Caterer/owner
Columbus Circle (2012)
Directed by: George Gallo
Cinematography by: Anastas N. Michos
Edited by: Malcolm Campbell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Chef
People Like Us (2012)
Directed by: Alex Kurtzman
Cinematography by: Salvatore Totino
Edited by: Robert Leighton
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Caterer: Tony's Food Service
Thor (2011)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Paul Rubell
Caterer: San Francisco
Hereafter (2010)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Caterer: Tony's Catering
A Single Man (2009)
Directed by: Tom Ford
Cinematography by: Eduard Grau
Edited by: Joan Sobel
Chef
Iron Man (2008)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Edited by: Dan Lebental
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Caterer
Sideways (2004)
Directed by: Alexander Payne
Cinematography by: Phedon Papamichael
Edited by: Kevin Tent
Cameras: Panavision Panaflex Platinum Camera
Caterer
Mystic River (2003)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Edited by: Joel Cox
Editing System: Avid Editing System
Caterer: Tony's Food Service
21 Grams (2003)
Directed by: Alejandro G. Iñárritu
Cinematography by: Rodrigo Prieto
Edited by: Stephen Mirrione
Cameras: Moviecam Superlight Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Caterer
Pearl Harbor (2001)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Caterer: Tony's Food Service
Thirteen Days (2000)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Edited by: Conrad Buff IV
Caterer
Wild Wild West (1999)
Directed by: Barry Sonnenfeld
Cinematography by: Michael Ballhaus
Edited by: Jim Miller
Caterer
The General's Daughter (1999)
Directed by: Simon West
Cinematography by: Peter Menzies Jr.
Edited by: Glen Scantlebury
Caterer
True Crime (1999)
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Edited by: Joel Cox
Caterer
Mystery Men (1999)
Directed by: Kinka Usher
Cinematography by: Stephen H. Burum
Edited by: Conrad Buff IV
Caterer
Armageddon (1998)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Caterer
Enemy of the State (1998)
Directed by: Tony Scott
Cinematography by: Dan Mindel
Edited by: Chris Lebenzon
Caterer
Primary Colors (1998)
Directed by: Mike Nichols
Cinematography by: Michael Ballhaus
Edited by: Arthur Schmidt
Cameras: ARRIFLEX Camera
Caterer
A Civil Action (1998)
Directed by: Steven Zaillian
Cinematography by: Conrad L. Hall
Edited by: Wayne Wahrman
Cameras: Panavision Panaflex Platinum Camera
Caterer
Midnight in the Garden of Good and Evil (1997)
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Edited by: Joel Cox
Cameras: Panavision Cameras
Caterer
Con Air (1997)
Directed by: Simon West
Cinematography by: David Tattersall
Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Lightworks Editing System
Caterer
Absolute Power (1997)
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Edited by: Joel Cox
Caterer
Face/Off (1997)
Directed by: John Woo
Cinematography by: Oliver Wood
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Caterer
Broken Arrow (1996)
Directed by: John Woo
Cinematography by: Peter Levy
Cameras: Panavision Cameras
Caterer
Matilda (1996)
Directed by: Danny DeVito
Cinematography by: Stefan Czapsky
Cameras: Panavision Panaflex Platinum Camera
Caterer
The Rock (1996)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Edited by: Richard Francis-Bruce
Caterer: Tony's Food Service
Phenomenon (1996)
Directed by: Jon Turteltaub
Cinematography by: Phedon Papamichael
Edited by: Bruce Green
Cameras: Panavision Panaflex Platinum Camera
Caterer
The Bridges of Madison County (1995)
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Edited by: Joel Cox
Caterer
Crimson Tide (1995)
Directed by: Tony Scott
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Cameras: Panavision Panaflex Gold II Camera
Caterer
Waterworld (1995)
Directed by: Kevin Reynolds
Cinematography by: Dean Semler
Edited by: Peter Boyle
Caterer
Wyatt Earp (1994)
Directed by: Lawrence Kasdan
Cinematography by: Owen Roizman
Edited by: Carol Littleton
Caterer
Pulp Fiction (1994)
Directed by: Quentin Tarantino
Cinematography by: Andrzej Sekula
Edited by: Sally Menke
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses
Editing System: Lightworks Editing System
Caterer
In the Line of Fire (1993)
Directed by: Wolfgang Petersen
Cinematography by: John Bailey
Edited by: Anne V. Coates
Caterer
Unforgiven (1992)
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Edited by: Joel Cox
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Caterer
Lethal Weapon 3 (1992)
Directed by: Richard Donner
Cinematography by: Jan de Bont
Cameras: Panavision Panaflex Platinum Camera
Caterer
Back to the Future Part II (1989)
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Caterer
Die Hard (1988)
Directed by: John McTiernan
Cinematography by: Jan de Bont
Cameras: Panavision Panaflex Gold Camera
Lenses: Carl Zeiss Planar 50 mm f0.7 Lens (Modified by Ed DiGiulio), Carl Zeiss Planar 50mm with Kollmorgen Adaptor 36.5 mm f0.7 (Modified by Ed DiGiulio), Cooke Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses, Panavision Ultra Speed MKII Lenses
Caterer
Back to the Beach (1987)
Directed by: Lyndall Hobbs
Cinematography by: Bruce Surtees
Edited by: David Finfer
Cameras: Panavision Cameras
Catering: Tony's Food Service
Throw Momma from the Train (1987)
Directed by: Danny DeVito
Cinematography by: Barry Sonnenfeld
Edited by: Michael Jablow
Caterer: Tony's Food Service
Beverly Hills Cop II (1987)
Directed by: Tony Scott
Cinematography by: Jeffrey L. Kimball
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Caterer
Ferris Bueller's Day Off (1986)
Directed by: John Hughes
Cinematography by: Tak Fujimoto
Edited by: Paul Hirsch
Cameras: Panavision Cameras
Caterer
Meatballs Part II (1984)
Directed by: Ken Wiederhorn
Cinematography by: Donald M. Morgan
Edited by: George Berndt
Caterer
The Man Who Wasn't There (1983)
Directed by: Bruce Malmuth
Cinematography by: Frederick Moore
Edited by: Harry Keller
Lenses: Panavision Lenses
Caterer
Friday the 13th Part III (1982)
Directed by: Steve Miner
Cinematography by: Gerald Feil
Edited by: George Hively
The Gangsters - Guido
Young Doctors in Love (1982)
Directed by: Garry Marshall
Cinematography by: Donald Peterman
Edited by: Dov Hoenig
Caterer
Continental Divide (1981)
Directed by: Michael Apted
Cinematography by: John Bailey
Edited by: Dennis Virkler
Caterer
The Blues Brothers (1980)
Directed by: John Landis
Cinematography by: Stephen M. Katz
Edited by: George Folsey Jr.
Chef
National Lampoon's Animal House (1978)
Directed by: John Landis
Cinematography by: Charles Correll
Edited by: George Folsey Jr.
