Special Effects Supervisor
Beau Is Afraid (2023)
Directed by: Ari Aster
Cinematography by: Pawel Pogorzelski
Edited by: Lucian Johnston
Cameras: Sony CineAlta VENICE Camera
Special Effects Supervisor
Nine Lives (2016)
Directed by: Barry Sonnenfeld
Cinematography by: Karl Walter Lindenlaub
Cameras: ARRI ALEXA Mini Camera
Special Effects Supervisor
Bad Santa 2 (2016)
Directed by: Mark Waters
Cinematography by: Theo van de Sande
Edited by: Travis Sittard
Cameras: Panasonic VariCam 35
Lenses: Cooke Lenses
Special Effects: Montreal
Birdman or (The Unexpected Virtue of Ignorance) (2014)
Directed by: Alejandro G. Iñárritu
Cinematography by: Emmanuel Lubezki
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera
Editing System: Avid Editing System
Special Effects Supervisor
White House Down (2013)
Directed by: Roland Emmerich
Cinematography by: Anna Foerster
Edited by: Adam Wolfe
Special Effects Supervisor: Montreal
The Wolverine (2013)
Directed by: James Mangold
Cinematography by: Ross Emery
Edited by: Michael McCusker
Cameras: ARRI ALEXA Camera
Special Effects Supervisor
Warm Bodies (2013)
Directed by: Jonathan Levine
Cinematography by: Javier Aguirresarobe
Edited by: Nancy Richardson
Editing System: Avid Editing System
Special Effects Coordinator
ATM (2012)
Directed by: David Brooks
Cinematography by: Bengt Jonsson
Edited by: David Brooks
Cameras: Red One Camera
Special Effects Supervisor
Upside Down (2012)
Directed by: Juan Solanas
Cinematography by: Pierre Gill
Edited by: Paul Jutras
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Special Effects Supervisor
Mirror Mirror (2012)
Directed by: Tarsem Singh
Cinematography by: Brendan Galvin
Cameras: Sony CineAlta F35 Camera
Special Effects Supervisor: Montreal
Life of Pi (2012)
Directed by: Ang Lee
Cinematography by: Claudio Miranda
Edited by: Tim Squyres
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Special Effects Supervisor
The Words (2012)
Cinematography by: Antonio Calvache
Edited by: Leslie Jones
Cameras: Panavision Cameras
Editing System: Avid Editing System
Special Effects Supervisor
The Howling: Reborn (2011)
Directed by: Joe Nimziki
Cinematography by: Benoit Beaulieu
Edited by: James Coblentz
Special Effects Supervisor
Marécages (2011)
Directed by: Guy Édoin
Cinematography by: Serge Desrosiers
Edited by: Mathieu Bouchard-Malo
Special Effects Supervisor
Incendies (2010)
Directed by: Denis Villeneuve
Cinematography by: André Turpin
Edited by: Monique Dartonne
Lenses: Zeiss Master Prime Lenses
Special Effects Supervisor
Whiteout (2009)
Directed by: Dominic Sena
Cinematography by: Christopher Soos
Edited by: Martin Hunter
Special Effects Supervisor: Montreal
Get Smart (2008)
Directed by: Peter Segal
Cinematography by: Dean Semler
Edited by: Richard Pearson
Lenses: Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Special Effects Supervisor
The Spiderwick Chronicles (2008)
Directed by: Mark Waters
Cinematography by: Caleb Deschanel
Edited by: Michael Kahn
Special Effects Supervisor
WarGames: The Dead Code (2008)
Directed by: Stuart Gillard
Cinematography by: Bruce Chun
Edited by: Robin Russell
Special Effects Supervisor
Death Race (2008)
Directed by: Paul W.S. Anderson
Cinematography by: Scott Kevan
Edited by: Niven Howie
Special Effects Supervisor
I'm Not There (2007)
Directed by: Todd Haynes
Cinematography by: Edward Lachman
Edited by: Jay Rabinowitz
Cameras: Aaton LTR Camera, Moviecam Compact Camera
Special Effects Supervisor
Si j'étais toi (2007)
Directed by: Vincent Perez
Cinematography by: Paul Sarossy
Edited by: Yves Beloniak
Special Effects Supervisor
Blades of Glory (2007)
Cinematography by: Stefan Czapsky
Edited by: Richard Pearson
Special Effects Coordinator
The Fountain (2006)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Jay Rabinowitz
Special Effects Supervisor
Lucky Number Slevin (2006)
Directed by: Paul McGuigan
Cinematography by: Peter Sova
Edited by: Andrew Hulme
Special Effects Supervisor
300 (2006)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: William Hoy
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Editing System: Final Cut Pro Editing System
Special Effects Coordinator
The Last Sign (2005)
Directed by: Douglas Law
Cinematography by: Jean-Claude Larrieu
Special Effects Director
King's Ransom (2005)
Directed by: Jeffrey W. Byrd
Cinematography by: Robert McLachlan
Edited by: Jeffrey Cooper
Special Effects Supervisor
Battle of the Brave (2004)
Directed by: Jean Beaudin
Cinematography by: Louis de Ernsted
Cameras: ARRIFLEX Camera, Moviecam Cameras
Special Effects Director
