Daniel Kepler

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Black Panther | ShotOnWhat?

Vfx Editor: Luma Pictures

Black Panther (2018)

Directed by: Ryan Coogler

Cinematography by: Rachel Morrison

Edited by: Debbie Berman, Michael P. Shawver

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera, Canon EOS-C300 Mark II Camera, Red Weapon Dragon Camera

Lenses: Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision SL27-M 27 mm T1.9 Lens, Panavision SL30-MS 30 mm T1.9 Lens, Panavision SL35-M 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens

Alien: Covenant | ShotOnWhat?

Visual Effects Technical Coordinator: Luma Pictures

Alien: Covenant (2017)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Pietro Scalia

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras

Lenses: Angenieux Optimo DP Zoom Lenses, Panavision Compact Zoom Lenses, Panavision PVintage Prime Lenses

Thor: Ragnarok | ShotOnWhat?

Visual Effects Editor: Luma Pictures

Thor: Ragnarok (2017)

Directed by: Taika Waititi

Cinematography by: Javier Aguirresarobe

Edited by: Zene Baker, Joel Negron

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, Phantom Flex4K Camera

Lenses: ARRI Rental Prime 65 Lenses, ARRI Rental Vintage 765 Lenses, Panavision Primo V Lenses

Spider-Man: Homecoming | ShotOnWhat?

Technical Coordinator: Luma Pictures , Technical Coordinator: Luma Pictures / Vfx Editor: Luma Pictures, Visual Effects Editor: Luma Pictures

Spider-Man: Homecoming (2017)

Directed by: Jon Watts

Cinematography by: Salvatore Totino

Edited by: Debbie Berman, Dan Lebental

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera

Lenses: Angenieux Lenses, Cooke S4/i Lenses

Guardians of the Galaxy Vol. 2 | ShotOnWhat?

Technical Coordinator: Luma Pictures

Guardians of the Galaxy Vol. 2 (2017)

Directed by: James Gunn

Cinematography by: Henry Braham

Edited by: Fred Raskin, Craig Wood

Cameras: Red Weapon Dragon Camera

Lenses: Panavision Primo 70 Lenses

Doctor Strange | ShotOnWhat?

Technical Coordinator: Luma Pictures

Doctor Strange (2016)

Directed by: Scott Derrickson

Cinematography by: Ben Davis

Edited by: Sabrina Plisco, Wyatt Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Panavision 65mm Prime Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Allegiant | ShotOnWhat?

Technical Coordinator: Luma Pictures

Allegiant (2016)

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Stuart Levy

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses, ARRI Anamorphic Ultra Wide Zoom 19-36mm T4.2 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Leitz Summilux-C Series Lenses

Captain America: Civil War | ShotOnWhat?

Technical Coordinator: Luma Pictures

Captain America: Civil War (2016)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses

Deadpool | ShotOnWhat?

Technical Coordinator: Luma Pictures

Deadpool (2016)

Directed by: Tim Miller

Cinematography by: Ken Seng

Edited by: Julian Clarke

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Adobe Premiere Editing System

Run All Night | ShotOnWhat?

Technical Coordinator: Luma Pictures

Run All Night (2015)

Directed by: Jaume Collet-Serra

Cinematography by: Martin Ruhe

Edited by: Dirk Westervelt

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses

Avengers: Age of Ultron | ShotOnWhat?

Technical Coordinator: Luma Pictures

Avengers: Age of Ultron (2015)

Directed by: Joss Whedon

Cinematography by: Ben Davis

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA XT Studio Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera, Red One MX Camera

Lenses: Panavision Primo Anamorphic Lenses

"Agents of S.H.I.E.L.D." Yes Men | ShotOnWhat?

Visual Effects Coordinator: Luma Pictures

'Agents of S.H.I.E.L.D.' Yes Men (2014)

Television Episode

Directed by: John Terlesky

Cinematography by: David Boyd, Jeffrey C. Mygatt, Feliks Parnell

Edited by: Joshua Charson, Debby Germino, Paul Trejo

"Agents of S.H.I.E.L.D." T.A.H.I.T.I. | ShotOnWhat?

Visual Effects Coordinator: Luma Pictures

'Agents of S.H.I.E.L.D.' T.A.H.I.T.I. (2014)

Television Episode

Directed by: Bobby Roth

Cinematography by: David Boyd, Jeffrey C. Mygatt, Feliks Parnell

Edited by: Joshua Charson, Debby Germino, Paul Trejo

"Agents of S.H.I.E.L.D." T.R.A.C.K.S. | ShotOnWhat?

