Sound Editor
Jason Bourne (2016)
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Edited by: Christopher Rouse
Sound Editor
The Jungle Book (2016)
Directed by: Jon Favreau
Cinematography by: Bill Pope
Cameras: ARRI ALEXA XT M Camera
Sound Editor
Mission: Impossible - Rogue Nation (2015)
Directed by: Christopher McQuarrie
Cinematography by: Robert Elswit
Edited by: Eddie Hamilton
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera
Editing System: Avid Editing System
Sound Editor
Transformers: Age of Extinction (2014)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera
Editing System: Avid Editing System
Sound Effects Editor
Krrish 3 (2013)
Directed by: Rakesh Roshan
Cinematography by: S. Tirru
Edited by: Chandan Arora
Cameras: ARRIFLEX 35mm Cameras
Sound Technician
G.I. Joe: Retaliation (2013)
Directed by: Jon M. Chu
Cinematography by: Stephen F. Windon
Sound Designer
Bhoot Returns (2012)
Directed by: Ram Gopal Varma
Cameras: GoPro HD Hero2 Camera, Sony Cameras
Editing System: Adobe Premiere Editing System
Sound Designer
Department (2012)
Directed by: Ram Gopal Varma
Cinematography by: Siddhartha More, Sapan Narula, Zaryan Patel, Harshraj Shroff, M. Ravichandran Thevar
Cameras: Canon Cameras, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Panasonic Cameras, Red Digital Cinema Cameras, Red One MX Camera, Weisscam Cameras, Weisscam HS-1 Camera
Lenses: Angenieux Optimo Zoom Lenses, ARRI Lenses, Canon Lenses, Zeiss Compact Prime Lenses, Zeiss Lenses
Editing System: Adobe Premiere Editing System
Sound Technician
The Avengers (2012)
Directed by: Joss Whedon
Cinematography by: Seamus McGarvey
Editing System: Avid Editing System
Post-production Audio
Johnny English Reborn (2011)
Directed by: Oliver Parker
Cinematography by: Danny Cohen
Edited by: Guy Bensley
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Phantom Flex Camera, Phantom HD Gold Camera
Lenses: Zeiss Master Prime Lenses
Post-production Sound
Super 8 (2011)
Directed by: J.J. Abrams
Cinematography by: Larry Fong
Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses
Editing System: Avid Editing System
Post-production Sound
Transformers: Revenge of the Fallen (2009)
Directed by: Michael Bay
Cinematography by: Ben Seresin
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Post-production Audio
Wanted (2008)
Directed by: Timur Bekmambetov
Cinematography by: Mitchell Amundsen
Edited by: David Brenner
Post-production Audio / Sound Technician
Transformers (2007)
Directed by: Michael Bay
Cinematography by: Mitchell Amundsen
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Angenieux HR 25-250 mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens
Editing System: Avid Editing System, Final Cut Pro Editing System
Post-production Audio
Mission: Impossible III (2006)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Non-sync Effects
Pyaar Ke Side Effects (2006)
Directed by: Saket Chaudhary
Cinematography by: Manoj Soni
Edited by: Hemal Kothari
Sound Effects Editor
Krrish (2006)
Directed by: Rakesh Roshan
Cinematography by: Santhosh Thundiyil
Edited by: Amitabh Shukla
Post-production Sound
King Kong (2005)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jamie Selkirk
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, Mitchell Cameras
Editing System: Avid Editing System
Sync Effect Assistant
Black (2005)
Directed by: Sanjay Leela Bhansali
Cinematography by: Ravi K. Chandran
Edited by: Bela Segal
Live Effects
Khakee (2004)
Directed by: Rajkumar Santoshi
Cinematography by: K.V. Anand
Edited by: Merzin Tavaria
Foley Recordist
Kabhi Khushi Kabhie Gham... (2001)
Directed by: Karan Johar
Cinematography by: Kiran Deohans
Edited by: Sanjay Sankla
Post-production Audio
Mission: Impossible II (2000)
Directed by: John Woo
Cinematography by: Jeffrey L. Kimball
Post-production Sound
Deep Impact (1998)
Directed by: Mimi Leder
Cinematography by: Dietrich Lohmann
Cameras: ARRIFLEX 535 Camera
