Arnon Manor

36 Titles

Is this you? Add a Profile

Escape Room | ShotOnWhat?

Visual Effects Production Executive

Escape Room (2019)

Directed by: Adam Robitel

Cinematography by: Marc Spicer

Edited by: Steve Mirkovich

Cameras: ARRI ALEXA Mini Camera

Lenses: Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens

The Girl in the Spider's Web | ShotOnWhat?

Visual Effects Production Executive

The Girl in the Spider's Web (2018)

Directed by: Fede Alvarez

Cinematography by: Pedro Luque

Edited by: Tatiana S. Riegel

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera

Lenses: ARRI Rental Prime DNA Lenses, Zeiss Master Prime Lenses

Baby Driver | ShotOnWhat?

Visual Effects Production Executive

Baby Driver (2017)

Directed by: Edgar Wright

Cinematography by: Bill Pope

Edited by: Jonathan Amos, Paul Machliss

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA Studio Camera, ARRI ALEXA XT Plus Camera, ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera

Passengers | ShotOnWhat?

Visual Effects Production Executive

Passengers (2016)

Directed by: Morten Tyldum

Cinematography by: Rodrigo Prieto

Edited by: Maryann Brandon

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision Primo 70 Lenses

The 5th Wave | ShotOnWhat?

Visual Effects Production Executive

The 5th Wave (2016)

Directed by: J Blakeson

Cinematography by: Enrique Chediak

Edited by: Paul Rubell

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Heaven Is for Real | ShotOnWhat?

Visual Effects Production Executive

Heaven Is for Real (2014)

Directed by: Randall Wallace

Cinematography by: Dean Semler

Edited by: John Wright

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Interview | ShotOnWhat?

Visual Effects Production Executive

The Interview (2014)

Directed by: Evan Goldberg, Seth Rogen

Cinematography by: Brandon Trost

Edited by: Zene Baker, Evan Henke

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

The Equalizer | ShotOnWhat?

Visual Effects Production Executive

The Equalizer (2014)

Directed by: Antoine Fuqua

Cinematography by: Mauro Fiore

Edited by: John Refoua

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Angenieux Optimo Anamorphic 56-152 mm A2S T4.0 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Fury | ShotOnWhat?

Visual Effects Production Executive

Fury (2014)

Directed by: David Ayer

Cinematography by: Roman Vasyanov

Edited by: Jay Cassidy, Dody Dorn

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C1000 1000 mm T5.6 Lens, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Sex Tape | ShotOnWhat?

Visual Effects Production Executive

Sex Tape (2014)

Directed by: Jake Kasdan

Cinematography by: Tim Suhrstedt

Edited by: Steve Edwards, Tara Timpone

Cameras: ARRI ALEXA XT Camera

22 Jump Street | ShotOnWhat?

Visual Effects Production Executive

22 Jump Street (2014)

Directed by: Phil Lord, Christopher Miller

Cinematography by: Barry Peterson

Edited by: Keith Brachmann, David Rennie

Cameras: ARRI ALEXA XT Camera

Captain Phillips | ShotOnWhat?

Visual Effects Production Executive

Captain Phillips (2013)

Directed by: Paul Greengrass

Cinematography by: Barry Ackroyd

Edited by: Christopher Rouse

Cameras: Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, VistaVision Cameras

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Lenses, Canon Lenses, Leitz Summilux-C Series Lenses, Zeiss Super Speed Lenses

Grown Ups 2 | ShotOnWhat?

Visual Effects Production Executive

Grown Ups 2 (2013)

Directed by: Dennis Dugan

Cinematography by: Theo van de Sande

Edited by: Tom Costain

Cameras: Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

This Is the End | ShotOnWhat?

Visual Effects Production Executive

This Is the End (2013)

Directed by: Evan Goldberg, Seth Rogen

Cinematography by: Brandon Trost

Edited by: Zene Baker

Cameras: Panavision Cameras, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Here Comes the Boom | ShotOnWhat?

Visual Effects Production Executive

Here Comes the Boom (2012)

Directed by: Frank Coraci

Cinematography by: Phil Meheux

Edited by: Scott Hill

Cameras: ARRI ALEXA Camera, Sony CineAlta F35 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Project X | ShotOnWhat?

Visual Effects Producer

Project X (2012)

Directed by: Nima Nourizadeh

Cinematography by: Ken Seng

Edited by: Jeff Groth

Cameras: Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Sony CineAlta F23 Camera, Sony PMW-EX3 Camera

Lenses: Canon Lenses

21 Jump Street | ShotOnWhat?

Visual Effects Production Executive

21 Jump Street (2012)

Directed by: Phil Lord, Christopher Miller

Cinematography by: Barry Peterson

Edited by: Joel Negron

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera

That's My Boy | ShotOnWhat?