Visual Effects Coordinator: Luma Pictures

'Agents of S.H.I.E.L.D.' T.R.A.C.K.S. (2014)

Television Episode

Directed by: Paul A. Edwards

Cinematography by: Feliks Parnell

Edited by: Paul Trejo

"Agents of S.H.I.E.L.D." Seeds | ShotOnWhat?

Visual Effects Coordinator: Luma Pictures

'Agents of S.H.I.E.L.D.' Seeds (2014)

Television Episode

Directed by: Kenneth Fink

Cinematography by: David Boyd, Jeffrey C. Mygatt, Feliks Parnell

Edited by: Joshua Charson, Debby Germino, Paul Trejo

Captain America: The Winter Soldier | ShotOnWhat?

Technical Coordinator: Luma Pictures

Captain America: The Winter Soldier (2014)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens

Guardians of the Galaxy | ShotOnWhat?

Technical Coordinator: Luma Pictures

Guardians of the Galaxy (2014)

Directed by: James Gunn

Cinematography by: Ben Davis

Edited by: Fred Raskin, Hughes Winborne, Craig Wood

Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Xtal Xpress 50mm T2.3 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL24-MS 24 mm T1.7 Lens, Panavision SL27 27 mm T1.9 Lens

Winter's Tale | ShotOnWhat?

Technical Coordinator: Luma Pictures

Winter's Tale (2014)

Directed by: Akiva Goldsman

Cinematography by: Caleb Deschanel

Edited by: Tim Squyres, Wayne Wahrman

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

"Agents of S.H.I.E.L.D." The Magical Place | ShotOnWhat?

Visual Effects Coordinator: Luma Pictures

'Agents of S.H.I.E.L.D.' The Magical Place (2014)

Television Episode

Directed by: Kevin Hooks

Cinematography by: David Boyd, Jeffrey C. Mygatt, Feliks Parnell

Edited by: Joshua Charson, Debby Germino, Paul Trejo

Iron Man Three | ShotOnWhat?

Hansel & Gretel: Witch Hunters | ShotOnWhat?

Main Titles: Production Coordinator, Visual Effects Coordinator: Luma Pictures

Hansel & Gretel: Witch Hunters (2013)

Directed by: Tommy Wirkola

Cinematography by: Michael Bonvillain

Edited by: Jim Page

Cameras: ARRI ALEXA Camera, ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Master Prime Lenses

"Agents of S.H.I.E.L.D." The Bridge | ShotOnWhat?

Visual Effects Coordinator: Luma Pictures

'Agents of S.H.I.E.L.D.' The Bridge (2013)

Television Episode

Directed by: Holly Dale

Cinematography by: Feliks Parnell

Edited by: Paul Trejo

"Agents of S.H.I.E.L.D." Repairs | ShotOnWhat?

Visual Effects Coordinator: Luma Pictures

'Agents of S.H.I.E.L.D.' Repairs (2013)

Television Episode

Directed by: Billy Gierhart

Cinematography by: Jeffrey C. Mygatt

Edited by: Joshua Charson

"Agents of S.H.I.E.L.D." The Well | ShotOnWhat?

Visual Effects Coordinator: Luma Pictures

'Agents of S.H.I.E.L.D.' The Well (2013)

Television Episode

Directed by: Jonathan Frakes

Cinematography by: David Boyd, Jeffrey C. Mygatt, Feliks Parnell

Edited by: Joshua Charson, Debby Germino, Paul Trejo

"Agents of S.H.I.E.L.D." The Hub | ShotOnWhat?

Visual Effects Coordinator: Luma Pictures

'Agents of S.H.I.E.L.D.' The Hub (2013)

Television Episode

Directed by: Bobby Roth

Cinematography by: David Boyd, Jeffrey C. Mygatt, Feliks Parnell

Edited by: Joshua Charson, Debby Germino, Paul Trejo

"Agents of S.H.I.E.L.D." Pilot | ShotOnWhat?

Visual Effects Coordinator: Luma Pictures

'Agents of S.H.I.E.L.D.' Pilot (2013)

Television Episode

Directed by: Joss Whedon

Cinematography by: David Boyd

Edited by: Joshua Charson, Paul Trejo

Saving Mr. Banks | ShotOnWhat?

Visual Effects Coordinator: Luma Pictures

Saving Mr. Banks (2013)

Directed by: John Lee Hancock

Cinematography by: John Schwartzman

Edited by: Mark Livolsi

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Prisoners | ShotOnWhat?

