Matt Floyd

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The Fabelmans | ShotOnWhat?

Key Rigging Grip

The Fabelmans (2022)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Sarah Broshar, Michael Kahn

Cameras: ARRI ALEXA Mini LF Camera, ARRIFLEX 16ST Camera, ARRIFLEX 416 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses

Ford v Ferrari | ShotOnWhat?

Key Rigging Grip

Ford v Ferrari (2019)

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Andrew Buckland, Michael McCusker, Dirk Westervelt

Cameras: ARRI ALEXA LF Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision H Series Lenses, Panavision T Series Anamorphic Lenses

Vice | ShotOnWhat?

Key Rigging Grip

Vice (2018)

Directed by: Adam McKay

Cinematography by: Greig Fraser

Edited by: Hank Corwin

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, Bolex Cameras

Lenses: Angenieux HR Zoom Lenses, Cooke Anamorphic/i Prime Lenses

Transformers: The Last Knight | ShotOnWhat?

Best Boy Rigging Grip: Arizona / Underwater Grip

Transformers: The Last Knight (2017)

Directed by: Michael Bay

Cinematography by: Jonathan Sela

Edited by: Roger Barton, Adam Gerstel, Debra Neil-Fisher, John Refoua, Mark Sanger, Calvin Wimmer

Cameras: ALEXA IMAX Camera, ARRIFLEX 416 Camera, Red Epic Dragon Camera, Red Epic Helium Camera

Lenses: ARRI Rental Prime 65 Lenses, Hawk Hawk65 Series Lenses, Hawk V-Lite 16 Lens, Hawk Vantage One Lenses, Leitz Summilux-C Series Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Bright | ShotOnWhat?

Cable Camera Designer / Key Rigging Grip

Bright (2017)

Directed by: David Ayer

Cinematography by: Roman Vasyanov

Edited by: Aaron Brock, Geoffrey O'Brien, Michael Tronick

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Series Cameras, ARRI Cameras

Lenses: Panavision Lenses

Terminator Genisys | ShotOnWhat?

Best Boy Rigging Grip

Terminator Genisys (2015)

Directed by: Alan Taylor

Cinematography by: Kramer Morgenthau

Edited by: Roger Barton

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision Anamorphic Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Revenant | ShotOnWhat?

Cable Camera Designer / Key Rigging Grip

The Revenant (2015)

Directed by: Alejandro G. Iñárritu

Cinematography by: Emmanuel Lubezki

Edited by: Stephen Mirrione

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, Red Epic Dragon Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Dawn of the Planet of the Apes | ShotOnWhat?

Best Boy Rigging Grip

Dawn of the Planet of the Apes (2014)

Directed by: Matt Reeves

Cinematography by: Michael Seresin

Edited by: William Hoy, Stan Salfas

Cameras: ARRI ALEXA M Camera

Lenses: ARRI / Fujinon Lenses, Leitz Summilux-C Series Lenses

Editing System: Avid Editing System

Iron Man Three | ShotOnWhat?

The Bourne Legacy | ShotOnWhat?

Best Boy Grip: Second Unit

The Bourne Legacy (2012)

Directed by: Tony Gilroy

Cinematography by: Robert Elswit

Edited by: John Gilroy

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

The Dark Knight Rises | ShotOnWhat?

Rigging Grip

The Dark Knight Rises (2012)

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Lee Smith

Cameras: ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera

Lenses: Hasselblad Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Argo | ShotOnWhat?

Best Boy Rigging Grip

Argo (2012)

Directed by: Ben Affleck

Cinematography by: Rodrigo Prieto

Edited by: William Goldenberg

Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, Bolex H16 RX5 Camera, Canon Cameras

Lenses: Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Kern-Paillard Switar Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

In Time | ShotOnWhat?

Rigging Grip

In Time (2011)

Directed by: Andrew Niccol

Cinematography by: Roger Deakins

Edited by: Zach Staenberg

Cameras: ARRI ALEXA Camera

Lenses: Zeiss Master Prime Lenses

Moneyball | ShotOnWhat?

Rigging Grip

Moneyball (2011)

Directed by: Bennett Miller

Cinematography by: Wally Pfister

Edited by: Christopher Tellefsen

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Water for Elephants | ShotOnWhat?

Rigging Grip

Water for Elephants (2011)

Directed by: Francis Lawrence

Cinematography by: Rodrigo Prieto

Edited by: Alan Edward Bell

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

We Bought a Zoo | ShotOnWhat?

