Steve Schatz

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Guardians of the Galaxy Vol. 2 | ShotOnWhat?

Re-recording Mix Technician: The Walt Disney Studios

Guardians of the Galaxy Vol. 2 (2017)

Directed by: James Gunn

Cinematography by: Henry Braham

Edited by: Fred Raskin, Craig Wood

Cameras: Red Weapon Dragon Camera

Lenses: Panavision Primo 70 Lenses

Pete's Dragon | ShotOnWhat?

Re-Recording Mix Technician

Pete's Dragon (2016)

Directed by: David Lowery

Cinematography by: Bojan Bazelli

Edited by: Lisa Zeno Churgin

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Cooke Anamorphic/i Prime Lenses

Doctor Strange | ShotOnWhat?

Re-Recording Mix Technician: THE WALT DISNEY STUDIOS

Doctor Strange (2016)

Directed by: Scott Derrickson

Cinematography by: Ben Davis

Edited by: Sabrina Plisco, Wyatt Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Panavision 65mm Prime Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Zootopia | ShotOnWhat?

Re-recording Mix Technician

Zootopia (2016)

Directed by: Byron Howard, Rich Moore, Jared Bush

Cinematography by: Nathan Warner

Edited by: Jeremy Milton, Fabienne Rawley

Captain America: Civil War | ShotOnWhat?

Re-recording Mix Technician

Captain America: Civil War (2016)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses

Avengers: Age of Ultron | ShotOnWhat?

Re-Recording Mix Technician

Avengers: Age of Ultron (2015)

Directed by: Joss Whedon

Cinematography by: Ben Davis

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA XT Studio Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera, Red One MX Camera

Lenses: Panavision Primo Anamorphic Lenses

Big Hero 6 | ShotOnWhat?

Re-recording Mix Technician: Disney Digital Studio Services

Big Hero 6 (2014)

Directed by: Don Hall, Chris Williams

Cinematography by: Rob Dressel

Edited by: Tim Mertens

Guardians of the Galaxy | ShotOnWhat?

Mix Stage Tech: Disney

Guardians of the Galaxy (2014)

Directed by: James Gunn

Cinematography by: Ben Davis

Edited by: Fred Raskin, Hughes Winborne, Craig Wood

Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Xtal Xpress 50mm T2.3 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL24-MS 24 mm T1.7 Lens, Panavision SL27 27 mm T1.9 Lens

Captain America: The Winter Soldier | ShotOnWhat?

Re-Recording Mix Technician: Disney

Captain America: The Winter Soldier (2014)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens

The Purge | ShotOnWhat?

Re-recording Mixer

The Purge (2013)

Directed by: James DeMonaco

Cinematography by: Jacques Jouffret

Edited by: Peter Gvozdas

Cameras: ARRI ALEXA Plus Camera

Editing System: Avid Editing System

Identity Thief | ShotOnWhat?

Re-recording Mix Technician

Identity Thief (2013)

Directed by: Seth Gordon

Cinematography by: Javier Aguirresarobe

Edited by: Peter Teschner

Cameras: ARRI ALEXA Camera

Lenses: Zeiss Master Prime Lenses

Snitch | ShotOnWhat?

Re-recording Mix Technician

Snitch (2013)

Directed by: Ric Roman Waugh

Cinematography by: Dana Gonzales

Edited by: Jonathan Chibnall

Cameras: Red Epic Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses

Furious 6 | ShotOnWhat?

Re-recording Mix Technician

Furious 6 (2013)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Greg D'Auria, Leigh Folsom Boyd, Dylan Highsmith, Kelly Matsumoto, Christian Wagner

Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 435 Xtreme Camera, Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Get the Gringo | ShotOnWhat?

Re-recording Recordist

Get the Gringo (2012)

Directed by: Adrian Grunberg

Cinematography by: Benoît Debie

Edited by: Steven Rosenblum

Cameras: Red One MX Camera

Lenses: Hawk V-Lite Lenses

Safe House | ShotOnWhat?

Sound Re-recording Mix Technician

Safe House (2012)

Directed by: Daniel Espinosa

Cinematography by: Oliver Wood

Edited by: Richard Pearson

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Darling Companion | ShotOnWhat?

