Assistant Chief Lighting Technician: Second Unit
Black Panther: Wakanda Forever (2022)
Directed by: Ryan Coogler
Cinematography by: Autumn Durald Arkapaw
Cameras: Sony CineAlta VENICE Camera
Lighting Technician
Avengers: Endgame (2019)
Cinematography by: Trent Opaloch
Cameras: ALEXA IMAX Camera
Editing System: Avid Editing System
Lighting Technician
Avengers: Infinity War (2018)
Cinematography by: Trent Opaloch
Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Lighting Technician
The Fate of the Furious (2017)
Directed by: F. Gary Gray
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Camera
Lighting Technician
Captain America: Civil War (2016)
Cinematography by: Trent Opaloch
Lighting Technician
The Hunger Games: Mockingjay - Part 2 (2015)
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Cameras: ARRI ALEXA XT Camera
Lighting Technician: Second Unit
Furious 7 (2015)
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
Lighting Technician
The Hunger Games: Mockingjay - Part 1 (2014)
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Cameras: ARRI ALEXA XT Camera
Rigging Electric
'True Blood' In the Beginning (2012)
Directed by: Michael Ruscio
Cinematography by: David Klein
Edited by: Mark Hartzell
Rigging Electric
'True Blood' Save Yourself (2012)
Directed by: Michael Lehmann
Cinematography by: Romeo Tirone
Edited by: Louise Innes
Rigging Electric
'True Blood' Sunset (2012)
Directed by: Lesli Linka Glatter
Cinematography by: David Klein
Edited by: Lynne Willingham
Rigging Electric
'True Blood' Gone, Gone, Gone (2012)
Directed by: Scott Winant
Cinematography by: Romeo Tirone
Rigging Electric
'True Blood' Everybody Wants to Rule the World (2012)
Directed by: Daniel Attias
Cinematography by: David Klein
Edited by: Louise Innes
Rigging Electric
'True Blood' Somebody That I Used to Know (2012)
Directed by: Stephen Moyer
Cinematography by: Romeo Tirone
Edited by: Lynne Willingham
Rigging Electric
'True Blood' Hopeless (2012)
Directed by: Daniel Attias
Cinematography by: Romeo Tirone
Edited by: Louise Innes
Rigging Electric
'True Blood' Let's Boot and Rally (2012)
Directed by: Michael Lehmann
Cinematography by: David Klein
Edited by: Lynne Willingham
Rigging Electric
'True Blood' We'll Meet Again (2012)
Directed by: Romeo Tirone
Cinematography by: Evans Brown
Rigging Electric
'True Blood' Whatever I Am, You Made Me (2012)
Directed by: David Petrarca
Cinematography by: David Klein
Edited by: Louise Innes
Rigging Electric
'True Blood' Authority Always Wins (2012)
Directed by: Michael Lehmann
Cinematography by: Romeo Tirone
Edited by: Lynne Willingham
Rigging Electric
'True Blood' Turn! Turn! Turn! (2012)
Directed by: Daniel Minahan
Cinematography by: David Klein
Edited by: Michael Ruscio
Rigging Electric
'True Blood' Cold Grey Light of Dawn (2011)
Directed by: Michael Ruscio
Cinematography by: Romeo Tirone
Edited by: Mark Hartzell
Rigging Electric
'True Blood' Spellbound (2011)
Directed by: Daniel Minahan
Cinematography by: David Klein
Edited by: Lynne Willingham
Rigging Electric
'True Blood' Let's Get Out of Here (2011)
Directed by: Romeo Tirone
Cinematography by: Evans Brown
Edited by: Louise Innes
Rigging Electric
'True Blood' Soul of Fire (2011)
Directed by: Michael Lehmann
Cinematography by: Romeo Tirone
Edited by: Lynne Willingham
Rigging Electric
'True Blood' And When I Die (2011)
Directed by: Scott Winant
Cinematography by: David Klein
Edited by: Louise Innes
Rigging Electric
'True Blood' Burning Down the House (2011)
Directed by: Lesli Linka Glatter
Cinematography by: David Klein
