Robert Karlsson

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Mission: Impossible - Dead Reckoning Part One | ShotOnWhat?

Dolby Consultant

Mission: Impossible - Dead Reckoning Part One (2023)

Directed by: Christopher McQuarrie

Cinematography by: Fraser Taggart

Edited by: Eddie Hamilton

Cameras: ARRI ALEXA Mini LF Camera, Sony CineAlta VENICE Camera, Z CAM E2-F6 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision H Series Lenses, Zeiss Compact Prime Lenses

Empire of Light | ShotOnWhat?

Dolby Consultant

Empire of Light (2022)

Movie

Directed by: Sam Mendes

Cinematography by: Roger Deakins

Edited by: Lee Smith

Cameras: ARRI ALEXA LF Camera

Lenses: ARRI Signature Prime Lenses, Cooke S7/i Lenses

No Time to Die | ShotOnWhat?

The Aeronauts | ShotOnWhat?

Dolby Consultant

The Aeronauts (2019)

Directed by: Tom Harper

Cinematography by: George Steel

Edited by: Mark Eckersley

Cameras: Red Monstro 8K Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses

1917 | ShotOnWhat?

Dolby Consultant

1917 (2019)

Directed by: Sam Mendes

Cinematography by: Roger Deakins

Edited by: Lee Smith

Cameras: ARRI ALEXA Mini LF Camera

Lenses: ARRI Signature Prime 35mm T1.8 Lens, ARRI Signature Prime 40mm T1.8 Lens, ARRI Signature Prime 47mm T1.8 Lens

Editing System: Avid Editing System

Wounds | ShotOnWhat?

Dolby Consultant

Wounds (2019)

Directed by: Babak Anvari

Cinematography by: Kit Fraser

Edited by: Chris Barwell

Cameras: ARRI ALEXA Mini Camera

Lenses: Leitz Summilux-C Series Lenses

The Art of Racing in the Rain | ShotOnWhat?

Dolby Consultant

The Art of Racing in the Rain (2019)

Directed by: Simon Curtis

Cinematography by: Ross Emery

Edited by: Adam Recht

Cameras: ARRI ALEXA SXT EV Cameras

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk Vantage One 120mm T1 Lens, Hawk Vantage One 17.5mm T1 Lens, Hawk Vantage One 21mm T1 Lens, Hawk Vantage One 25mm T1 Lens, Hawk Vantage One 32mm T1 Lens, Hawk Vantage One 40mm T1 Lens, Hawk Vantage One 50mm T1 Lens, Hawk Vantage One 65mm T1 Lens, Hawk Vantage One 90mm T1 Lens

Roma | ShotOnWhat?

Dolby Consultant

Roma (2018)

Directed by: Alfonso Cuarón

Cinematography by: Alfonso Cuarón

Edited by: Alfonso Cuarón, Adam Gough

Cameras: ARRI ALEXA 65 Camera

Lenses: ARRI Rental Prime 65 Lenses

Bohemian Rhapsody | ShotOnWhat?

Dolby Consultant

Bohemian Rhapsody (2018)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: John Ottman

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA SXT Plus Camera, ARRIFLEX 35 BL Camera

Lenses: ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Cooke Speed Panchro Lenses

Editing System: Avid Editing System

Paddington 2 | ShotOnWhat?

Dolby Sound Consultant

Paddington 2 (2017)

Directed by: Paul King

Cinematography by: Erik Wilson

Edited by: Jonathan Amos, Mark Everson

Cameras: ARRI ALEXA Series Cameras

Alien: Covenant | ShotOnWhat?

Dolby Consultant

Alien: Covenant (2017)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Pietro Scalia

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras

Lenses: Angenieux Optimo DP Zoom Lenses, Panavision Compact Zoom Lenses, Panavision PVintage Prime Lenses

Baby Driver | ShotOnWhat?

Dolby Consultant

Baby Driver (2017)

Directed by: Edgar Wright

Cinematography by: Bill Pope

Edited by: Jonathan Amos, Paul Machliss

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA Studio Camera, ARRI ALEXA XT Plus Camera, ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera

Fantastic Beasts and Where to Find Them | ShotOnWhat?

Dolby Consultant

Fantastic Beasts and Where to Find Them (2016)

Directed by: David Yates

Cinematography by: Philippe Rousselot

Edited by: Mark Day

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Jason Bourne | ShotOnWhat?

Dolby Consultant

Jason Bourne (2016)

Directed by: Paul Greengrass

Cinematography by: Barry Ackroyd

Edited by: Christopher Rouse

Cameras: Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, Codex Action Cam, Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Kowa Cine Prominar Spherical Lenses, Panavision Lenses, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

Spectre | ShotOnWhat?

