Stunts, Super Old Guy
Get Hard (2015)
Directed by: Etan Cohen
Cinematography by: Tim Suhrstedt
Edited by: Michael L. Sale
Cameras: ARRI ALEXA XT Plus Camera
Stunts
Need for Speed (2014)
Directed by: Scott Waugh
Cinematography by: Shane Hurlbut
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 19.5-94 mm T2.4 Lens, Angenieux Optimo Anamorphic Lenses, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke S4/i Prime 12mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 180mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0, Leica Elmarit-R II 28 mm f2.0, Leica Super Angulon-R 21 mm f4.0, Leica Super-Elmarit-R 15 mm f2.8, Leitz Summicron-C 21 mm T2.0 Lens, Zeiss Distagon T* 15mm f2.8 ZE, Zeiss Distagon T* 18mm f3.5 ZE
Stunt Double: Michael Caine , Stunts
Journey 2: The Mysterious Island (2012)
Directed by: Brad Peyton
Cinematography by: David Tattersall
Edited by: David Rennie
Stunts
Wanderlust (2012)
Directed by: David Wain
Cinematography by: Michael Bonvillain
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Stunt Coordinator
Cassadaga (2011)
Directed by: Anthony DiBlasi
Cinematography by: Jose Zambrano Cassella
Edited by: Kristian Otero
Cameras: Red Digital Cinema Cameras, Red One Camera
Editing System: Final Cut Pro Editing System
Secretary Seward
The Conspirator (2010)
Directed by: Robert Redford
Cinematography by: Newton Thomas Sigel
Edited by: Craig McKay
Stunts
Due Date (2010)
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Edited by: Debra Neil-Fisher
Stunts
Death Sentence (2007)
Directed by: James Wan
Cinematography by: John R. Leonetti
Edited by: Michael N. Knue
Stunt Driver , Stunt Player
2 Fast 2 Furious (2003)
Directed by: John Singleton
Cinematography by: Matthew F. Leonetti
Lenses: Cooke S4 Lenses
Stunts
Bad Boys II (2003)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: Bell & Howell Eyemo Camera, Cine SL-35 Camera, Pan-Arri 435es Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Restaurant Manager
Monster (2003)
Directed by: Patty Jenkins
Cinematography by: Steven Bernstein
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Stunts
The Hours (2002)
Directed by: Stephen Daldry
Cinematography by: Seamus McGarvey
Edited by: Peter Boyle
Stunts
The Mothman Prophecies (2002)
Directed by: Mark Pellington
Cinematography by: Fred Murphy
Edited by: Brian Berdan
Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision Lenses
Stunts
The Flintstones in Viva Rock Vegas (2000)
Directed by: Brian Levant
Cinematography by: Jamie Anderson
Edited by: Kent Beyda
Stunts
Species II (1998)
Directed by: Peter Medak
Cinematography by: Matthew F. Leonetti
Edited by: Richard Nord
Stunt Driver
Holy Man (1998)
Directed by: Stephen Herek
Cinematography by: Adrian Biddle
Edited by: Trudy Ship
Stunts
Palmetto (1998)
Directed by: Volker Schlöndorff
Cinematography by: Thomas Kloss
Edited by: Peter Przygodda
Second Unit Director , Stunt Coordinator
Firestorm (1998)
Directed by: Dean Semler
Cinematography by: Stephen F. Windon
Edited by: Jack Hofstra
Second Unit Director
Simon Birch (1998)
Directed by: Mark Steven Johnson
Cinematography by: Aaron Schneider
Edited by: David Finfer
Cameras: Panavision Cameras
Stunt Coordinator
Meet Wally Sparks (1997)
Directed by: Peter Baldwin
Cinematography by: Richard H. Kline
Edited by: Raúl Dávalos
Stunts
Gone Fishin' (1997)
Directed by: Christopher Cain
Cinematography by: Dean Semler
Edited by: Jack Hofstra
Second Unit Director
McHale's Navy (1997)
Directed by: Bryan Spicer
Cinematography by: Buzz Feitshans IV
Edited by: Russell Denove
Cameras: Panavision Cameras
Stunt Coordinator
Heaven's Prisoners (1996)
Directed by: Phil Joanou
Cinematography by: Harris Savides
Edited by: William Steinkamp
Stunts
Bad Boys (1995)
Directed by: Michael Bay
Cinematography by: Howard Atherton
Edited by: Christian Wagner
Stunts
Fair Game (1995)
Directed by: Andrew Sipes
Cinematography by: Richard Bowen
Cameras: Panavision Cameras
Second Unit Director , Stunts
True Lies (1994)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Stunt Coordinator
Exit to Eden (1994)
Directed by: Garry Marshall
Cinematography by: Theo van de Sande
Edited by: David Finfer
Stunt Coordinator
The Getaway (1994)
Directed by: Roger Donaldson
Cinematography by: Peter Menzies Jr.
