Audrius Urbonavicius

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Napoleon | ShotOnWhat?

Visual Effects Artist: BlueBolt

Napoleon (2023)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Sam Restivo, Claire Simpson

Cameras: ARRI ALEXA Mini LF Camera

Lenses: Angenieux Type EZ-1 S35 30-90 mm T3.0 Lens, Angenieux Type EZ-2 S35 15-40 mm T2.0 Lens, Panavision 65 Vintage Series Lenses, Panavision Lenses, Panavision Primo Zooms Spherical Lenses

Mission: Impossible - Dead Reckoning Part One | ShotOnWhat?

Digital Artist: BlueBolt

Mission: Impossible - Dead Reckoning Part One (2023)

Directed by: Christopher McQuarrie

Cinematography by: Fraser Taggart

Edited by: Eddie Hamilton

Cameras: ARRI ALEXA Mini LF Camera, Sony CineAlta VENICE Camera, Z CAM E2-F6 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision H Series Lenses, Zeiss Compact Prime Lenses

F9 | ShotOnWhat?

Digital Matte Painter: DNEG London

F9 (2021)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Greg D'Auria, Dylan Highsmith, Kelly Matsumoto

Lenses: Tokina Vista Cinema Prime Lenses

The Lion King | ShotOnWhat?

Environment Artist/matte Painter: MPC

The Lion King (2019)

Directed by: Jon Favreau

Cinematography by: Caleb Deschanel

Edited by: Adam Gerstel, Mark Livolsi

Cameras: ARRI ALEXA 65 Camera

Cats | ShotOnWhat?

Digital Matte Painter: MPC

Cats (2019)

Directed by: Tom Hooper

Cinematography by: Christopher Ross

Edited by: Melanie Oliver

Cameras: ARRI ALEXA 65 Camera

Lenses: ARRI Rental Prime DNA Lenses, Hasselblad Lenses, Tokina Vista Cinema Prime Lenses

Ad Astra | ShotOnWhat?

Digital Matte Painter: MPC

Ad Astra (2019)

Directed by: James Gray

Cinematography by: Hoyte Van Hoytema

Edited by: John Axelrad, Lee Haugen

Cameras: Aaton Penelope Camera, ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX Camera

Lenses: CamTec Astra Master Prime Series Lenses, Zeiss Master Prime Lenses

Transformers: The Last Knight | ShotOnWhat?

Digital Matte Painter: MPC

Transformers: The Last Knight (2017)

Directed by: Michael Bay

Cinematography by: Jonathan Sela

Edited by: Roger Barton, Adam Gerstel, Debra Neil-Fisher, John Refoua, Mark Sanger, Calvin Wimmer

Cameras: ALEXA IMAX Camera, ARRIFLEX 416 Camera, Red Epic Dragon Camera, Red Epic Helium Camera

Lenses: ARRI Rental Prime 65 Lenses, Hawk Hawk65 Series Lenses, Hawk V-Lite 16 Lens, Hawk Vantage One Lenses, Leitz Summilux-C Series Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Alien: Covenant | ShotOnWhat?

Digital Matte Painter: MPC

Alien: Covenant (2017)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Pietro Scalia

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras

Lenses: Angenieux Optimo DP Zoom Lenses, Panavision Compact Zoom Lenses, Panavision PVintage Prime Lenses

Pirates of the Caribbean: Dead Men Tell No Tales | ShotOnWhat?

Digital Matte Painter: MPC

Pirates of the Caribbean: Dead Men Tell No Tales (2017)

Directed by: Joachim Rønning, Espen Sandberg

Cinematography by: Paul Cameron

Edited by: Roger Barton, Leigh Folsom Boyd

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Jungle Book | ShotOnWhat?

Environment Artist/matte Painter: MPC

The Jungle Book (2016)

Directed by: Jon Favreau

Cinematography by: Bill Pope

Edited by: Adam Gerstel, Mark Livolsi

Cameras: ARRI ALEXA XT M Camera

Lenses: Panavision Primo Primes Spherical Lenses

Passengers | ShotOnWhat?

Environment Artist/matte Painter: MPC

Passengers (2016)

Directed by: Morten Tyldum

Cinematography by: Rodrigo Prieto

Edited by: Maryann Brandon

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision Primo 70 Lenses

The Hunger Games: Mockingjay - Part 2 | ShotOnWhat?

Digital Matte Painter: MPC

The Hunger Games: Mockingjay - Part 2 (2015)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Martian | ShotOnWhat?

Environment Artist/matte Painter: MPC

The Martian (2015)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Pietro Scalia

Cameras: GoPro (Woodman Labs) Cameras, Red Epic Dragon Camera, Red Scarlet Dragon Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Fujinon Premier ZK Cabrio PL Compact Lenses

Exodus: Gods and Kings | ShotOnWhat?

Environment Artist/matte Painter: MPC

Exodus: Gods and Kings (2014)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Ali Degismis, Billy Rich

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Guardians of the Galaxy | ShotOnWhat?

Environment Artist/matte Painter: MPC

Guardians of the Galaxy (2014)

Directed by: James Gunn

Cinematography by: Ben Davis

Edited by: Fred Raskin, Hughes Winborne, Craig Wood

Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Xtal Xpress 50mm T2.3 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL24-MS 24 mm T1.7 Lens, Panavision SL27 27 mm T1.9 Lens

American Sniper | ShotOnWhat?

Matte Painter: MPC

American Sniper (2014)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

World War Z | ShotOnWhat?

Digital Matte Painter: MPC

World War Z (2013)

Directed by: Marc Forster

Cinematography by: Ben Seresin, Robert Richardson

Edited by: Roger Barton, Matt Chesse

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Studio Camera, ARRIFLEX 435 Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses

White House Down | ShotOnWhat?