Re-recording Recordist

Darling Companion (2012)

Directed by: Lawrence Kasdan

Cinematography by: Michael McDonough

Edited by: Carol Littleton

The Avengers | ShotOnWhat?

Re-recording Mix Technician

The Avengers (2012)

Directed by: Joss Whedon

Cinematography by: Seamus McGarvey

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera

Lenses: Panavision Frazier Lenses, Panavision Lenses

Editing System: Avid Editing System

Pitch Perfect | ShotOnWhat?

Re-recording Mix Technician

Pitch Perfect (2012)

Directed by: Jason Moore

Cinematography by: Julio Macat

Edited by: Lisa Zeno Churgin

Cameras: ARRI ALEXA Camera

American Reunion | ShotOnWhat?

Re-recording Mix Technician

American Reunion (2012)

Directed by: Jon Hurwitz, Hayden Schlossberg

Cinematography by: Daryn Okada

Edited by: Jeff Betancourt

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

I Am Number Four | ShotOnWhat?

Sound Editor

I Am Number Four (2011)

Directed by: D.J. Caruso

Cinematography by: Guillermo Navarro

Edited by: Vince Filippone, Jim Page

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Cowboys & Aliens | ShotOnWhat?

Mix Technician: Todd-AO West

Cowboys & Aliens (2011)

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental, Jim May

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System

Big Mommas: Like Father, Like Son | ShotOnWhat?

Mix Tech

Big Mommas: Like Father, Like Son (2011)

Directed by: John Whitesell

Cinematography by: Anthony B. Richmond

Edited by: Priscilla Nedd-Friendly

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Hop | ShotOnWhat?

Sound Editor

Hop (2011)

Directed by: Tim Hill

Cinematography by: Peter Lyons Collister

Edited by: Peter S. Elliot, Gregory Perler

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Season of the Witch | ShotOnWhat?

Sound Editor

Season of the Witch (2011)

Directed by: Dominic Sena

Cinematography by: Amir Mokri

Edited by: Bob Ducsay, Mark Helfrich, Dan Zimmerman

The Muppets | ShotOnWhat?

Re-recording Mix Technician

The Muppets (2011)

Directed by: James Bobin

Cinematography by: Don Burgess

Edited by: James Thomas

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Captain America: The First Avenger | ShotOnWhat?

Sound Mix Technician

Captain America: The First Avenger (2011)

Directed by: Joe Johnston

Cinematography by: Shelly Johnson

Edited by: Robert Dalva, Jeffrey Ford

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

When in Rome | ShotOnWhat?

Sound Mixing Recordist

When in Rome (2010)

Directed by: Mark Steven Johnson

Cinematography by: John Bailey

Edited by: Ryan Folsey, Andrew Marcus

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Unstoppable | ShotOnWhat?

Sound Mix Technician

Unstoppable (2010)

Directed by: Tony Scott

Cinematography by: Ben Seresin

Edited by: Robert Duffy, Chris Lebenzon

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Prince of Persia: The Sands of Time | ShotOnWhat?

Re-recording Mix Technician

Prince of Persia: The Sands of Time (2010)

Directed by: Mike Newell

Cinematography by: John Seale

Edited by: Mick Audsley, Michael Kahn, Martin Walsh

Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

Editing System: Final Cut Pro Editing System

A Nightmare on Elm Street | ShotOnWhat?

Sound Re-recording Mix Technician

A Nightmare on Elm Street (2010)

Directed by: Samuel Bayer

Cinematography by: Jeff Cutter

Edited by: Glen Scantlebury

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Sorcerer's Apprentice | ShotOnWhat?

Mix-tech Engineer / Re-record Engineer

The Sorcerer's Apprentice (2010)

Directed by: Jon Turteltaub

Cinematography by: Bojan Bazelli

Edited by: William Goldenberg

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Cooke S4 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Hotel for Dogs | ShotOnWhat?

Sound Mixing Recordist

Hotel for Dogs (2009)

Directed by: Thor Freudenthal

Cinematography by: Michael Grady

Edited by: Sheldon Kahn

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Gamer | ShotOnWhat?

Sound Mix Recordist

Gamer (2009)

Directed by: Mark Neveldine, Brian Taylor

Cinematography by: Ekkehart Pollack

Edited by: Peter Amundson, Fernando Villena, Doobie White

Cameras: ARRIFLEX 435 Camera, Red One Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Final Cut Pro Editing System

A Dog Year | ShotOnWhat?

