Senior Matte Painter: Jellyfish Pictures
'Stranger Things' Chapter Four: Dear Billy (2022)
Directed by: Shawn Levy
Cinematography by: Brett Jutkiewicz
Edited by: Dean Zimmerman
Senior Matte Painter
'Stranger Things' Chapter Six: The Dive (2022)
Directed by: Nimród Antal
Cinematography by: Caleb Heymann
Senior Matte Painter
'Stranger Things' Chapter Seven: The Massacre at Hawkins Lab (2022)
Cinematography by: Caleb Heymann
Matte Painting Supervisor
'Into the Badlands' Chapter XI: Monkey Leaps Through Mist (2017)
Directed by: Paco Cabezas
Cinematography by: Owen McPolin
Edited by: Bridget Durnford
Lead Matte Painter
Pirates of the Caribbean: Dead Men Tell No Tales (2017)
Cinematography by: Paul Cameron
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Matte Painting Supervisor
'Into the Badlands' Chapter VII: Tiger Pushes Mountain (2017)
Directed by: Nick Copus
Cinematography by: Owen McPolin
Edited by: Bridget Durnford
Matte Painting Supervisor
'Into the Badlands' Chapter VIII: Force of Eagle's Claw (2017)
Directed by: Nick Copus
Cinematography by: Owen McPolin
Matte Painting Supervisor
'Into the Badlands' Chapter IX: Red Sun, Silver Moon (2017)
Directed by: Toa Fraser
Cinematography by: Owen McPolin
Edited by: Paul G. Day
Matte Painting Supervisor
'Into the Badlands' Chapter X: Palm of the Iron Fox (2017)
Directed by: Toa Fraser
Cinematography by: Owen McPolin
Edited by: Paul G. Day
Matte Painting Supervisor
'Into the Badlands' Chapter XII: Leopard Stalks in Snow (2017)
Directed by: Paco Cabezas
Cinematography by: Owen McPolin
Edited by: Ben Wilkinson
Matte Painting Supervisor
'Into the Badlands' Chapter XIII: Black Heart, White Mountain (2017)
Directed by: Stephen Fung
Cinematography by: Nigel Willoughby
Edited by: Erin Deck
Matte Painting Supervisor
'Into the Badlands' Chapter XIV: Sting of the Scorpion's Tail (2017)
Directed by: Stephen Fung
Cinematography by: Nigel Willoughby
Edited by: Erin Deck
Matte Painting Supervisor
'Into the Badlands' Chapter XV: Nightingale Sings No More (2017)
Directed by: Paco Cabezas
Cinematography by: Owen McPolin
Edited by: Paul G. Day
Matte Painting Supervisor
'Into the Badlands' Chapter XVI: Wolf's Breath, Dragon Fire (2017)
Directed by: Paco Cabezas
Cinematography by: Owen McPolin
Edited by: Ben Wilkinson
Senior Matte Painter / Senior Matte Painter: Jellyfish Pictures - 1 Episode, 2022
Stranger Things (2016)
Directed by: Matt Duffer, Ross Duffer, Shawn Levy, Andrew Stanton, Uta Briesewitz, Nimród Antal, Rebecca Thomas, Dan Trachtenberg
Cinematography by: Tim Ives, Caleb Heymann, Tod Campbell, Lachlan Milne, Brett Jutkiewicz, David Franco
Cameras: ARRI ALEXA LF Camera, Red Epic Dragon Camera, Red Helium (Weapon) 8K, Red Monstro 8K Camera
Lenses: Leitz Summilux-C Series Lenses
Editing System: Avid Editing System
Matte Painting Supervisor - 7 Episodes, 2017
Into the Badlands (2015)
TV Series
Directed by: Paco Cabezas, Toa Fraser, David Dobkin, Guy Ferland, Nick Copus, Stephen Fung, James Marshall, Tricia Brock, Miles Millar, Wayne Yip
Cinematography by: Owen McPolin, Shane Hurlbut, Sam McCurdy, Daniel Aranyó, Nigel Willoughby, Denis Crossan, P.J. Dillon, Jean-Philippe Gossart
Digital Environment Supervisor
The Expendables 2 (2012)
Directed by: Simon West
Cinematography by: Shelly Johnson
Edited by: Todd E. Miller
Editing System: Avid Editing System
Matte Painting And Environmental Artist: Pixomondo
Hugo (2011)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Camera