Edited by: Michael Ruscio
Rigging Electric
'True Blood' I Wish I Was the Moon (2011)
Directed by: Jeremy Podeswa
Cinematography by: David Klein
Edited by: Louise Innes
Lighting Technician
Horrible Bosses (2011)
Directed by: Seth Gordon
Cinematography by: David Hennings
Edited by: Peter Teschner
Cameras: Panavision Genesis Camera
Rigging Electric
'True Blood' Me and the Devil (2011)
Directed by: Daniel Minahan
Cinematography by: Romeo Tirone
Edited by: Lynne Willingham
Rigging Electric
'True Blood' If You Love Me, Why Am I Dyin'? (2011)
Directed by: David Petrarca
Cinematography by: Romeo Tirone
Edited by: Louise Innes
Rigging Electric
'True Blood' I'm Alive and on Fire (2011)
Directed by: Michael Lehmann
Cinematography by: David Klein
Rigging Electric
'True Blood' You Smell Like Dinner (2011)
Directed by: Scott Winant
Cinematography by: David Klein
Edited by: Lynne Willingham
Rigging Electric
'True Blood' She's Not There (2011)
Directed by: Michael Lehmann
Cinematography by: Romeo Tirone
Edited by: Michael Ruscio
Best Boy Electric
Nine Dead (2010)
Directed by: Chris Shadley
Cinematography by: Mark Vargo
Edited by: Sean Findley
Rigging Electrician
'True Blood' Bad Blood (2010)
Directed by: Daniel Minahan
Cinematography by: Matthew Jensen
Edited by: Michael Ruscio
Rigging Electric
'True Blood' Trouble (2010)
Directed by: Scott Winant
Cinematography by: Matthew Jensen
Edited by: Lynne Willingham
Lighting Technician
Piranha 3D (2010)
Directed by: Alexandre Aja
Cinematography by: John R. Leonetti
Edited by: Baxter
Lenses: Angenieux HR Zoom Lenses, Cooke S4 Lenses, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Rigging Electric
'True Blood' I Got a Right to Sing the Blues (2010)
Directed by: Michael Lehmann
Cinematography by: Romeo Tirone
Edited by: Louise Innes
Rigging Electric
'True Blood' Hitting the Ground (2010)
Directed by: John Dahl
Cinematography by: Matthew Jensen
Edited by: Michael Ruscio
Rigging Electric
'True Blood' Night on the Sun (2010)
Directed by: Lesli Linka Glatter
Cinematography by: Romeo Tirone
Edited by: Lynne Willingham
Rigging Electric
'True Blood' Everything Is Broken (2010)
Directed by: Scott Winant
Cinematography by: Matthew Jensen
Edited by: Louise Innes
Rigging Electric
'True Blood' I Smell a Rat (2010)
Directed by: Michael Lehmann
Cinematography by: Stephen St. John
Edited by: Michael Ruscio
Best Boy Electric: Los Angeles
The Hole (2009)
Directed by: Joe Dante
Cinematography by: Theo van de Sande
Edited by: Marshall Harvey
Electrician
Dance Flick (2009)
Directed by: Damien Dante Wayans
Cinematography by: Mark Irwin
Edited by: Scott Hill
Cameras: Moviecam Compact Camera
Rigging Electric / Rigging Electrician - 31 Episodes, 2010-2012
True Blood (2008)
Directed by: Michael Lehmann, Scott Winant, Daniel Minahan, Howard Deutch, John Dahl, Michael Ruscio, Anthony Hemingway, Alan Ball, Lesli Linka Glatter, David Petrarca, Romeo Tirone, Stephen Moyer, Daniel Attias, Nick Gomez, Nancy Oliver, Marcos Siega, Michael Cuesta, Adam Davidson, Jeremy Podeswa, Gregg Fienberg, Simon Jayes, Angela Robinson, Lee Rose, Jesse Warn
Cinematography by: Romeo Tirone, David Klein, Matthew Jensen, Evans Brown, John B. Aronson, Checco Varese, Joseph E. Gallagher, Stephen St. John, Cort Fey, Amy Vincent, Uta Briesewitz
Edited by: Michael Ruscio, Louise Innes, Lynne Willingham, Mark Hartzell, Andy Keir, Carol Stutz, Peter B. Ellis, Debra F. Simone
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Moviecam Compact Camera, Red Epic Dragon Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Lenses, Clairmont Anamorphic Lenses, Cooke S4 Lenses