Digital Matte Painter: Baseblack

White House Down (2013)

Directed by: Roland Emmerich

Cinematography by: Anna Foerster

Edited by: Adam Wolfe

Cameras: ARRI ALEXA Plus Camera, Sony CineAlta F65 Camera

Lenses: ARRI / Zeiss Lenses, Fujinon Premier Lenses, Zeiss Lenses

Wrath of the Titans | ShotOnWhat?

Digital Matte Painter: MPC

Wrath of the Titans (2012)

Directed by: Jonathan Liebesman

Cinematography by: Ben Davis

Edited by: Martin Walsh

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

Dark Shadows | ShotOnWhat?

Digital Matte Painter: MPC

Dark Shadows (2012)

Directed by: Tim Burton

Cinematography by: Bruno Delbonnel

Edited by: Chris Lebenzon

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

John Carter | ShotOnWhat?

Digital Matte Painter: Cinesite

John Carter (2012)

Directed by: Andrew Stanton

Cinematography by: Dan Mindel

Edited by: Eric Zumbrunnen

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Apple Final Cut Pro 7

Resistance | ShotOnWhat?

Digital Matte Painter

Resistance (2011)

Directed by: Amit Gupta

Cinematography by: John Pardue

Edited by: Chris Barwell

Ironclad | ShotOnWhat?

Matte Paint Artist: Molinare

Ironclad (2011)

Directed by: Jonathan English

Cinematography by: David Eggby

Edited by: Peter Amundson, Gavin Buckley

Cameras: Panavision Genesis Camera

Lenses: Panavision Lenses

Unknown | ShotOnWhat?

Digital Matte Painter: Molinare

Unknown (2011)

Directed by: Jaume Collet-Serra

Cinematography by: Flavio Martínez Labiano

Edited by: Timothy Alverson

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 16SR3 Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 765 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Chatroom | ShotOnWhat?

Digital Matte Painter

Chatroom (2010)

Directed by: Hideo Nakata

Cinematography by: Benoît Delhomme

Edited by: Masahiro Hirakubo

It's a Wonderful Afterlife | ShotOnWhat?

Digital Matte Artist

It's a Wonderful Afterlife (2010)

Directed by: Gurinder Chadha

Cinematography by: Dick Pope

Edited by: Oral Norrie Ottey

London Boulevard | ShotOnWhat?

Concept Artist / Senior Matte Artist

London Boulevard (2010)

Directed by: William Monahan

Cinematography by: Chris Menges

Edited by: Dody Dorn, Robb Sullivan

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

The King's Speech | ShotOnWhat?

Matte Painter: London

The King's Speech (2010)

Directed by: Tom Hooper

Cinematography by: Danny Cohen

Edited by: Tariq Anwar

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Lightworks Editing System

Goal! III | ShotOnWhat?

Digital Matte Artist

Goal! III (2009)

Direct to Video

Directed by: Andrew Morahan

Cinematography by: George Tiffin

Edited by: Giles Bury

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Solomon Kane | ShotOnWhat?

Digital Matte Artist: Men From Mars

Solomon Kane (2009)

Directed by: M.J. Bassett

Cinematography by: Dan Laustsen

Edited by: Andrew MacRitchie

Doghouse | ShotOnWhat?

Digital Matte Artist

Doghouse (2009)

Directed by: Jake West

Cinematography by: Ali Asad

Edited by: Jake West

St Trinian's 2: The Legend of Fritton's Gold | ShotOnWhat?

Digital Matte Artist

St Trinian's 2: The Legend of Fritton's Gold (2009)

Directed by: Oliver Parker, Barnaby Thompson

Cinematography by: David Higgs

Edited by: Emma E. Hickox

Easy Virtue | ShotOnWhat?

Digital Matte Artist

Easy Virtue (2008)

Directed by: Stephan Elliott

Cinematography by: Martin Kenzie

Edited by: Sue Blainey

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Mutant Chronicles | ShotOnWhat?

Digital Matte Artist: Men From Mars

Mutant Chronicles (2008)

Directed by: Simon Hunter

Cinematography by: Geoff Boyle

Edited by: Sean Barton, Alison Lewis

Der rote Baron | ShotOnWhat?

Digital Environment Artist

Der rote Baron (2008)

Directed by: Nikolai Müllerschön

Cinematography by: Klaus Merkel

Edited by: Emmelie Mansee, Olivia Retzer, Adam P. Scott

Little Dorrit | ShotOnWhat?

Digital Matte Artist

Little Dorrit (2008)

Directed by: Adam Smith, Dearbhla Walsh, Diarmuid Lawrence

Cinematography by: Owen McPolin, Lukas Strebel, Alan Almond

Edited by: Philip Kloss, Nick Arthurs, David Head

Cameras: ARRIFLEX D-21 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Run, Fatboy, Run | ShotOnWhat?

Digital Matte Artist

Run, Fat Boy, Run (2007)

Directed by: David Schwimmer

Cinematography by: Richard Greatrex

Edited by: Michael Parker

Cameras: ARRI Cameras

Lenses: Zeiss Lenses

Postcards from the Future | ShotOnWhat?

Matte Painter

Postcards from the Future (2007)

Directed by: Alan Chan

Cinematography by: Eric Adkins

Edited by: John McGinley

Cameras: Dalsa Origin Camera

Lenses: Zeiss Ultra Prime Lenses, Zeiss Ultra Prime Planar 65 mm T1.9 Lens

Editing System: Adobe Premiere Editing System

Star Wars: Revelations | ShotOnWhat?

Matte Painter

Star Wars: Revelations (2005)

Direct to Video

Directed by: Shane Felux

Cinematography by: Jack Foley

Edited by: Dawn Cowings, Shane Felux, Jack Foley

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