Lenses » Angenieux Lenses

Angenieux 20-120mm T2.9 Zoom Lens : 1Angenieux 24-240 mm f2.6 Zoom Lens : 2Angenieux EZ Series Lenses : 3Angenieux HEC Zoom Lenses : 3Angenieux HP Zoom Lenses : 9Angenieux HR Zoom Lenses : 71Angenieux Optimo Anamorphic Lenses : 34Angenieux Optimo DP Zoom Lenses : 26Angenieux Optimo Style Lenses : 7Angenieux Optimo Zoom Lenses : 645Angenieux Retrofocus Lenses : 1

Angenieux Lenses | 860 Titles

Angenieux Lenses 4.25/5 8 Votes

Since its creation in 1935, the company has preserved its know-how and remains in the forefront of innovation, with the ability to find its customers the best professional optical solutions.

Thales Angenieux

Phone: +33 (0)4 77 90 78 30

Contact: Contact: Edith Bertrand

[edith.bertrand@fr.thalesgroup.com]

Angenieux Lenses

www.angenieux.com

http://www.angenieux.com

Thales Angenieux’s Optimo series of zooms have become the most sought after lenses all over the world.

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Master of None (2015)

Television Series | 2D | 4K Project | Color | 2.39:1 | 30 Minutes

| Cinematography by | Mark Schwartzbard | Editing by | Jennifer Lilly, Suzy Elmiger, Daniel Haworth

Starring | Aziz Ansari, Eric Wareheim, Lena Waithe, Noël Wells

Cameras | Panasonic VariCam 35

Lenses | Angenieux HR Zoom Lenses, Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Zeiss Super Speed Lenses

Sons of Anarchy (2008)

Television Series | 2D | Color | 1.78:1 (16x9) | 45 Minutes

| Cinematography by | Paul Maibaum, David Boyd, John C. Flinn III, Jonathan Freeman, Edward J. Pei | Editing by | Paul Fontaine, Lauren Pendergrass, Etienne Des Lauriers, Hunter M. Via, Jordan Goldman, Jacques Gravett, Doc Crotzer, Tamara Luciano, Sidney Wolinsky

Starring | Charlie Hunnam, Katey Sagal, Mark Boone Junior, Kim Coates

Cameras | ARRI ALEXA Camera, Panavision Genesis Camera, Sony PMW-F3 Camera

Lenses | Angenieux Optimo 45-120 mm T2.8 Lens, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses

Amores Perros (2000)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 154 Minutes

Directed by | Alejandro G. Iñárritu | Cinematography by | Rodrigo Prieto | Editing by | Luis Carballar, Alejandro G. Iñárritu, Fernando Pérez Unda

Starring | Emilio Echevarría, Gael García Bernal, Goya Toledo, Álvaro Guerrero

Cameras | Moviecam Superlight Camera

Lenses | Angenieux HR Zoom Lenses, Zeiss Super Speed Lenses

Better Call Saul (2015)

Television Series | 2D | 4K Project | Black & White, Color | 1.78:1 (16x9) | 46 Minutes

The Lord of the Rings: The Two Towers (2002)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 179 Minutes

Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Michael Horton

Starring | Elijah Wood, Ian McKellen, Viggo Mortensen, Orlando Bloom

Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 Camera, Mitchell Cameras, Moviecam Compact Camera

Lenses | Angenieux Lenses, Zeiss Ultra Prime Lenses

The Lord of the Rings: The Return of the King (2003)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 201 Minutes

Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jamie Selkirk

Starring | Elijah Wood, Viggo Mortensen, Ian McKellen, Orlando Bloom

Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 535 B Camera, Mitchell Cameras, Moviecam Superlight Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Body of Lies (2008)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 128 Minutes

Directed by | Ridley Scott | Cinematography by | Alexander Witt | Editing by | Pietro Scalia

Starring | Leonardo DiCaprio, Russell Crowe, Mark Strong, Golshifteh Farahani

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Bloodline (2015)

Television Series | 2D | 4K Project | Color | 60 Minutes

| Cinematography by | Jaime Reynoso, Darren Lew | Editing by | Josh Beal, Naomi Geraghty, Deborah Moran, Louise Innes, Lynne Willingham, Dorian Harris, Justin Krohn, Ravi Subramanian, Aaron Kuhn, Jill Paget

Starring | Kyle Chandler, Ben Mendelsohn, Linda Cardellini, Sissy Spacek

Cameras | Sony PMW-F55 Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses, Zeiss Master Prime Lenses

Unstoppable (2010)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 98 Minutes

