Music Editor
Live by Night (2016)
Directed by: Ben Affleck
Cinematography by: Robert Richardson
Edited by: William Goldenberg
Cameras: ARRI ALEXA 65 Camera
Music Editor
The Revenant (2015)
Directed by: Alejandro G. Iñárritu
Cinematography by: Emmanuel Lubezki
Edited by: Stephen Mirrione
Lenses: Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Music Supervisor / Supervising Music Editor
Seventh Son (2014)
Directed by: Sergei Bodrov
Cinematography by: Newton Thomas Sigel
Cameras: ARRI ALEXA Camera
On-set Music Supervisor / Supervising Music Editor
Get on Up (2014)
Directed by: Tate Taylor
Cinematography by: Stephen Goldblatt
Edited by: Michael McCusker
Music Editor / Music Supervisor
Parker (2013)
Directed by: Taylor Hackford
Cinematography by: James M. Muro
Edited by: Mark Warner
Cameras: Red Epic Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Supervising Music Editor
Joyful Noise (2012)
Directed by: Todd Graff
Cinematography by: David Boyd
Edited by: Kathryn Himoff
Supervising Music Editor
Something Borrowed (2011)
Directed by: Luke Greenfield
Cinematography by: Charles Minsky
Edited by: John Axelrad
Preview Music Editor
The Beaver (2011)
Directed by: Jodie Foster
Cinematography by: Hagen Bogdanski
Edited by: Lynzee Klingman
Music Editor
A Little Bit of Heaven (2011)
Directed by: Nicole Kassell
Cinematography by: Russell Carpenter
Edited by: Stephen A. Rotter
Preview Music Editor - 1 Episode, 2010
Undercovers (2010)
Directed by: Stephen Williams, Tucker Gates, J.J. Abrams, Brad Anderson, Daniel Attias, Anthony Hemingway, Jonas Pate, Rosemary Rodriguez, Frederick E.O. Toye, Jeff T. Thomas
Cameras: Red One MX Camera
Music Editor
Love Ranch (2010)
Directed by: Taylor Hackford
Cinematography by: Kieran McGuigan
Edited by: Paul Hirsch
Preview Music Editor
'Undercovers' Pilot (2010)
Directed by: J.J. Abrams
Cinematography by: Michael Bonvillain
Edited by: Mary Jo Markey
Music Editor
Love Happens (2009)
Directed by: Brandon Camp
Cinematography by: Eric Alan Edwards
Edited by: Dana E. Glauberman
Preview Music Editor
Henry Poole Is Here (2008)
Directed by: Mark Pellington
Cinematography by: Eric Schmidt
Edited by: Lisa Zeno Churgin
Music Editor
Mr. Magorium's Wonder Emporium (2007)
Directed by: Zach Helm
Cinematography by: Roman Osin
Music Editor
The Bourne Ultimatum (2007)
Directed by: Paul Greengrass
Cinematography by: Oliver Wood
Edited by: Christopher Rouse
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera
Music Editor: Temp Music
Martian Child (2007)
Directed by: Menno Meyjes
Cinematography by: Robert D. Yeoman
Edited by: Bruce Green
Music Editor: Score
Wild Hogs (2007)
Directed by: Walt Becker
Cinematography by: Robbie Greenberg
Cameras: Panavision Cameras
Music Editor
Eight Below (2006)
Directed by: Frank Marshall
Cinematography by: Don Burgess
Edited by: Christopher Rouse
Music Editor
Be Cool (2005)
Directed by: F. Gary Gray
Cinematography by: Jeffrey L. Kimball
Edited by: Sheldon Kahn
Music Editor: Temp Music
Thank You for Smoking (2005)
Directed by: Jason Reitman
Cinematography by: Jim Whitaker
Edited by: Dana E. Glauberman
Music Editor: Temp Music
Finding Neverland (2004)
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Edited by: Matt Chesse
Editing System: Avid Editing System
Conductor, Music Editor / Music Supervisor
Ray (2004)
Directed by: Taylor Hackford
Cinematography by: Pawel Edelman
Edited by: Paul Hirsch