Rigging Grip

We Bought a Zoo (2011)

Directed by: Cameron Crowe

Cinematography by: Rodrigo Prieto

Edited by: Mark Livolsi

Cameras: ARRICAM Lite (LT) Camera

Lenses: Zeiss Ultra Prime Lenses

Burlesque | ShotOnWhat?

Rigging Grip

Burlesque (2010)

Directed by: Steve Antin

Cinematography by: Bojan Bazelli

Edited by: Virginia Katz

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera

Lenses: Cooke S4 Lenses, Cooke Speed Panchro Lenses

Inception | ShotOnWhat?

My Sister's Keeper | ShotOnWhat?

Rigging Grip

My Sister's Keeper (2009)

Directed by: Nick Cassavetes

Cinematography by: Caleb Deschanel

Edited by: Jim Flynn, Alan Heim

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Hotel for Dogs | ShotOnWhat?

Rigging Grip

Hotel for Dogs (2009)

Directed by: Thor Freudenthal

Cinematography by: Michael Grady

Edited by: Sheldon Kahn

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Forgetting Sarah Marshall | ShotOnWhat?

Rigging Grip

Forgetting Sarah Marshall (2008)

Directed by: Nicholas Stoller

Cinematography by: Russ T. Alsobrook

Edited by: William Kerr

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The House Bunny | ShotOnWhat?

Rigging Grip

The House Bunny (2008)

Directed by: Fred Wolf

Cinematography by: Shelly Johnson

Edited by: Debra Chiate

Cameras: Panavision Genesis Camera

Role Models | ShotOnWhat?

Rigging Grip

Role Models (2008)

Directed by: David Wain

Cinematography by: Russ T. Alsobrook

Edited by: Eric Kissack

Cameras: Panavision Cameras

Changeling | ShotOnWhat?

Rigging Grip

Changeling (2008)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses

Next | ShotOnWhat?

Rigging Grip

Next (2007)

Directed by: Lee Tamahori

Cinematography by: David Tattersall

Edited by: Christian Wagner

The Comebacks | ShotOnWhat?

Key Rigging Grip

The Comebacks (2007)

Directed by: Tom Brady

Cinematography by: Anthony B. Richmond

Edited by: Alan Edward Bell

The Prestige | ShotOnWhat?

Rigging Grip

The Prestige (2006)

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera, Spacecam Aerial Cameras

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

xXx: State of the Union | ShotOnWhat?

Foreman Rigging Grip

xXx: State of the Union (2005)

Directed by: Lee Tamahori

Cinematography by: David Tattersall

Edited by: Mark Goldblatt, Todd E. Miller, Steven Rosenblum

A Cinderella Story | ShotOnWhat?

Rigging Grip

A Cinderella Story (2004)

Directed by: Mark Rosman

Cinematography by: Anthony B. Richmond

Edited by: Cara Silverman

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Cameras

Lenses: Panavision Lenses

Van Helsing | ShotOnWhat?

Rigging Grip

Van Helsing (2004)

Directed by: Stephen Sommers

Cinematography by: Allen Daviau

Edited by: Bob Ducsay, Kelly Matsumoto, Jim May

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

The Hunted | ShotOnWhat?

Rigging Technician

The Hunted (2003)

Directed by: William Friedkin

Cinematography by: Caleb Deschanel

Edited by: Augie Hess

The Italian Job | ShotOnWhat?

Rigging Grip

The Italian Job (2003)

Directed by: F. Gary Gray

Cinematography by: Wally Pfister

Edited by: Richard Francis-Bruce, Christopher Rouse

Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo AL35 35 mm T2.0 Lens, Panavision Primo Anamorphic Lenses, Panavision Ultra Speed MKII 35 mm T1.3 Lens, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses

The Master of Disguise | ShotOnWhat?

Rigging Grip

The Master of Disguise (2002)

Directed by: Perry Andelin Blake

Cinematography by: Peter Lyons Collister

Edited by: Peck Prior, Sandy S. Solowitz

Cameras: Panavision Cameras

Phone Booth | ShotOnWhat?

Rigging Grip Technician

Phone Booth (2002)

Directed by: Joel Schumacher

Cinematography by: Matthew Libatique

Edited by: Mark Stevens

The Haunting | ShotOnWhat?

Key Rigging Grip

The Haunting (1999)

Directed by: Jan de Bont

Cinematography by: Karl Walter Lindenlaub

Edited by: Michael Kahn

Cameras: Panavision Cameras, VistaVision Cameras

Lenses: Panavision Lenses

Primary Colors | ShotOnWhat?

Rigging Grip

Primary Colors (1998)

Directed by: Mike Nichols

Cinematography by: Michael Ballhaus

Edited by: Arthur Schmidt

Cameras: ARRIFLEX Camera

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