Dolby Sound Consultant

Spectre (2015)

Directed by: Sam Mendes

Cinematography by: Hoyte Van Hoytema

Edited by: Lee Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Mission: Impossible - Rogue Nation | ShotOnWhat?

Dolby Sound Consultant

Mission: Impossible - Rogue Nation (2015)

Directed by: Christopher McQuarrie

Cinematography by: Robert Elswit

Edited by: Eddie Hamilton

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Fujinon Premier Lenses, Panavision B Series Anamorphic Lenses

Editing System: Avid Editing System

Exodus: Gods and Kings | ShotOnWhat?

Dolby Sound Consultant

Exodus: Gods and Kings (2014)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Ali Degismis, Billy Rich

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Jack Ryan: Shadow Recruit | ShotOnWhat?

Dolby Sound Consultant

Jack Ryan: Shadow Recruit (2014)

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Martin Walsh

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Angenieux HR Zoom Lenses, Panavision C Series Anamorphic Lenses

Editing System: Avid Editing System

Mandela: Long Walk to Freedom | ShotOnWhat?

Dolby Sound Consultant

Mandela: Long Walk to Freedom (2013)

Directed by: Justin Chadwick

Cinematography by: Lol Crawley

Edited by: Andrew Cassells, Rick Russell

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Invisible Woman | ShotOnWhat?

Dolby Sound Consultant

The Invisible Woman (2013)

Directed by: Ralph Fiennes

Cinematography by: Rob Hardy

Edited by: Nicolas Gaster

Cameras: ARRIFLEX 35 IIIC Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

The Counselor | ShotOnWhat?

Dolby Sound Consultant

The Counselor (2013)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Pietro Scalia

Cameras: Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

The World's End | ShotOnWhat?

Dolby Sound Consultant

The World's End (2013)

Directed by: Edgar Wright

Cinematography by: Bill Pope

Edited by: Paul Machliss

Cameras: ARRIFLEX 16SR3 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Zooms Spherical Lenses

Austenland | ShotOnWhat?

Dolby Sound Consultant

Austenland (2013)

Directed by: Jerusha Hess

Cinematography by: Larry Smith

Edited by: Nick Fenton

Cameras: ARRI Cameras

Lenses: Zeiss Lenses

Seven Psychopaths | ShotOnWhat?

Dolby Sound Consultant

Seven Psychopaths (2012)

Directed by: Martin McDonagh

Cinematography by: Ben Davis

Edited by: Lisa Gunning

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Cockneys vs Zombies | ShotOnWhat?

Dolby Sound Consultant

Cockneys vs Zombies (2012)

Directed by: Matthias Hoene

Cinematography by: Daniel Bronks

Edited by: Neil Farrell, John Palmer

Cameras: ARRI Cameras

Lenses: Bausch & Lomb Lenses

Hyde Park on Hudson | ShotOnWhat?

Dolby Sound Consultant

Hyde Park on Hudson (2012)

Directed by: Roger Michell

Cinematography by: Lol Crawley

Edited by: Nicolas Gaster

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 ES Camera, Silicon Imaging SI-2K Camera

Lenses: Angenieux HR 25-250 mm T3.5 Lens, Angenieux Optimo DP 16-42 mm T2.8 Lens, Cooke S4 Lenses

Skyfall | ShotOnWhat?

Dolby Sound Consultant

Skyfall (2012)

Directed by: Sam Mendes

Cinematography by: Roger Deakins

Edited by: Stuart Baird

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, Red Epic Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

The Pirates! Band of Misfits | ShotOnWhat?

Dolby Sound Consultant

The Pirates! Band of Misfits (2012)

Directed by: Peter Lord, Jeff Newitt

Cinematography by: Frank Passingham

Edited by: Justin Krish

Cameras: Canon EOS-5D Mark II Camera

Contraband | ShotOnWhat?

Dolby Sound Consultant

Contraband (2012)

Directed by: Baltasar Kormákur

Cinematography by: Barry Ackroyd

Edited by: Elísabet Ronaldsdóttir

Cameras: Aaton Penelope Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses

Grabbers | ShotOnWhat?

Dolby Sound Consultant

Grabbers (2012)

Directed by: Jon Wright

Cinematography by: Trevor Forrest

Edited by: Matt Platts-Mills

Lay the Favorite | ShotOnWhat?

Dolby Consultant

Lay the Favorite (2012)

Directed by: Stephen Frears

Cinematography by: Michael McDonough

Edited by: Mick Audsley

Cameras: Sony CineAlta F35 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Cleanskin | ShotOnWhat?

Dolby Sound Consultant

Cleanskin (2012)

Directed by: Hadi Hajaig

Cinematography by: Ian Howes

Edited by: Hadi Hajaig

Best Laid Plans | ShotOnWhat?