Temp Music Editor
I'll Be There (2003)
Directed by: Craig Ferguson
Cinematography by: Ian Wilson
Edited by: Sheldon Kahn
Temp Music Editor
I Am Sam (2001)
Directed by: Jessie Nelson
Cinematography by: Elliot Davis
Edited by: Richard Chew
Temp Music Editor
Evolution (2001)
Directed by: Ivan Reitman
Cinematography by: Michael Chapman
Cameras: Panavision Cameras
Temp/source Music Editor
The Majestic (2001)
Directed by: Frank Darabont
Cinematography by: David Tattersall
Edited by: Jim Page
Music Editor
I Dreamed of Africa (2000)
Directed by: Hugh Hudson
Cinematography by: Bernard Lutic
Edited by: Scott Thomas
Music Editor
U-571 (2000)
Directed by: Jonathan Mostow
Cinematography by: Oliver Wood
Edited by: Wayne Wahrman
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Cooke S4 Lenses, Nikon - Nikkor Lenses
Music Editor
Bedazzled (2000)
Directed by: Harold Ramis
Cinematography by: Bill Pope
Edited by: Craig Herring
Music Editor: Temp
Wonder Boys (2000)
Directed by: Curtis Hanson
Cinematography by: Dante Spinotti
Edited by: Dede Allen
Music Editor: Temp Music
X-Men (2000)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Temp/source Music Editor
Proof of Life (2000)
Directed by: Taylor Hackford
Cinematography by: Slawomir Idziak
Music Editor: Temp Dub Track
End of Days (1999)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Supervising Music Editor
The Insider (1999)
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Music Editor
Desperate Measures (1998)
Directed by: Barbet Schroeder
Cinematography by: Luciano Tovoli
Edited by: Lee Percy
Cameras: Panavision Panaflex Platinum Camera
Music Editor: Temp Track
Meet Joe Black (1998)
Directed by: Martin Brest
Cinematography by: Emmanuel Lubezki
Music Editor
Hope Floats (1998)
Directed by: Forest Whitaker
Cinematography by: Caleb Deschanel
Edited by: Richard Chew
Cameras: Panavision Cameras
Music Editor
How Stella Got Her Groove Back (1998)
Directed by: Kevin Rodney Sullivan
Cinematography by: Jeffrey Jur
Edited by: George Bowers
Music Consultant
Donnie Brasco (1997)
Directed by: Mike Newell
Cinematography by: Peter Sova
Edited by: Jon Gregory
Music Advisor
The Jackal (1997)
Directed by: Michael Caton-Jones
Cinematography by: Karl Walter Lindenlaub
Edited by: Jim Clark
Music Producer / Orchestrator / Score Producer
Blood and Wine (1996)
Directed by: Bob Rafelson
Cinematography by: Newton Thomas Sigel
Edited by: Steven Cohen
Preview Music Editor
The Sunchaser (1996)
Directed by: Michael Cimino
Cinematography by: Douglas Milsome
Edited by: Joe D'Augustine
Music Consultant
The Perez Family (1995)
Directed by: Mira Nair
Cinematography by: Stuart Dryburgh
Cameras: Moviecam Compact Camera
Music Editor
Dolores Claiborne (1995)
Directed by: Taylor Hackford
Cinematography by: Gabriel Beristain
Edited by: Mark Warner
Music Editor , Music Score Consultant
Speed (1994)
Directed by: Jan de Bont
Cinematography by: Andrzej Bartkowiak
Edited by: John Wright
Music Consultant
PCU (1994)
Directed by: Hart Bochner
Cinematography by: Reynaldo Villalobos
Edited by: Nicholas C. Smith
Music Editor
Blood In, Blood Out (1993)
Directed by: Taylor Hackford
Cinematography by: Gabriel Beristain
Cameras: ARRIFLEX Camera
Music Consultant
The Secret Garden (1993)
Directed by: Agnieszka Holland
Cinematography by: Roger Deakins
Edited by: Isabelle Lorente
Cameras: Panavision Cameras
Supervising Music Editor
For the Boys (1991)