Sound Mix Technician

A Dog Year (2009)

Directed by: George LaVoo

Cinematography by: Frederick Elmes

Edited by: Michael Taylor, Leo Trombetta

Cameras: ARRI Cameras

Crank: High Voltage | ShotOnWhat?

Sound Mixing Recordist

Crank: High Voltage (2009)

Directed by: Mark Neveldine, Brian Taylor

Cinematography by: Brandon Trost

Edited by: Marc Jakubowicz, Fernando Villena

Cameras: Canon VIXIA HF10 Camera, Canon XH A1 Camera, Sony PMW-EX1 Camera

Grey Gardens | ShotOnWhat?

Sound Mixing Recordist

Grey Gardens (2009)

Television Movie

Directed by: Michael Sucsy

Cinematography by: Mike Eley

Edited by: Alan Heim, Lee Percy

Appaloosa | ShotOnWhat?

Sound Mixing Recordist: Temp Mix

Appaloosa (2008)

Directed by: Ed Harris

Cinematography by: Dean Semler

Edited by: Kathryn Himoff

Breaking Bad | ShotOnWhat?

Assistant Re-recording Mixer - 1 Episode, 2008

Breaking Bad (2008)

Television Series

Cinematography by: Michael Slovis, Reynaldo Villalobos, Arthur Albert, Peter Reniers, Nelson Cragg, John Toll, Marshall Adams

Edited by: Kelley Dixon, Skip Macdonald, Lynne Willingham, Chris McCaleb, Sharidan Williams-Sotelo

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Canon EOS-7D Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Zoom Lenses, Canon Lenses, Cooke S4 Lenses

What Doesn't Kill You | ShotOnWhat?

Sound Mixing Recordist

What Doesn't Kill You (2008)

Directed by: Brian Goodman

Cinematography by: Christopher Norr

Edited by: Robert Hoffman

American Identity | ShotOnWhat?

Re-recording Mixer / Sound Mixing Recordist

American Identity (2007)

Directed by: Stephen Rollins

Cinematography by: Ly Bolia

Edited by: Jon Vasquez

Captivity | ShotOnWhat?

Sound Mixing Recordist

Captivity (2007)

Directed by: Roland Joffé

Cinematography by: Daniel Pearl

Edited by: Richard Nord

Halloween | ShotOnWhat?

Sound Mixing Recordist: Predubs

Halloween (2007)

Directed by: Rob Zombie

Cinematography by: Phil Parmet

Edited by: Glenn Garland

When a Man Falls | ShotOnWhat?

Adr Mixer

When a Man Falls (2007)

Directed by: Ryan Eslinger

Cinematography by: Lawrence Sher

Edited by: Jamie Alain, Ryan Eslinger

The Air I Breathe | ShotOnWhat?

Sound Recordist

The Air I Breathe (2007)

Directed by: Jieho Lee

Cinematography by: Walt Lloyd

Edited by: Robert Hoffman

The Black Dahlia | ShotOnWhat?

Adr Mixer

The Black Dahlia (2006)

Directed by: Brian De Palma

Cinematography by: Vilmos Zsigmond

Edited by: Bill Pankow

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

The U.S. vs. John Lennon | ShotOnWhat?

Sound Mixing Recordist

The U.S. vs. John Lennon (2006)

Directed by: David Leaf, John Scheinfeld

Cinematography by: James Mathers

Edited by: Peter S. Lynch II

Southland Tales | ShotOnWhat?

Sound Editor

Southland Tales (2006)

Directed by: Richard Kelly

Cinematography by: Steven Poster

Edited by: Sam Bauer

10th & Wolf | ShotOnWhat?

Assistant Sound / Sound Effects Mixer: Temp

10th & Wolf (2006)

Directed by: Bobby Moresco

Cinematography by: Alex Nepomniaschy

Edited by: Harvey Rosenstock

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Never Die Alone | ShotOnWhat?

Foley Editor / Foley Recordist

Never Die Alone (2004)

Directed by: Ernest R. Dickerson

Cinematography by: Matthew Libatique

Edited by: Stephen Lovejoy

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