Visual Effects Producer
Mother! (2017)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Andrew Weisblum
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 416 Camera
Visual Effects Coordinator
Hercules (2014)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Cameras: ARRI ALEXA XT Camera
Visual Effects Coordinator
Oz the Great and Powerful (2013)
Directed by: Sam Raimi
Cinematography by: Peter Deming
Edited by: Bob Murawski
Cameras: Red Epic Camera
Editing System: Avid Editing System
Visual Effects Coordinator
The Hunger Games (2012)
Directed by: Gary Ross
Cinematography by: Tom Stern
Editing System: Avid Editing System
Visual Effects Coordinator
Super 8 (2011)
Directed by: J.J. Abrams
Cinematography by: Larry Fong
Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses
Editing System: Avid Editing System
Visual Effects Coordinator: Zoic Studios
Straw Dogs (2011)
Directed by: Rod Lurie
Cinematography by: Alik Sakharov
Edited by: Sarah Boyd
Visual Effects Coordinator: Svengali FX
Watchmen (2009)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: William Hoy
Visual Effects Coordinator
G.I. Joe: The Rise of Cobra (2009)
Directed by: Stephen Sommers
Cinematography by: Mitchell Amundsen
Visual Effects Producer: Svengali FX
Star Trek (2009)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System, Avid Editing System
Visual Effects Coordinator
Where the Wild Things Are (2009)
Directed by: Spike Jonze
Cinematography by: Lance Acord
Editing System: Final Cut Pro Editing System
On-set Visual Effects Coordinator
Norbit (2007)
Directed by: Brian Robbins
Cinematography by: Clark Mathis
Edited by: Ned Bastille
Cameras: Panavision Cameras
Lenses: Panavision Lenses
On-set Visual Effects Coordinator
Lions for Lambs (2007)
Directed by: Robert Redford
Cinematography by: Philippe Rousselot
Edited by: Joe Hutshing
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Visual Effects Coordinator
Night at the Museum (2006)
Directed by: Shawn Levy
Cinematography by: Guillermo Navarro
Edited by: Don Zimmerman
Visual Effects Coordinator: Svengali FX
Apocalypto (2006)
Directed by: Mel Gibson
Cinematography by: Dean Semler
Edited by: John Wright
Visual Effects Coordinator: Svengali FX
Eragon (2006)
Directed by: Stefen Fangmeier
Cinematography by: Hugh Johnson
Visual Effects Coordinator: Zoic Studios
Serenity (2005)
Directed by: Joss Whedon
Cinematography by: Jack N. Green
Edited by: Lisa Lassek
Lenses: Panavision Lenses
Sequence Coordinator: Rhythm & Hues
Garfield (2004)
Directed by: Peter Hewitt
Cinematography by: Dean Cundey
Cameras: Panavision Cameras
Visual Effects Coordinator: SPI
Peter Pan (2003)
Directed by: P.J. Hogan
Cinematography by: Donald McAlpine
Digital Coordinator: SPI
The Matrix Revolutions (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Visual Effects Coordinator: SPI
Seabiscuit (2003)
Directed by: Gary Ross
Cinematography by: John Schwartzman
Edited by: William Goldenberg
Editing System: Avid Editing System
Visual Effects Coordinator: SPI
Stuart Little 2 (2002)
Directed by: Rob Minkoff
Cinematography by: Steven Poster
Edited by: Priscilla Nedd-Friendly
Visual Effects Coordinator: SPI
Riding in Cars with Boys (2001)
Directed by: Penny Marshall
Cinematography by: Miroslav Ondrícek
Senior Technical Assistant: SPI
Hollow Man (2000)
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Technical Assistant: SPI
Charlie's Angels (2000)
Directed by: McG
Cinematography by: Russell Carpenter
Data/film Manager: The Post Group
Wing Commander (1999)
Directed by: Chris Roberts
Cinematography by: Thierry Arbogast
Edited by: Peter Davies
Data/film Manager: The Post Group
Inspector Gadget (1999)
Directed by: David Kellogg
Cinematography by: Adam Greenberg
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Data Manager: CFX
Contact (1997)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Digital Film Technician: RGA/LA
Smilla's Sense of Snow (1997)
Directed by: Bille August
Cinematography by: Jörgen Persson
Edited by: Janus Billeskov Jansen
Data Manager: CFX
Conspiracy Theory (1997)
Directed by: Richard Donner
Cinematography by: John Schwartzman
Data Manager: CFX
Flubber (1997)
Directed by: Les Mayfield
Cinematography by: Dean Cundey
Cameras: Panavision Cameras
Digital Film Technician: Cinesite
Jerry Maguire (1996)
Directed by: Cameron Crowe
Cinematography by: Janusz Kaminski
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Vault Manager: Cinesite
Executive Decision (1996)
Directed by: Stuart Baird
Cinematography by: Alex Thomson
Digital Film Technician: Cinesite
Space Jam (1996)
Directed by: Joe Pytka
Cinematography by: Michael Chapman
Edited by: Sheldon Kahn
Digital Film Technician: RGA/LA
GoldenEye (1995)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Terry Rawlings
Digital Film Technician: RGA/LA
Dead Presidents (1995)
Cinematography by: Lisa Rinzler
Edited by: Dan Lebental
Cameras: Panavision Panaflex Gold II Camera
Digital Film Technician: RGA/LA
Three Wishes (1995)
Directed by: Martha Coolidge
Cinematography by: Johnny E. Jensen
Edited by: Steven Cohen
Digital Film Technician: RGA/LA
Se7en (1995)
Directed by: David Fincher
Cinematography by: Darius Khondji
Edited by: Richard Francis-Bruce
Digital Film Technician: RGA/LA
Braveheart (1995)
Directed by: Mel Gibson
Cinematography by: John Toll
Edited by: Steven Rosenblum
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Digital Film Technician: RGA/LA
Immortal Beloved (1994)
Directed by: Bernard Rose
Cinematography by: Peter Suschitzky
Edited by: Dan Rae
Digital Film Technician: RGA/LA
Ri¢hie Ri¢h (1994)
Directed by: Donald Petrie
Cinematography by: Don Burgess
Edited by: Malcolm Campbell
