Dolby Sound Consultant
Downton Abbey (2019)
Movie
Directed by: Michael Engler
Cinematography by: Ben Smithard
Edited by: Mark Day
Cameras: Sony Cameras, Sony CineAlta VENICE Camera
Dolby Sound Consultant
Bird Box (2018)
Directed by: Susanne Bier
Cinematography by: Salvatore Totino
Edited by: Ben Lester
Cameras: Red Helium (Weapon) 8K
Lenses: Zeiss Master Prime Lenses
Dolby Sound Consultant
Alien: Covenant (2017)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Dolby Sound Consultant
Murder on the Orient Express (2017)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Mick Audsley
Dolby Sound Consultant
'Sherlock' The Six Thatchers (2017)
Directed by: Rachel Talalay
Cinematography by: Stuart Biddlecombe
Edited by: William Oswald
Dolby Sound Consultant
'Sherlock' The Lying Detective (2017)
Directed by: Nick Hurran
Cinematography by: Neville Kidd
Edited by: Yan Miles
Dolby Sound Consultant
'Sherlock' The Final Problem (2017)
Directed by: Benjamin Caron
Cinematography by: David Luther
Edited by: Yan Miles
Dolby Sound Consultant
The Legend of Tarzan (2016)
Directed by: David Yates
Cinematography by: Henry Braham
Edited by: Mark Day
Cameras: Red Epic Dragon Camera
Dolby Sound Consultant
Assassin's Creed (2016)
Directed by: Justin Kurzel
Cinematography by: Adam Arkapaw
Edited by: Christopher Tellefsen
Cameras: ARRI ALEXA 65 Camera
Dolby Sound Consultant
Fantastic Beasts and Where to Find Them (2016)
Directed by: David Yates
Cinematography by: Philippe Rousselot
Edited by: Mark Day
Cameras: ARRI ALEXA XT Camera
Dolby Sound Consultant
The Program (2015)
Directed by: Stephen Frears
Cinematography by: Danny Cohen
Edited by: Valerio Bonelli
Cameras: Red Epic Camera
Dolby Sound Consultant
Cinderella (2015)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Martin Walsh
Lenses: Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Dolby Sound Consultant
The Man from U.N.C.L.E. (2015)
Directed by: Guy Ritchie
Cinematography by: John Mathieson
Edited by: James Herbert
Dolby Sound Consultant
Edge of Tomorrow (2014)
Directed by: Doug Liman
Cinematography by: Dion Beebe
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Dolby Sound Consultant
A Long Way Down (2014)
Directed by: Pascal Chaumeil
Cinematography by: Ben Davis
Cameras: ARRI ALEXA Camera
Dolby Sound Consultant
Hercules (2014)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Cameras: ARRI ALEXA XT Camera
Dolby Sound Consultant
The Theory of Everything (2014)
Directed by: James Marsh
Cinematography by: Benoît Delhomme
Edited by: Jinx Godfrey
Dolby Sound Consultant
Vamps (2012)
Directed by: Amy Heckerling
Cinematography by: Tim Suhrstedt
Edited by: Debra Chiate
Cameras: Sony CineAlta F35 Camera
Lenses: Panavision Lenses
Dolby Sound Consultant
A Royal Affair (2012)
Directed by: Nikolaj Arcel
Cinematography by: Rasmus Videbæk
Cameras: ARRICAM Studio (ST) Camera
Lenses: Zeiss Master Prime Lenses
Dolby Sound Consultant
The Cold Light of Day (2012)
Directed by: Mabrouk El Mechri
Cinematography by: Remi Adefarasin
Edited by: Valerio Bonelli
Cameras: ARRIFLEX 435 Camera
Editing System: Avid Editing System
Dolby Sound Consultant
A Fantastic Fear of Everything (2012)
Cinematography by: Simon Chaudoir
Edited by: Dan Roberts
Cameras: ARRI ALEXA Camera
Dolby Sound Consultant
Wrath of the Titans (2012)
Directed by: Jonathan Liebesman
Cinematography by: Ben Davis
Edited by: Martin Walsh
Dolby Sound Consultant
Lay the Favorite (2012)
Directed by: Stephen Frears
Cinematography by: Michael McDonough
Edited by: Mick Audsley
Cameras: Sony CineAlta F35 Camera
Dolby Sound Consultant
Dredd (2012)
Directed by: Pete Travis
Cinematography by: Anthony Dod Mantle
Edited by: Mark Eckersley
Lenses: Zeiss Ultra Prime Lenses
Dolby Sound Consultant
Anna Karenina (2012)
Directed by: Joe Wright
Cinematography by: Seamus McGarvey
Edited by: Melanie Oliver
Dolby Sound Consultant
Resistance (2011)
Directed by: Amit Gupta
Cinematography by: John Pardue
Edited by: Chris Barwell
Dolby Sound Consultant