Lenses: Cooke 5/i Lenses, Cooke S4 Lenses
Senior Digital Matte Painter
Piranha 3D (2010)
Directed by: Alexandre Aja
Cinematography by: John R. Leonetti
Edited by: Baxter
Lenses: Angenieux HR Zoom Lenses, Cooke S4 Lenses, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Camera Operator, Co-producer, Director, Franco Gungori, Visual Effects Supervisor
Fists of Righteous Harmony (2008)
Digital Matte Artist
'Little Dorrit' Episode #1.9 (2008)
Directed by: Adam Smith
Cinematography by: Owen McPolin
Edited by: Philip Kloss
Digital Matte Artist
'Little Dorrit' Episode #1.14 (2008)
Directed by: Diarmuid Lawrence
Cinematography by: Alan Almond
Edited by: David Head
Matte Painter: Prime Focus / Matte Painting Supervisor: Prime Focus
28 Weeks Later (2007)
Directed by: Juan Carlos Fresnadillo
Cinematography by: Enrique Chediak
Edited by: Chris Gill
Digital Artist: The Senate Visual Effects
Stardust (2007)
Directed by: Matthew Vaughn
Cinematography by: Ben Davis
Edited by: Jon Harris
Visual Effects Artist: Senate Visual Effects
1408 (2007)
Directed by: Mikael Håfström
Cinematography by: Benoît Delhomme
Edited by: Peter Boyle
Digital Matte Painter / Matte Painting Supervisor: Prime Focus
Jaan-E-Mann: Let's Fall in Love... Again (2006)
Directed by: Shirish Kunder
Cinematography by: Sudeep Chatterjee
Edited by: Shirish Kunder
Digital Artist: The Senate VFX
The Da Vinci Code (2006)
Directed by: Ron Howard
Cinematography by: Salvatore Totino
Digital Matte Painting Lead: Digital Domain
Cinderella Man (2005)
Directed by: Ron Howard
Cinematography by: Salvatore Totino
Matte Painter
Stealth (2005)
Directed by: Rob Cohen
Cinematography by: Dean Semler
Edited by: Stephen E. Rivkin
Matte Painter: Digital Domain
Dark Water (2005)
Directed by: Walter Salles
Cinematography by: Affonso Beato
Edited by: Daniel Rezende
Digital Matte Painter: Digital Domain
I, Robot (2004)
Directed by: Alex Proyas
Cinematography by: Simon Duggan
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Cooke S4 Lenses, Zeiss Ultra Prime Lenses
Digital Matte Painter
The Day After Tomorrow (2004)
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Edited by: David Brenner
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera
Editing System: Avid Editing System
Digital Matte Painter
Around the World in 80 Days (2004)
Directed by: Frank Coraci
Cinematography by: Phil Meheux
Edited by: Tom Lewis
Cameras: Panavision Panaflex Gold II Camera
Matte Painter: Jim Henson's Creature Shop / Texture Artist: Jim Henson's Creature Shop
Lara Croft Tomb Raider: The Cradle of Life (2003)
Directed by: Jan de Bont
Cinematography by: David Tattersall
Edited by: Michael Kahn
Matte Painter: Mill Film
The Count of Monte Cristo (2002)
Directed by: Kevin Reynolds
Cinematography by: Andrew Dunn
Digital Artist: Mill Film
Black Hawk Down (2001)
Directed by: Ridley Scott
Cinematography by: Slawomir Idziak
Edited by: Pietro Scalia
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera, Moviecam Superlight Camera
Editing System: Avid Editing System
Roto/prep Artist
Lara Croft: Tomb Raider (2001)
Directed by: Simon West
Cinematography by: Peter Menzies Jr.
Roto/prep Artist
Harry Potter and the Sorcerer's Stone (2001)
Directed by: Chris Columbus
Cinematography by: John Seale
Edited by: Richard Francis-Bruce
Digital Artist: Mill Film
Gladiator (2000)
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Pietro Scalia