Edited by: Conrad Buff IV
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Stunts
Last Action Hero (1993)
Directed by: John McTiernan
Cinematography by: Dean Semler
Cameras: Panavision Panaflex Gold II Camera
Second Unit Director , Stunt Coordinator
Cop & ½ (1993)
Directed by: Henry Winkler
Cinematography by: Bill Butler
Stunts
American Me (1992)
Directed by: Edward James Olmos
Cinematography by: Reynaldo Villalobos
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Stunts
Folks! (1992)
Directed by: Ted Kotcheff
Cinematography by: Larry Pizer
Edited by: Joan E. Chapman
Second Unit Director , Stunt Coordinator
Point Break (1991)
Directed by: Kathryn Bigelow
Cinematography by: Donald Peterman
Edited by: Howard E. Smith
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Stunts
Hook (1991)
Directed by: Steven Spielberg
Cinematography by: Dean Cundey
Edited by: Michael Kahn
Second Unit Director , Stunts
Terminator 2: Judgment Day (1991)
Directed by: James Cameron
Cinematography by: Adam Greenberg
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera
Stunt Coordinator
Psycho IV: The Beginning (1990)
Directed by: Mick Garris
Cinematography by: Rodney Charters
Edited by: Charles Bornstein
Stunts
Days of Thunder (1990)
Directed by: Tony Scott
Cinematography by: Ward Russell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Stunt Coordinator
Narrow Margin (1990)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Edited by: James Mitchell
Stunt Coordinator
Edward Scissorhands (1990)
Directed by: Tim Burton
Cinematography by: Stefan Czapsky
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Stunt Person
Catchfire (1990)
Cinematography by: Edward Lachman
Edited by: David Rawlins
Cameras: Cinerama Camera, Moviecam Cameras
Stunts
Mr. Destiny (1990)
Directed by: James Orr
Cinematography by: Alex Thomson
Edited by: Michael R. Miller
Stunts
Lock Up (1989)
Directed by: John Flynn
Cinematography by: Donald E. Thorin
Cameras: Panavision Cameras
Stunts
Sea of Love (1989)
Directed by: Harold Becker
Cinematography by: Ronnie Taylor
Edited by: David Bretherton
Stunts
Die Hard (1988)
Directed by: John McTiernan
Cinematography by: Jan de Bont
Cameras: Panavision Panaflex Gold Camera
Lenses: Carl Zeiss Planar 50 mm f0.7 Lens (Modified by Ed DiGiulio), Carl Zeiss Planar 50mm with Kollmorgen Adaptor 36.5 mm f0.7 (Modified by Ed DiGiulio), Cooke Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses, Panavision Ultra Speed MKII Lenses
Stunt Coordinator
And God Created Woman (1988)
Directed by: Roger Vadim
Cinematography by: Stephen M. Katz
Edited by: Suzanne Pettit
Yacht Guard #2
Action Jackson (1988)
Directed by: Craig R. Baxley
Cinematography by: Matthew F. Leonetti
Edited by: Mark Helfrich
Cameras: Ultracam 35 Camera
Stunt Coordinator, Stunts
Outrageous Fortune (1987)
Directed by: Arthur Hiller
Cinematography by: David M. Walsh
Edited by: Tom Rolf
Cameras: Panavision Cameras
Stunt Coordinator
Someone to Watch Over Me (1987)
Directed by: Ridley Scott
Cinematography by: Steven Poster
Edited by: Claire Simpson
Stunts
Lethal Weapon (1987)
Directed by: Richard Donner
Cinematography by: Stephen Goldblatt
Edited by: Stuart Baird
Stunt Coordinator
Witness (1985)
Directed by: Peter Weir