Harry Potter and the Deathly Hallows: Part 2 (2011)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Lenses: Cooke S4 Lenses
Sound Consultant: Dolby
Jane Eyre (2011)
Directed by: Cary Joji Fukunaga
Cinematography by: Adriano Goldman
Edited by: Melanie Oliver
Cameras: ARRICAM Lite (LT) Camera
Dolby Sound Consultant
Wuthering Heights (2011)
Directed by: Andrea Arnold
Cinematography by: Robbie Ryan
Edited by: Nicolas Chaudeurge
Dolby Sound Consultant
Black Butterflies (2011)
Directed by: Paula van der Oest
Cinematography by: Giulio Biccari
Edited by: Sander Vos
Dolby Sound Consultant
33 Postcards (2011)
Directed by: Pauline Chan
Cinematography by: Toby Oliver
Edited by: Jane Moran
Cameras: Red One Camera
Dolby Sound Consultant
The Best Exotic Marigold Hotel (2011)
Directed by: John Madden
Cinematography by: Ben Davis
Edited by: Chris Gill
Sound Consultant: Dolby
Hanna (2011)
Directed by: Joe Wright
Cinematography by: Alwin H. Küchler
Edited by: Paul Tothill
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony Other Camera
Editing System: Lightworks Editing System
Dolby Sound Consultant
Hysteria (2011)
Directed by: Tanya Wexler
Cinematography by: Sean Bobbitt
Edited by: Jon Gregory
Dolby Sound Consultant
One Day (2011)
Directed by: Lone Scherfig
Cinematography by: Benoît Delhomme
Edited by: Barney Pilling
Dolby Consultant
Wild Bill (2011)
Directed by: Dexter Fletcher
Cinematography by: George Richmond
Edited by: Stuart Gazzard
Cameras: ARRI ALEXA Camera
Lenses: Angenieux Optimo Zoom Lenses
Dolby Sound Consultant
Sherlock Holmes: A Game of Shadows (2011)
Directed by: Guy Ritchie
Cinematography by: Philippe Rousselot
Edited by: James Herbert
Dolby Sound Consultant - 3 Episodes, 2017
Sherlock (2010)
Directed by: Paul McGuigan, Nick Hurran, Coky Giedroyc, Euros Lyn, Toby Haynes, Jeremy Lovering, Colm McCarthy, Douglas Mackinnon, Benjamin Caron, Rachel Talalay
Cinematography by: Steve Lawes, Fabian Wagner, Neville Kidd, Matt Gray, Suzie Lavelle, Stuart Biddlecombe, David Luther
Edited by: Charlie Phillips, Yan Miles, Nick Arthurs, Mali Evans, Tim Porter, Mark Davis, Andrew McClelland, William Oswald
Lenses: Cooke S4 Lenses, Zeiss Super Speed Lenses
Dolby Sound Consultant
I Am Slave (2010)
Directed by: Gabriel Range
Cinematography by: Robbie Ryan
Edited by: Brand Thumim
Dolby Sound Consultant
En familie (2010)
Directed by: Pernille Fischer Christensen
Cinematography by: Jakob Ihre
Dolby Sound Consultant
127 Hours (2010)
Directed by: Danny Boyle
Edited by: Jon Harris
Cameras: Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, IDT / Redlake Y5 Camera, Moviecam Compact MK2 Camera, Moviecam Superlight Camera, Silicon Imaging SI-2K Mini Camera
Editing System: Avid Editing System
Dolby Consultant
Harjunpää & pahan pappi (2010)
Directed by: Olli Saarela
Cinematography by: Rauno Ronkainen
Edited by: Benjamin Mercer
Dolby Sound Consultant
Schemer (2010)
Directed by: Hanro Smitsman
Cinematography by: Joost Rietdijk
Edited by: Marc Bechtold
Cameras: Red One Camera
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Dolby Sound Consultant
Scott Pilgrim vs. the World (2010)
Directed by: Edgar Wright
Cinematography by: Bill Pope
Dolby Sound Consultant
Sint (2010)
Directed by: Dick Maas
Cinematography by: Guido van Gennep
Edited by: Bert Rijkelijkhuizen
Dolby Sound Consultant
The American (2010)
Directed by: Anton Corbijn
Cinematography by: Martin Ruhe
Edited by: Andrew Hulme
Dolby Sound Consultant
The Be All and End All (2009)
Directed by: Bruce Webb
Cinematography by: Zillah Bowes
Edited by: Joe Wilby
Dolby Sound Consultant
Skellig: The Owl Man (2009)
Directed by: Annabel Jankel
Cinematography by: Steve Lawes
Edited by: Peter Christelis
Cameras: ARRIFLEX D-21 Camera
Additional Music Crew
The Lord of the Rings: The Return of the King (2003)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jamie Selkirk
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 535 B Camera, Mitchell Cameras, Moviecam Superlight Camera
Editing System: Avid Editing System