Secret Window (2004)
Directed by: David Koepp
Cinematography by: Fred Murphy
Edited by: Jill Savitt
Special Effects Supervisor
Taking Lives (2004)
Directed by: D.J. Caruso
Cinematography by: Amir Mokri
Edited by: Anne V. Coates
Special Effects Supervisor
Wicker Park (2004)
Directed by: Paul McGuigan
Cinematography by: Peter Sova
Edited by: Andrew Hulme
Special Effects Technician: Montreal
The Terminal (2004)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Special Effects Supervisor: Canada
The Day After Tomorrow (2004)
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Edited by: David Brenner
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera
Editing System: Avid Editing System
Special Effects Supervisor
Levity (2003)
Directed by: Ed Solomon
Cinematography by: Roger Deakins
Edited by: Pietro Scalia
Special Effects Supervisor
The Human Stain (2003)
Directed by: Robert Benton
Cinematography by: Jean-Yves Escoffier
Edited by: Christopher Tellefsen
Assistant Special Effects Supervisor
Timeline (2003)
Directed by: Richard Donner
Cinematography by: Caleb Deschanel
Edited by: Richard Marks
Special Effects Director / Special Effects Supervisor, Visual Effects Supervisor
Gothika (2003)
Directed by: Mathieu Kassovitz
Cinematography by: Matthew Libatique
Edited by: Yannick Kergoat
Special Effects Coordinator: Canada
Beyond Borders (2003)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Nicholas Beauman
Special Effects Supervisor
The Sum of All Fears (2002)
Directed by: Phil Alden Robinson
Cinematography by: John Lindley
Special Effects Supervisor: Canada
Catch Me If You Can (2002)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Special Effects Supervisor
Heist (2001)
Directed by: David Mamet
Cinematography by: Robert Elswit
Edited by: Barbara Tulliver
Special Effects Supervisor
The Score (2001)
Directed by: Frank Oz
Cinematography by: Rob Hahn
Edited by: Richard Pearson
Special Effects Supervisor
Stardom (2000)
Directed by: Denys Arcand
Cinematography by: Guy Dufaux
Edited by: Isabelle Dedieu
Special Effects Supervisor
Battlefield Earth (2000)
Directed by: Roger Christian
Cinematography by: Giles Nuttgens
Edited by: Robin Russell
Special Effects Supervisor
Where the Money Is (2000)
Directed by: Marek Kanievska
Cinematography by: Thomas Burstyn
Special Effects
The Bone Collector (1999)
Directed by: Phillip Noyce
Cinematography by: Dean Semler
Edited by: William Hoy
Special Effects Supervisor
Arrival II (1998)
Directed by: Kevin Tenney
Cinematography by: Bruno Philip
Lenses: Angenieux HR 17-102 mm T2.9 Lens, Angenieux HR 25-250 mm T3.5 Lens, Angenieux HR Zoom Lenses, Angenieux Lenses, Zeiss Standard Speed Prime Lenses
Editing System: Avid Editing System
Special Effects Supervisor
Hasards ou coïncidences (1998)
Directed by: Claude Lelouch
Cinematography by: Pierre-William Glenn
Edited by: Hélène de Luze
Special Effects Supervisor
Love! Valour! Compassion! (1997)
Directed by: Joe Mantello
Cinematography by: Alik Sakharov
Edited by: Colleen Sharp
Special Effects
Affliction (1997)
Directed by: Paul Schrader
Cinematography by: Paul Sarossy
Edited by: Jay Rabinowitz
Cameras: Panavision Panaflex Gold II Camera
Special Effects Supervisor
Silent Trigger (1996)
Directed by: Russell Mulcahy
Cinematography by: David Franco
Edited by: Yves Langlois
Special Effects Supervisor
Mrs. Parker and the Vicious Circle (1994)
Directed by: Alan Rudolph
Cinematography by: Jan Kiesser
Edited by: Suzy Elmiger
Special Effects Coordinator
Black Robe (1991)
Directed by: Bruce Beresford
Cinematography by: Peter James
Edited by: Tim Wellburn
Key Special Effects
If Looks Could Kill (1991)
Directed by: William Dear
Cinematography by: Douglas Milsome
Edited by: John F. Link
Cameras: Panavision Cameras
Special Effects Coordinator
Tommy Tricker and the Stamp Traveller (1988)
Directed by: Michael Rubbo
Cinematography by: Andreas Poulsson
Edited by: André Corriveau
Special Effects
The Fly (1986)
Directed by: David Cronenberg
Cinematography by: Mark Irwin
Edited by: Ronald Sanders
Cameras: ARRIFLEX Camera
Special Effects
The Peanut Butter Solution (1985)
Directed by: Michael Rubbo
Cinematography by: Thomas Vámos
Edited by: Jean-Guy Montpetit
Special Effects
The Hotel New Hampshire (1984)
Directed by: Tony Richardson
Cinematography by: David Watkin
Edited by: Robert K. Lambert
Special Effects
Of Unknown Origin (1983)
Directed by: George P. Cosmatos
Cinematography by: René Verzier
Special Effects Assistant
Scanners (1981)
Directed by: David Cronenberg
Cinematography by: Mark Irwin
Edited by: Ronald Sanders
