Line Producer: Italy
No Time to Die (2021)
Directed by: Cary Joji Fukunaga
Cinematography by: Linus Sandgren
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, ARRIFLEX 765 Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Line Producer
Wonder Woman (2017)
Directed by: Patty Jenkins
Cinematography by: Matthew Jensen
Edited by: Martin Walsh
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera
Lenses: ARRI Rental Prime 65 Lenses
Executive Producer
Ben-Hur (2016)
Directed by: Timur Bekmambetov
Cinematography by: Oliver Wood
Editing System: Avid Editing System
Line Producer: Italy
The Man from U.N.C.L.E. (2015)
Directed by: Guy Ritchie
Cinematography by: John Mathieson
Edited by: James Herbert
Italian Production Consultant
Spectre (2015)
Directed by: Sam Mendes
Cinematography by: Hoyte Van Hoytema
Edited by: Lee Smith
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Line Producer: Italy
Avengers: Age of Ultron (2015)
Directed by: Joss Whedon
Cinematography by: Ben Davis
Executive Producer: Pre-production
The Best Offer (2013)
Directed by: Giuseppe Tornatore
Cinematography by: Fabio Zamarion
Edited by: Massimo Quaglia
Cameras: ARRI ALEXA Studio Camera, Red Epic Camera
Lenses: Zeiss Master Prime Lenses
Executive Producer
The American (2010)
Directed by: Anton Corbijn
Cinematography by: Martin Ruhe
Edited by: Andrew Hulme
Co-producer: Rome
When in Rome (2010)
Directed by: Mark Steven Johnson
Cinematography by: John Bailey
Line Producer: Italy
Mission: Impossible III (2006)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Production Advisor: Italy
Ocean's Twelve (2004)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Stephen Mirrione
Co-producer
The Life Aquatic with Steve Zissou (2004)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: David Moritz
Executive Producer
The Passion of the Christ (2004)
Directed by: Mel Gibson
Cinematography by: Caleb Deschanel
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Production Supervisor: Rome
The Core (2003)
Directed by: Jon Amiel
Cinematography by: John Lindley
Edited by: Terry Rawlings
Production Supervisor: Italy
Equilibrium (2002)
Directed by: Kurt Wimmer
Cinematography by: Dion Beebe
Lenses: Panavision Lenses
Production Auditor
Gangs of New York (2002)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Editing System: Lightworks Editing System
Production Accountant: Morocco
Rules of Engagement (2000)
Directed by: William Friedkin
Edited by: Augie Hess
Production Auditor
The Talented Mr. Ripley (1999)
Directed by: Anthony Minghella
Cinematography by: John Seale
Edited by: Walter Murch
Cameras: Panavision Panaflex Platinum Camera
Fiscal Representative: Italy
Dangerous Beauty (1998)
Directed by: Marshall Herskovitz
Cinematography by: Bojan Bazelli
Production Auditor
Kundun (1997)
Directed by: Martin Scorsese
Cinematography by: Roger Deakins
Edited by: Thelma Schoonmaker
Cameras: ARRIFLEX 535 B Camera
Fiscal Representative: Second Unit, Venice
The Wings of the Dove (1997)
Directed by: Iain Softley
Cinematography by: Eduardo Serra
Edited by: Tariq Anwar
Cameras: ARRIFLEX 535 Camera
Lenses: Zeiss Super Speed Lenses
Fiscal Representative: Italy
The Portrait of a Lady (1996)
Directed by: Jane Campion
Cinematography by: Stuart Dryburgh
Edited by: Veronika Jenet
Production Auditor
The English Patient (1996)
Directed by: Anthony Minghella
Cinematography by: John Seale
Edited by: Walter Murch
Fiscal Representative: Italy
Daylight (1996)
Directed by: Rob Cohen
Cinematography by: David Eggby
Edited by: Peter Amundson
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Lenses
Accountant
Only You (1994)
Directed by: Norman Jewison
Cinematography by: Sven Nykvist
Edited by: Stephen E. Rivkin
Fiscal Representative: Italy , Production Accountant
Cliffhanger (1993)
Directed by: Renny Harlin
Cinematography by: Alex Thomson
Edited by: Frank J. Urioste
Cameras: Panavision Cameras
Fiscal Representative: Italy
Much Ado About Nothing (1993)
Directed by: Kenneth Branagh
Cinematography by: Roger Lanser
Edited by: Andrew Marcus
Fiscal Representative: Venice
Blame It on the Bellboy (1992)
Directed by: Mark Herman
Cinematography by: Andrew Dunn
Edited by: Michael Ellis
Cameras: ARRIFLEX Camera
Accountant: Italy
Indiana Jones and the Last Crusade (1989)
Directed by: Steven Spielberg
Cinematography by: Douglas Slocombe
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Accountant: Italy
The Adventures of Baron Munchausen (1988)
Directed by: Terry Gilliam
Cinematography by: Giuseppe Rotunno
Edited by: Peter Hollywood
Accountant
Clash of the Titans (1981)
Directed by: Desmond Davis
Cinematography by: Ted Moore
Edited by: Timothy Gee
Accountant
So Fine (1981)
Directed by: Andrew Bergman
Cinematography by: James A. Contner
Edited by: Alan Heim