I/o Coordinator: Luma Pictures

Prisoners (2013)

Directed by: Denis Villeneuve

Cinematography by: Roger Deakins

Edited by: Joel Cox, Gary Roach

Cameras: ARRI ALEXA Studio Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Avid Editing System

RED 2 | ShotOnWhat?

Visual Effects Coordinator: Luma Pictures

RED 2 (2013)

Directed by: Dean Parisot

Cinematography by: Enrique Chediak

Edited by: Don Zimmerman

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Hawk V-Lite Lenses

Oz the Great and Powerful | ShotOnWhat?

Technical Coordinator: Luma Pictures

Oz the Great and Powerful (2013)

Directed by: Sam Raimi

Cinematography by: Peter Deming

Edited by: Bob Murawski

Cameras: Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Thor: The Dark World | ShotOnWhat?

Technical Coordinator: Luma Pictures

Thor: The Dark World (2013)

Directed by: Alan Taylor

Cinematography by: Kramer Morgenthau

Edited by: Dan Lebental, Wyatt Smith

Cameras: ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, Phantom Flex Camera, Red Epic Camera

Lenses: Panavision G Series Anamorphic Lenses

Agents of S.H.I.E.L.D. | ShotOnWhat?

Visual Effects Coordinator: Luma Pictures - 10 Episodes, 2013-2014

Agents of S.H.I.E.L.D. (2013)

Television Series

Cinematography by: Feliks Parnell, Allan Westbrook, Jeffrey C. Mygatt, David Boyd, Kyle Jewell

Edited by: Eric Litman, Kelly Stuyvesant, Joshua Charson, Paul Trejo, Dexter N. Adriano, Debby Germino, David Crabtree, Michael Benni Pierce, Conrad Smart, Jennifer Macfarlane

Bachelorette | ShotOnWhat?

Main Title: Production Coordinator

Bachelorette (2012)

Directed by: Leslye Headland

Cinematography by: Doug Emmett

Edited by: Jeffrey Wolf

Cameras: Red One MX Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Abraham Lincoln: Vampire Hunter | ShotOnWhat?

Main Titles: Production Coordinator

Abraham Lincoln: Vampire Hunter (2012)

Directed by: Timur Bekmambetov

Cinematography by: Caleb Deschanel

Edited by: William Hoy

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera, Phantom Flex Camera

Lenses: ARRI / Fujinon Lenses, Zeiss Ultra Prime Lenses

Think Like a Man | ShotOnWhat?

Main Titles: Production Coordinator

Think Like a Man (2012)

Directed by: Tim Story

Cinematography by: Larry Blanford

Edited by: Peter S. Elliot

Cameras: Red Epic Camera

The Five-Year Engagement | ShotOnWhat?

Main Titles: Production Coordinator

The Five-Year Engagement (2012)

Directed by: Nicholas Stoller

Cinematography by: Javier Aguirresarobe

Edited by: William Kerr, Peck Prior

Cameras: ARRI ALEXA Camera

Lenses: Zeiss Master Prime Lenses

This Is 40 | ShotOnWhat?

Main Titles: Production Coordinator

This Is 40 (2012)

Directed by: Judd Apatow

Cinematography by: Phedon Papamichael

Edited by: David L. Bertman, Jay Deuby, Brent White

Cameras: ARRI ALEXA Camera

Hitchcock | ShotOnWhat?

Main Titles: Production Coordinator

Hitchcock (2012)

Directed by: Sacha Gervasi

Cinematography by: Jeff Cronenweth

Edited by: Pamela Martin

Cameras: Red Epic Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

The Dark Knight Rises | ShotOnWhat?

Production Coordinator: Imax

The Dark Knight Rises (2012)

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Lee Smith

Cameras: ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera

Lenses: Hasselblad Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

The Campaign | ShotOnWhat?

Main Titles: Production Coordinator

The Campaign (2012)

Directed by: Jay Roach

Cinematography by: Jim Denault

Edited by: Craig Alpert, Jon Poll

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 45-120 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses

Jayne Mansfield's Car | ShotOnWhat?

Main Titles: Production Coordinator

Jayne Mansfield's Car (2012)

Directed by: Billy Bob Thornton

Cinematography by: Barry Markowitz

Edited by: Lauren Zuckerman

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Shoot 'Em Up | ShotOnWhat?

Main Titles: Stunt Man

Shoot 'Em Up (2007)

Directed by: Michael Davis

Cinematography by: Peter Pau

Edited by: Peter Amundson

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