Visual Effects Production Executive

That's My Boy (2012)

Directed by: Sean Anders

Cinematography by: Brandon Trost

Edited by: Tom Costain

Columbus Circle | ShotOnWhat?

Visual Effects Supervisor

Columbus Circle (2012)

Directed by: George Gallo

Cinematography by: Anastas N. Michos

Edited by: Malcolm Campbell

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Man on a Ledge | ShotOnWhat?

Visual Effects Producer

Man on a Ledge (2012)

Directed by: Asger Leth

Cinematography by: Paul Cameron

Edited by: Kevin Stitt

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

Pirates of the Caribbean: On Stranger Tides | ShotOnWhat?

Visual Effects Producer: CIS Hollywood

Pirates of the Caribbean: On Stranger Tides (2011)

Directed by: Rob Marshall

Cinematography by: Dariusz Wolski

Edited by: David Brenner, Wyatt Smith

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

The Warrior's Way | ShotOnWhat?

Visual Effects Producer

The Warrior's Way (2010)

Directed by: Sngmoo Lee

Cinematography by: Woo-hyung Kim

Edited by: Jonathan Woodford-Robinson

The Bucket List | ShotOnWhat?

Compositor

The Bucket List (2007)

Directed by: Rob Reiner

Cinematography by: John Schwartzman

Edited by: Robert Leighton

Cameras: Panavision Cameras

Garfield | ShotOnWhat?

Digital Effects Supervisor: Rhythm & Hues

Garfield (2004)

Directed by: Peter Hewitt

Cinematography by: Dean Cundey

Edited by: Peter E. Berger, Michael A. Stevenson

Cameras: Panavision Cameras

Bad Boys II | ShotOnWhat?

Computer Graphics Artist: Development, SPI

Bad Boys II (2003)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, Mark Goldblatt, Tom Muldoon

Cameras: Bell & Howell Eyemo Camera, Cine SL-35 Camera, Pan-Arri 435es Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Editing System: Avid Editing System

X2 | ShotOnWhat?

Cg Supervisor: Cinesite

X2: X-Men United (2003)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Elliot Graham, John Ottman

Stuart Little 2 | ShotOnWhat?

Senior Technical Director

Stuart Little 2 (2002)

Directed by: Rob Minkoff

Cinematography by: Steven Poster

Edited by: Priscilla Nedd-Friendly

The Lord of the Rings: The Two Towers | ShotOnWhat?

3D Technical Director/lighter: SPI

The Lord of the Rings: The Two Towers (2002)

Directed by: Peter Jackson

Cinematography by: Andrew Lesnie

Edited by: Michael Horton

Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera, Mitchell Cameras, Moviecam Compact Camera

Lenses: Angenieux Lenses, Zeiss Ultra Prime Lenses

The Chubbchubbs! | ShotOnWhat?

Color & Lighting

The Chubbchubbs! (2002)

Directed by: Eric Armstrong

Edited by: Robert Gordon

Charlie's Angels | ShotOnWhat?

Cg Artist: SPI

Charlie's Angels (2000)

Directed by: McG

Cinematography by: Russell Carpenter

Edited by: Peter Teschner, Wayne Wahrman

Pitch Black | ShotOnWhat?

Lead Character Animation & Lighting

Pitch Black (2000)

Directed by: David Twohy

Cinematography by: David Eggby

Edited by: Rick Shaine

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Hollow Man | ShotOnWhat?

Senior Technical Director

Hollow Man (2000)

Directed by: Paul Verhoeven

Cinematography by: Jost Vacano

Edited by: Mark Goldblatt, Ron Vignone

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Moviecam Compact Camera

Lenses: Zeiss Standard Speed Prime Lenses

Titus | ShotOnWhat?

Cg Animator

Titus (1999)

Directed by: Julie Taymor

Cinematography by: Luciano Tovoli

Edited by: Françoise Bonnot

Cameras: ARRIFLEX 35 BL Camera, ARRIFLEX 535 Camera

Lenses: Zeiss Lenses

Lost in Space | ShotOnWhat?

Computer Graphics Animator: Framestore

Lost in Space (1998)

Directed by: Stephen Hopkins

Cinematography by: Peter Levy

Edited by: Ray Lovejoy

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Man Who Knew Too Little | ShotOnWhat?

Title Sequence Lead CG Animator: Framestore

The Man Who Knew Too Little (1997)

Directed by: Jon Amiel

Cinematography by: Robert M. Stevens

Edited by: Paul Karasick, Pamela Power

Cameras: Panavision Cameras

The City of Lost Children | ShotOnWhat?

3D Modeler And Animator: BUF

The City of Lost Children (1995)

Directed by: Marc Caro, Jean-Pierre Jeunet

Cinematography by: Darius Khondji

Edited by: Hervé Schneid

©2012 - 2025 ShotOnWhat?

20254.20