Dolby Sound Consultant

Best Laid Plans (2012)

Directed by: David Blair

Cinematography by: Ali Asad

Edited by: Pia Di Ciaula

Outpost: Black Sun | ShotOnWhat?

Dolby Sound Consultant

Outpost: Black Sun (2012)

Directed by: Steve Barker

Cinematography by: Darran Tiernan

Edited by: Bill Gill, Chris Gill

Cameras: ARRI ALEXA Camera

Editing System: Avid Editing System

Bel Ami | ShotOnWhat?

Sound Consultant: Dolby

Bel Ami (2012)

Directed by: Declan Donnellan, Nick Ormerod

Cinematography by: Stefano Falivene

Edited by: Gavin Buckley, Masahiro Hirakubo

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Comes a Bright Day | ShotOnWhat?

Dolby Sound Consultant

Comes a Bright Day (2012)

Directed by: Simon Aboud

Cinematography by: John Lynch

Edited by: Gavin Buckley

Cameras: ARRI ALEXA Camera

Now Is Good | ShotOnWhat?

Dolby Sound Consultant

Now Is Good (2012)

Directed by: Ol Parker

Cinematography by: Erik Wilson

Edited by: Peter Lambert

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Zeiss Master Prime Lenses

Gambit | ShotOnWhat?

Dolby Sound Consultant

Gambit (2012)

Directed by: Michael Hoffman

Cinematography by: Florian Ballhaus

Edited by: Paul Tothill

Cameras: ARRI ALEXA Camera

Lenses: Leitz Summilux-C Series Lenses

Shadow Dancer | ShotOnWhat?

Dolby Consultant

Shadow Dancer (2012)

Directed by: James Marsh

Cinematography by: Rob Hardy

Edited by: Jinx Godfrey

TT3D: Closer to the Edge | ShotOnWhat?

Sound Consultant: Dolby

TT3D: Closer to the Edge (2011)

Directed by: Richard De Aragues

Cinematography by: Thomas Kürzl

Edited by: Beverley Mills

A Lonely Place to Die | ShotOnWhat?

Dolby Sound Consultant

A Lonely Place to Die (2011)

Directed by: Julian Gilbey

Cinematography by: Ali Asad

Edited by: Julian Gilbey, Will Gilbey

Attack the Block | ShotOnWhat?

Dolby Sound Consultant

Attack the Block (2011)

Directed by: Joe Cornish

Cinematography by: Thomas Townend

Edited by: Jonathan Amos

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Cooke S4 Lenses

The Devil's Double | ShotOnWhat?

Dolby Sound Consultant

The Devil's Double (2011)

Directed by: Lee Tamahori

Cinematography by: Sam McCurdy

Edited by: Luis Carballar

Cameras: ARRIFLEX 435 Camera, Red One Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Tinker Tailor Soldier Spy | ShotOnWhat?

Dolby Sound Consultant

Tinker Tailor Soldier Spy (2011)

Directed by: Tomas Alfredson

Cinematography by: Hoyte Van Hoytema

Edited by: Dino Jonsäter

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Albert Nobbs | ShotOnWhat?

Dolby Sound Consultant

Albert Nobbs (2011)

Directed by: Rodrigo García

Cinematography by: Michael McDonough

Edited by: Steven Weisberg

Cameras: Red One MX Camera

Johnny English Reborn | ShotOnWhat?

Dolby Sound Consultant

Johnny English Reborn (2011)

Directed by: Oliver Parker

Cinematography by: Danny Cohen

Edited by: Guy Bensley

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Phantom Flex Camera, Phantom HD Gold Camera

Lenses: Zeiss Master Prime Lenses

Unknown | ShotOnWhat?

Dolby Sound Consultant

Unknown (2011)

Directed by: Jaume Collet-Serra

Cinematography by: Flavio Martínez Labiano

Edited by: Timothy Alverson

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 16SR3 Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 765 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Age of Heroes | ShotOnWhat?

Dolby Sound Consultant

Age of Heroes (2011)

Directed by: Adrian Vitoria

Cinematography by: Mark Hamilton

Edited by: Chris Gill, Joe Parsons

Cameras: ARRICAM Lite (LT) Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens

The Veteran | ShotOnWhat?

Dolby Sound Consultant

The Veteran (2011)

Directed by: Matthew Hope

Cinematography by: Philipp Blaubach

Edited by: Emma Gaffney

The Inbetweeners Movie | ShotOnWhat?

Dolby Consultant

The Inbetweeners Movie (2011)

Directed by: Ben Palmer

Cinematography by: Ben Wheeler

Edited by: Charlie Fawcett, William Webb

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Wild Bill | ShotOnWhat?

Dolby Consultant

Wild Bill (2011)

Directed by: Dexter Fletcher

Cinematography by: George Richmond

Edited by: Stuart Gazzard

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses

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