Directed by: Mark Rydell
Cinematography by: Stephen Goldblatt
Composer
Catchfire (1990)
Cinematography by: Edward Lachman
Edited by: David Rawlins
Cameras: Cinerama Camera, Moviecam Cameras
Music Editor
Men Don't Leave (1990)
Directed by: Paul Brickman
Cinematography by: Bruce Surtees
Edited by: Richard Chew
Music Editor
Narrow Margin (1990)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Edited by: James Mitchell
Preview Music Editor
Air America (1990)
Directed by: Roger Spottiswoode
Cinematography by: Roger Deakins
Cameras: ARRIFLEX Camera
Lenses: ARRI / Zeiss Lenses
Composer
Alien Nation (1988)
Directed by: Graham Baker
Cinematography by: Adam Greenberg
Edited by: Kent Beyda
Cameras: ARRIFLEX Camera
Lenses: ARRI / Zeiss Lenses
Music Editor
Bright Lights, Big City (1988)
Directed by: James Bridges
Cinematography by: Gordon Willis
Music Editor
Everybody's All-American (1988)
Directed by: Taylor Hackford
Cinematography by: Stephen Goldblatt
Edited by: Don Zimmerman
Supervising Music Editor
Rolling Vengeance (1987)
Directed by: Steven Hilliard Stern
Cinematography by: Laszlo George
Edited by: Ron Wisman
Music Editor
Harry and the Hendersons (1987)
Directed by: William Dear
Cinematography by: Allen Daviau
Edited by: Donn Cambern
Music Editor
The Money Pit (1986)
Directed by: Richard Benjamin
Cinematography by: Gordon Willis
Edited by: Jacqueline Cambas
Cameras: Panavision Cameras
Music Editor
The Golden Child (1986)
Directed by: Michael Ritchie
Cinematography by: Donald E. Thorin
Edited by: Richard A. Harris
Music Editor
Sweet Liberty (1986)
Directed by: Alan Alda
Cinematography by: Frank Tidy
Edited by: Michael Economou
Music Editor
Young Sherlock Holmes (1985)
Directed by: Barry Levinson
Cinematography by: Stephen Goldblatt
Edited by: Stu Linder
Supervising Music Editor
Against All Odds (1984)
Directed by: Taylor Hackford
Cinematography by: Donald E. Thorin
Music Editor
Under the Volcano (1984)
Directed by: John Huston
Cinematography by: Gabriel Figueroa
Edited by: Roberto Silvi
Supervising Music Editor
Starman (1984)
Directed by: John Carpenter
Cinematography by: Donald M. Morgan
Edited by: Marion Rothman
Music Editor
Eddie and the Cruisers (1983)
Directed by: Martin Davidson
Cinematography by: Fred Murphy
Edited by: Priscilla Nedd-Friendly
Cameras: Panavision Cameras
Music Editor: La Da Productions
An Officer and a Gentleman (1982)
Directed by: Taylor Hackford
Cinematography by: Donald E. Thorin
Edited by: Peter Zinner
Music Editor
Cannery Row (1982)
Directed by: David S. Ward
Cinematography by: Sven Nykvist
Edited by: David Bretherton
Music Editor
The Escape Artist (1982)
Directed by: Caleb Deschanel
Cinematography by: Stephen H. Burum
Edited by: Arthur Schmidt
Cameras: Panavision Cameras
Music Editor
Tarzan the Ape Man (1981)
Directed by: John Derek
Cinematography by: John Derek
Edited by: Jimmy Ling
Music Editor
Loving Couples (1980)
Directed by: Jack Smight
Cinematography by: Philip H. Lathrop
Edited by: Frank J. Urioste
Music Editor
The Prize Fighter (1979)
Directed by: Michael Preece
Cinematography by: Jacques Haitkin
Edited by: Fabien D. Tordjmann
Music Editor
S.O.S. Titanic (1979)
Directed by: William Hale
Cinematography by: Christopher Challis
Edited by: Rusty Coppleman
Music Editor
Wise Blood (1979)
Directed by: John Huston
Cinematography by: Gerry Fisher
Edited by: Roberto Silvi
Cameras: Panavision Cameras
