Make-up Artist: KNB EFX Group
'The Walking Dead' The Same Boat (2016)
Directed by: Billy Gierhart
Cinematography by: Michael E. Satrazemis
Edited by: Dan Liu
Effects: Group Supervisor: KNB
Annabelle (2014)
Directed by: John R. Leonetti
Cinematography by: James Kniest
Edited by: Tom Elkins
On Set Supervisor: KNB EFX Group
Texas Chainsaw 3D (2013)
Directed by: John Luessenhop
Cinematography by: Anastas N. Michos
Edited by: Randy Bricker
Cameras: Red Epic Camera
Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens
Editing System: Avid Editing System
Set Supervisor: KNB EFX Group
Pain & Gain (2013)
Directed by: Michael Bay
Cinematography by: Ben Seresin
Cameras: Canon EOS-7D Camera, GoPro HD Hero3 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Gold Camera, Red Epic Camera
Editing System: Avid Editing System
Puppeteer #1
Maniac (2012)
Directed by: Franck Khalfoun
Cinematography by: Maxime Alexandre
Cameras: Red Epic Camera
Lenses: Zeiss Ultra Prime Lenses
Stunts
Spy Kids 4: All the Time in the World (2011)
Directed by: Robert Rodriguez
Edited by: Dan Zimmerman
Cameras: ARRI ALEXA Camera
Lenses: Angenieux Optimo Zoom Lenses
Key Makeup Effects Artist: KNB EFX Group
I Am Number Four (2011)
Directed by: D.J. Caruso
Cinematography by: Guillermo Navarro
Makeup Effects Coordinator / Special Makeup Effects Crew Supervisor
Priest (2011)
Directed by: Scott Stewart
Cinematography by: Don Burgess
Art Department: KNB EFX Group
Edge of Darkness (2010)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Stuart Baird
Cameras: Panavision Panaflex Platinum Camera
On Set Supervisor: KNB EFX, Sniper
The Book of Eli (2010)
Cinematography by: Don Burgess
Edited by: Cindy Mollo
Cameras: Red One Camera
Special Effects
Piranha 3D (2010)
Directed by: Alexandre Aja
Cinematography by: John R. Leonetti
Edited by: Baxter
Lenses: Angenieux HR Zoom Lenses, Cooke S4 Lenses, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Make-up Artist: KNB EFX Group - 1 Episode, 2016
The Walking Dead (2010)
Directed by: Greg Nicotero, Michael E. Satrazemis, Ernest R. Dickerson, David Boyd, Guy Ferland, Billy Gierhart, Jeffrey F. January, Michelle MacLaren, Tricia Brock, Seith Mann, Michael Slovis, Rosemary Rodriguez, Alrick Riley, Gwyneth Horder-Payton, Daniel Sackheim, Julius Ramsay, Jennifer Lynch, Kari Skogland, Dan Liu, Larry Teng, Michael Cudlitz, Frank Darabont, Johan Renck, Phil Abraham, Daniel Attias, Clark Johnson, Lesli Linka Glatter, Jeremy Podeswa, Stefan Schwartz, Michael Uppendahl, Larysa Kondracki, Stephen Williams, Avi Youabian, Darnell Martin, John Polson, Daisy von Scherler Mayer, Laura Belsey, Meera Menon, Millicent Shelton, Liesl Tommy
Cinematography by: Michael E. Satrazemis, Stephen Campbell, Rohn Schmidt, Duane Manwiller, David Boyd, Paul Varrieur, David Tattersall
Makeup Effects On-set Project Supervisor
The Final Destination (2009)
Directed by: David R. Ellis
Cinematography by: Glen MacPherson
Edited by: Mark Stevens
Cameras: Sony CineAlta F23 Camera, Sony HDC-F950 Camera
Art Department: KNB EFX Group
Surrogates (2009)
Directed by: Jonathan Mostow
Cinematography by: Oliver Wood
Edited by: Kevin Stitt
Art Department: KNB EFX Group
Splice (2009)
Directed by: Vincenzo Natali
Cinematography by: Tetsuo Nagata
Edited by: Michele Conroy
Makeup Supervisor: K.N.B. Effects Group, Puppeteer
The Hitcher (2007)
Directed by: Dave Meyers
Cinematography by: James Hawkinson
Edited by: Jim May
On-set Makeup Artist Supervisor: KNB EFX Group
Hostel: Part II (2007)
Directed by: Eli Roth
Cinematography by: Milan Chadima
Edited by: George Folsey Jr.