Directed by | Tony Scott | Cinematography by | Ben Seresin | Editing by | Robert Duffy, Chris Lebenzon

Starring | Denzel Washington, Chris Pine, Rosario Dawson, Ethan Suplee

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

A Quiet Place (2018)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 90 Minutes

Directed by | John Krasinski | Cinematography by | Charlotte Bruus Christensen | Editing by | Christopher Tellefsen

Starring | Emily Blunt, John Krasinski, Millicent Simmonds, Noah Jupe

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision Primo Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses

3 Idiots (2009)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 170 Minutes

Directed by | Rajkumar Hirani | Cinematography by | C.K. Muraleedharan | Editing by | Rajkumar Hirani

Starring | Aamir Khan, Madhavan, Mona Singh, Sharman Joshi

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Zeiss Master Prime Lenses

Whiplash (2014)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 106 Minutes

Directed by | Damien Chazelle | Cinematography by | Sharone Meir | Editing by | Tom Cross

Starring | Miles Teller, J.K. Simmons, Melissa Benoist, Paul Reiser

Cameras | ARRI ALEXA Camera, Canon EOS-7D Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Leitz Summilux-C Series Lenses

A Girl Is a Gun (2017)

Television Series, Web Series | 2D | 4K Project | Color | 2.35:1 |

| Cinematography by | Tobias Deml | Editing by | Benjamin Geronimi

Starring | Hiram A. Murray, Jon Komp Shin, Maria Volk, Roy Werner

Cameras | ARRI ALEXA Mini Camera

Lenses | Angenieux Optimo Anamorphic 30-72 mm A2S T4.0 Lens, Cooke Anamorphic/i 135mm T2.3 Lens, Cooke Anamorphic/i 32mm T2.3 Lens, Cooke Anamorphic/i 50mm T2.3 Lens, Cooke Anamorphic/i 75mm T2.3 Lens

Vice (2018)

Motion Picture | 2D | Color | 2.39:1 | 132 Minutes

Directed by | Adam McKay | Cinematography by | Greig Fraser | Editing by | Hank Corwin

Starring | Christian Bale, Amy Adams, Steve Carell, Sam Rockwell

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, Bolex Cameras

Lenses | Angenieux HR Zoom Lenses, Cooke Anamorphic/i Prime Lenses

Cloud Atlas (2012)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 172 Minutes

Directed by | Tom Tykwer, Lana Wachowski, Lilly Wachowski | Cinematography by | Frank Griebe, John Toll | Editing by | Alexander Berner, Claus Wehlisch

Starring | Tom Hanks, Halle Berry, Hugh Grant, Hugo Weaving

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, Phantom HD Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Mary Poppins Returns (2018)

Motion Picture | 2D | Color | 2.39:1 | 130 Minutes

Directed by | Rob Marshall | Cinematography by | Dion Beebe | Editing by | Wyatt Smith

Starring | Emily Blunt, Lin-Manuel Miranda, Ben Whishaw, Emily Mortimer

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses | Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo V Lenses, Panavision Primo V PV21 21mm T1.9 Lens, Panavision Primo V PV27 27mm T1.9 Lens, Panavision Primo V PV50 50mm T1.9 Lens

Secuestro (2016)

Motion Picture | 2D | Color | 105 Minutes

Directed by | Mar Targarona | Cinematography by | Sergi Bartrolí | Editing by | Joan Manel Vilaseca

Starring | Blanca Portillo, Antonio Dechent, Vicente Romero, Marc Domènech

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Angenieux Optimo Style 25-250 mm T3.5 Lens, Cooke 5/i Lenses

Chronicle of an Escape (2006)

Motion Picture | 2D | Color | 103 Minutes

Directed by | Israel Adrián Caetano | Cinematography by | Julián Apezteguia | Editing by | Alberto Ponce

Starring | Rodrigo De la Serna, Pablo Echarri, Nazareno Casero, Lautaro Delgado

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Zeiss Ultra Prime Lenses

The Expendables (2010)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 103 Minutes

Directed by | Sylvester Stallone | Cinematography by | Jeffrey L. Kimball | Editing by | Ken Blackwell, Paul Harb

Starring | Sylvester Stallone, Jason Statham, Jet Li, Dolph Lundgren

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Second Act (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 103 Minutes

Directed by | Peter Segal | Cinematography by | Ueli Steiger | Editing by | Jason Gourson

Starring | Jennifer Lopez, Vanessa Hudgens, Leah Remini, Treat Williams

Cameras | ARRI ALEXA Mini Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI Ultra Wide Zoom 9.5-18mm T2.9 Lens

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