 BC (2008)
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Edited by: Alexander Berner
Cameras: ARRI Cameras, Moviecam Cameras
Lenses: Angenieux Lenses, Zeiss Lenses
Re-recording Mixer
The Crimson Wing: Mystery of the Flamingos (2008)
Cinematography by: Matthew Aeberhard
Edited by: Nicolas Chaudeurge
Re-recording Mixer
The Edge of Love (2008)
Directed by: John Maybury
Cinematography by: Jonathan Freeman
Edited by: Emma E. Hickox
Re-recording Mixer
Harry Potter and the Order of the Phoenix (2007)
Directed by: David Yates
Cinematography by: Slawomir Idziak
Edited by: Mark Day
Cameras: ARRI Cameras
Sound Mix Technician
Casino Royale (2006)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Stuart Baird
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Angenieux Lenses, Cooke S4/i Lenses
Re-recording Mixer
United 93 (2006)
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Editing System: Avid Editing System
Sound Re-recording Mixer: London
Notes on a Scandal (2006)
Directed by: Richard Eyre
Cinematography by: Chris Menges
Lenses: Cooke S4 Lenses
Sound Mix Technician
Children of Men (2006)
Directed by: Alfonso Cuarón
Cinematography by: Emmanuel Lubezki
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses: Zeiss Master Prime Lenses
Re-recording Engineer
The Brothers Grimm (2005)
Directed by: Terry Gilliam
Cinematography by: Newton Thomas Sigel
Edited by: Lesley Walker
Sound Mix Technician
Harry Potter and the Goblet of Fire (2005)
Directed by: Mike Newell
Cinematography by: Roger Pratt
Edited by: Mick Audsley
Re-recording Mixer
Tideland (2005)
Directed by: Terry Gilliam
Cinematography by: Nicola Pecorini
Edited by: Lesley Walker
Mix Tech
Corpse Bride (2005)
Cinematography by: Pete Kozachik
Lenses: Zeiss Ultra Prime Lenses
Editing System: Final Cut Pro Editing System
Foley Recordist
Vera Drake (2004)
Directed by: Mike Leigh
Cinematography by: Dick Pope
Edited by: Jim Clark
Cameras: Aaton XTR Prod Camera
Lenses: Cooke S4 Lenses
Re-recording Mixer
Hotel Rwanda (2004)
Directed by: Terry George
Cinematography by: Robert Fraisse
Edited by: Naomi Geraghty
First Assistant Sound Editor
Cantando dietro i paraventi (2003)
Directed by: Ermanno Olmi
Cinematography by: Fabio Olmi
Edited by: Paolo Cottignola