Editing System: Avid Editing System
Rigging Gaffer
Grandma's Boy (2006)
Directed by: Nicholaus Goossen
Cinematography by: Mark Irwin
Edited by: Tom Costain
Lighting Technician
Flicka (2006)
Directed by: Michael Mayer
Cinematography by: James M. Muro
Edited by: Andrew Marcus
Set Lighting Technician
American Dreamz (2006)
Directed by: Paul Weitz
Cinematography by: Robert Elswit
Edited by: Myron Kerstein
Dimmer Operator: Second Unit
Van Helsing (2004)
Directed by: Stephen Sommers
Cinematography by: Allen Daviau
Editing System: Avid Editing System
Electrician
Vanilla Sky (2001)
Directed by: Cameron Crowe
Cinematography by: John Toll
Cameras: Panavision Panaflex Gold Camera
Dimmer Operator
Stuart Little (1999)
Directed by: Rob Minkoff
Cinematography by: Guillermo Navarro
Edited by: Tom Finan
Cameras: Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Lighting Technician
A Civil Action (1998)
Directed by: Steven Zaillian
Cinematography by: Conrad L. Hall
Edited by: Wayne Wahrman
Cameras: Panavision Panaflex Platinum Camera
Best Boy Electric
There's Something About Mary (1998)
Cinematography by: Mark Irwin
Edited by: Christopher Greenbury
Rigging Electrician
The Lost World: Jurassic Park (1997)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Lamp Operator
Jackie Brown (1997)
Directed by: Quentin Tarantino
Cinematography by: Guillermo Navarro
Edited by: Sally Menke
Cameras: Moviecam Compact Camera
Lenses: Zeiss Super Speed Lenses
Electrician: Visual Effects Tank Unit
Titanic (1997)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Miniature Effects Best Boy Electric
Alien Resurrection (1997)
Directed by: Jean-Pierre Jeunet
Cinematography by: Darius Khondji
Edited by: Hervé Schneid
Rigging Electrician
Red Corner (1997)
Directed by: Jon Avnet
Cinematography by: Karl Walter Lindenlaub
Edited by: Peter E. Berger
Assistant Chief Lighting Technician
Steel (1997)
Directed by: Kenneth Johnson
Cinematography by: Mark Irwin
Edited by: John F. Link
Rigging Electrician
Jerry Maguire (1996)
Directed by: Cameron Crowe
Cinematography by: Janusz Kaminski
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Electrician
Hard Eight (1996)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Barbara Tulliver
Assistant Chief Lighting Technician
Scream (1996)
Directed by: Wes Craven
Cinematography by: Mark Irwin
Edited by: Patrick Lussier
Cameras: Moviecam Compact Camera
Lenses: Clairmont Anamorphic Lenses
Editing System: Lightworks Editing System
Rigging Electrician
The Cable Guy (1996)
Directed by: Ben Stiller
Cinematography by: Robert Brinkmann
Edited by: Steven Weisberg
Cameras: ARRIFLEX 535 Camera, Moviecam Compact Camera
Assistant Chief Lighting Technician
Kingpin (1996)
Cinematography by: Mark Irwin
Edited by: Christopher Greenbury
Electrician
Night of the Running Man (1995)
Directed by: Mark L. Lester
Cinematography by: Mark Irwin
Edited by: David Berlatsky
Electrician
The Avenging Angel (1995)
Directed by: Craig R. Baxley
Cinematography by: Mark Irwin
Edited by: Mark Helfrich
Lamp Operator
Dumb and Dumber (1994)
Cinematography by: Mark Irwin
Edited by: Christopher Greenbury
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Best Boy Grip: Additional Photography
Love, Cheat & Steal (1993)
Directed by: William Curran
Cinematography by: Kent L. Wakeford
Edited by: Carole Kravetz Aykanian
Best Boy Electric
South Central (1992)
Directed by: Stephen Milburn Anderson
Cinematography by: Charlie Lieberman
Edited by: Steven Nevius
