Compositor
Kubo and the Two Strings (2016)
Directed by: Travis Knight
Cinematography by: Frank Passingham
Edited by: Christopher Murrie
Compositor: Perception
Batman v Superman: Dawn of Justice (2016)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: David Brenner
Digital Paint Supervisor: Boundary VFX
Anomalisa (2015)
Cinematography by: Joe Passarelli
Edited by: Garret Elkins
Cameras: Canon EOS-7D Camera
Digital Compositor: Whiskytree
Tomorrowland (2015)
Directed by: Brad Bird
Cinematography by: Claudio Miranda
Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens
Digital Compositor: Boundary Visual Effects
Kingsman: The Secret Service (2014)
Directed by: Matthew Vaughn
Cinematography by: George Richmond
Editing System: Avid Editing System
Digital Compositor: Boundary Visual Effects
Pride (2014)
Directed by: Matthew Warchus
Cinematography by: Tat Radcliffe
Edited by: Melanie Oliver
Editing System: Avid Editing System
Digital Compositor
Veronica Mars (2014)
Directed by: Rob Thomas
Cinematography by: Ben Kutchins
Edited by: Daniel Gabbe
Cameras: ARRI ALEXA Camera
Lenses: Leitz Summilux-C Series Lenses
Editing System: Avid Editing System
Compositor: Whiskytree
The Hunger Games: Mockingjay - Part 1 (2014)
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Cameras: ARRI ALEXA XT Camera
Compositor: Whiskytree
Captain America: The Winter Soldier (2014)
Cinematography by: Trent Opaloch
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens
Roto/paint Supervisor: The Base Studio
Hansel & Gretel: Witch Hunters (2013)
Directed by: Tommy Wirkola
Cinematography by: Michael Bonvillain
Edited by: Jim Page
Cameras: ARRI ALEXA Camera, ARRI ALEXA Plus Camera
Rotoscope Artist
Captain Phillips (2013)
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Edited by: Christopher Rouse
Digital Effects Artist: Boundary Visual Effects
Kick-Ass 2 (2013)
Directed by: Jeff Wadlow
Cinematography by: Tim Maurice-Jones
Edited by: Eddie Hamilton
Digital Artist: The Base Studio
Iron Man Three (2013)
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Rotoscope Lead: The Base Studio
The Avengers (2012)
Directed by: Joss Whedon
Cinematography by: Seamus McGarvey
Editing System: Avid Editing System
Digital Effects Artist: Boundary Visual Effects
Stitch in Time (2012)
Directed by: Jigeesh Magar
Cinematography by: Jesse Dana
Edited by: Matt Straus
Stereoscopic Paint Artist: The Base Studio
Journey 2: The Mysterious Island (2012)
Directed by: Brad Peyton
Cinematography by: David Tattersall
Edited by: David Rennie
Compositor
Bachelorette (2012)
Directed by: Leslye Headland
Cinematography by: Doug Emmett
Edited by: Jeffrey Wolf
Cameras: Red One MX Camera
Roto/prep Artist
Grabbers (2012)
Directed by: Jon Wright
Cinematography by: Trevor Forrest
Edited by: Matt Platts-Mills
Stereoscopic Roto Artist
Horrid Henry: The Movie (2011)
Directed by: Nick Moore
Cinematography by: Sam McCurdy
Edited by: Simon Cozens
Rotoscope Artist
Straw Dogs (2011)
Directed by: Rod Lurie
Cinematography by: Alik Sakharov
Edited by: Sarah Boyd
Rotoscope Artist: The Base Studio
The Green Hornet (2011)
Directed by: Michel Gondry
Cinematography by: John Schwartzman
Edited by: Michael Tronick
Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Digital Artist: The Base Studio
The Smurfs (2011)
Directed by: Raja Gosnell
Cinematography by: Phil Meheux
Cameras: Panavision Genesis Camera
Editing System: Avid Editing System
Roto/paint Lead: The Base Studio
Priest (2011)
Directed by: Scott Stewart
Cinematography by: Don Burgess
Stereoscopic Roto Supervisor
Harry Potter and the Deathly Hallows: Part 2 (2011)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Lenses: Cooke S4 Lenses
Tracking Supervisor: The Base Studio
Tornado Alley (2011)
Directed by: Sean C. Casey
Cameras: IMAX Cameras, VistaVision Cameras
Compositing Supervisor: The Base Studio / Stereoscopic Roto Supervisor: The Base Studio
Captain America: The First Avenger (2011)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera
Editing System: Avid Editing System
Stereoscopic Roto Supervisor: The Base Studio
Thor (2011)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Paul Rubell
Digital Artist: Perception
Iron Man 2 (2010)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Digital Effects Artist: Boundary Visual Effects
Memoirs of a Teenage Amnesiac (2010)
Directed by: Hans Canosa
Cinematography by: Jaron Presant
Rotoscope Artist: The Base Studio
Hereafter (2010)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Digital Compositor
After.Life (2009)
Directed by: Agnieszka Wojtowicz-Vosloo
Cinematography by: Anastas N. Michos
Edited by: Niven Howie
Digital Effects Artist
Mr. Nobody (2009)
Directed by: Jaco Van Dormael
Cinematography by: Christophe Beaucarne
Cameras: ARRICAM Lite (LT) Camera
Lenses: Zeiss Master Prime Lenses
Digital Artist: RotoFactory, Inc.
The Love Guru (2008)
Directed by: Marco Schnabel
Cinematography by: Peter Deming
Digital Artist: RotoFactory
Synecdoche, New York (2008)
Directed by: Charlie Kaufman
Cinematography by: Frederick Elmes
Edited by: Robert Frazen
Propmaker: SpaceProps.com
Mission to Mars (2000)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Paul Hirsch