Cinematography by: John Seale
Edited by: Thom Noble
Stunt Coordinator
Moving Violations (1985)
Directed by: Neal Israel
Cinematography by: Robert Elswit
Edited by: Tom Walls
Stunt Driver
Against All Odds (1984)
Directed by: Taylor Hackford
Cinematography by: Donald E. Thorin
Stunts
The Terminator (1984)
Directed by: James Cameron
Cinematography by: Adam Greenberg
Edited by: Mark Goldblatt
Cameras: ARRIFLEX 35 BL Camera, ARRIFLEX 35 III Camera
Lenses: Zeiss Super Speed Lenses
Stunts
City Heat (1984)
Directed by: Richard Benjamin
Cinematography by: Nick McLean
Edited by: Jacqueline Cambas
Stunts
National Lampoon's Vacation (1983)
Directed by: Harold Ramis
Cinematography by: Victor J. Kemper
Edited by: Pembroke J. Herring
Stunts
The Osterman Weekend (1983)
Directed by: Sam Peckinpah
Cinematography by: John Coquillon
Cameras: Panavision Cameras
Stunts
Scarface (1983)
Directed by: Brian De Palma
Cinematography by: John A. Alonzo
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Orderly #2
I'm Dancing as Fast as I Can (1982)
Directed by: Jack Hofsiss
Cinematography by: Jan de Bont
Edited by: Michael Bradsell
Stunts
TRON (1982)
Directed by: Steven Lisberger
Cinematography by: Bruce Logan
Edited by: Jeff Gourson
Lenses: Panavision Lenses
Stunt Coordinator
Cannery Row (1982)
Directed by: David S. Ward
Cinematography by: Sven Nykvist
Edited by: David Bretherton
Stunts
Caveman (1981)
Directed by: Carl Gottlieb
Cinematography by: Alan Hume
Edited by: Gene Fowler Jr.
Stunts
The Hand (1981)
Directed by: Oliver Stone
Cinematography by: King Baggot
Edited by: Richard Marks
Stunts
The Last Flight of Noah's Ark (1980)
Directed by: Charles Jarrott
Cinematography by: Charles F. Wheeler
Edited by: Gordon D. Brenner
Cameras: Panavision Cameras
Stunt Coordinator
Blue Collar (1978)
Directed by: Paul Schrader
Cinematography by: Bobby Byrne
Edited by: Tom Rolf
Cameras: Panavision Cameras
Stuntman
Hooper (1978)
Directed by: Hal Needham
Cinematography by: Bobby Byrne
Edited by: Donn Cambern
Stunt Coordinator
Audrey Rose (1977)
Directed by: Robert Wise
Cinematography by: Victor J. Kemper
Edited by: Carl Kress
Runner, Stunt Coordinator , Stunts
Logan's Run (1976)
Directed by: Michael Anderson
Cinematography by: Ernest Laszlo
Edited by: Bob Wyman
Cameras: ARRIFLEX Camera, Mitchell Cameras
Parallax Agent
The Parallax View (1974)
Directed by: Alan J. Pakula
Cinematography by: Gordon Willis
Edited by: John W. Wheeler
Stunt Coordinator
Fuzz (1972)
Directed by: Richard A. Colla
Cinematography by: Jacques R. Marquette
Edited by: Robert L. Kimble
Stunts
The Arrangement (1969)
Directed by: Elia Kazan
Cinematography by: Robert Surtees
Edited by: Stefan Arnsten
Cameras: Panavision Cameras
Stunts
The Boston Strangler (1968)
Directed by: Richard Fleischer
Cinematography by: Richard H. Kline
Edited by: Marion Rothman
Stunts
Ice Station Zebra (1968)
Directed by: John Sturges
Cinematography by: Daniel L. Fapp
Edited by: Ferris Webster
Cameras: Super Panavision-70 Camera
Stunts , Waldron
The Sand Pebbles (1966)
Directed by: Robert Wise
Cinematography by: Joseph MacDonald
Edited by: William Reynolds
Stunts
Spartacus (1960)
Directed by: Stanley Kubrick
Cinematography by: Russell Metty
Cameras: Technirama Camera