Art Department: K.N.B. Effects Group
Transformers (2007)
Directed by: Michael Bay
Cinematography by: Mitchell Amundsen
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Angenieux HR 25-250 mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens
Editing System: Avid Editing System, Final Cut Pro Editing System
Special Makeup Effects Art Department: K.N.B. EFX Group, Inc.
Planet Terror (2007)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
The Rioter (segment "Thanksgiving")
Grindhouse (2007)
Painter
The Mist (2007)
Directed by: Frank Darabont
Cinematography by: Rohn Schmidt
Edited by: Hunter M. Via
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Puppeteer, Special Makeup Effects Crew
Deja Vu (2006)
Directed by: Tony Scott
Cinematography by: Paul Cameron
Body Technician: K.N.B Effects Group / Makeup Effects On-set Technician: K.N.B. Effects Group
Poseidon (2006)
Directed by: Wolfgang Petersen
Cinematography by: John Seale
Edited by: Peter Honess
Art Department: K.N.B. EFX Group Inc.
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)
Directed by: Andrew Adamson
Cinematography by: Donald McAlpine
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera
Editing System: Avid Editing System
Sculptor/painter: KNB EFX Group
Serenity (2005)
Directed by: Joss Whedon
Cinematography by: Jack N. Green
Edited by: Lisa Lassek
Lenses: Panavision Lenses
Special Makeup Effects On-set Tech
Sin City (2005)
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Cameras: Sony HDC-F950 Camera, Sony Other Camera
Editing System: Avid Editing System
Special Makeup Effects Artist
Land of the Dead (2005)
Directed by: George A. Romero
Cinematography by: Miroslaw Baszak
Edited by: Michael Doherty
Special Makeup Effects: Puppeteer
Looney Tunes: Back in Action (2003)
Directed by: Joe Dante
Cinematography by: Dean Cundey
On-set Technician
Spy Kids 3-D: Game Over (2003)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Art Department: KNB Effects Crew
Austin Powers in Goldmember (2002)
Directed by: Jay Roach
Cinematography by: Peter Deming
Art Department: Kurtzman, Nicotero & Berger EFX Group, Inc.
Spy Kids 2: Island of Lost Dreams (2002)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Cameras: Sony HDW-F900 Camera
Painter: Kurtzman, Nicotero & Berger EFX Group, Inc. , Puppeteer
Spy Kids (2001)
Directed by: Robert Rodriguez
Cinematography by: Guillermo Navarro
Edited by: Robert Rodriguez
On-set Technician
Dusk Till Dawn 2: Texas Blood Money (1999)
Directed by: Scott Spiegel
Cinematography by: Philip Lee
Puppeteer
The Haunting (1999)
Directed by: Jan de Bont
Cinematography by: Karl Walter Lindenlaub
Edited by: Michael Kahn
Cameras: Panavision Cameras, VistaVision Cameras
Lenses: Panavision Lenses
Lab Technician: Kurtzman, Nicotero & Berger Efx Group, Inc.
The X Files (1998)
Directed by: Rob Bowman
Cinematography by: Ward Russell
Edited by: Stephen Mark
Special Makeup Effects Mold Maker: K.N.B. EFX Group Inc.
Phantoms (1998)
Directed by: Joe Chappelle
Cinematography by: Richard Clabaugh
Edited by: Randy Bricker
Mold Maker: K.N.B. EFX Group
Wishmaster (1997)
Directed by: Robert Kurtzman
Cinematography by: Jacques Haitkin
Edited by: David Handman
Special Makeup Effects Artist
Scream 2 (1997)
Directed by: Wes Craven
Cinematography by: Peter Deming
Edited by: Patrick Lussier
Painter: K.N.B. Effects Group
Eraser (1996)
Directed by: Chuck Russell
Cinematography by: Adam Greenberg
Edited by: Michael Tronick
Special Makeup Effects Artist
Mighty Morphin Power Rangers: The Movie (1995)
Directed by: Bryan Spicer
Cinematography by: Paul Murphy
Edited by: Wayne Wahrman
