Kodak Vision 500T 5279 Neg. Film | 226 Titles
Snake Eyes (1998)
Directed by | Brian De Palma | Cinematography by | Stephen H. Burum | Editing by | Bill Pankow
Lenses | Panavision C Series Anamorphic Lenses, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens
Spider-Man 2 (2004)
Directed by | Sam Raimi | Cinematography by | Bill Pope | Editing by | Bob Murawski
Cameras | ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera
Dark City (1998)
Directed by | Alex Proyas | Cinematography by | Dariusz Wolski | Editing by | Dov Hoenig
Cameras | Panavision Panaflex Gold II Camera
Sick of Myself (2022)
Directed by | Kristoffer Borgli | Cinematography by | Benjamin Loeb | Editing by | Kristoffer Borgli
Cameras | ARRICAM Lite (LT) Camera
The Veil (2016)
Directed by | Phil Joanou | Cinematography by | Steeven Petitteville | Editing by | Paul Norling
Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Plus Camera, Bolex H16 Camera, Phantom Flex Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Anamorphic Lenses, CamTec Lenses, Cineovision Lenses, Kowa Cine Prominar Anamorphic 100mm T3.4 Lens, Kowa Cine Prominar Anamorphic 40mm T2.3 Lens, Kowa Cine Prominar Anamorphic 50mm T2.3 Lens, Kowa Cine Prominar Anamorphic 75mm T2.8 Lens
The Texas Chainsaw Massacre (2003)
Directed by | Marcus Nispel | Cinematography by | Daniel Pearl | Editing by | Glen Scantlebury
Cameras | Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Event Horizon (1997)
Directed by | Paul W.S. Anderson | Cinematography by | Adrian Biddle | Editing by | Martin Hunter
Cameras | Panavision Panaflex Platinum Camera
The Dead and the Others (2018)
Directed by | Renée Nader Messora, João Salaviza | Cinematography by | Renée Nader Messora | Editing by | Ricardo Alves Jr., Thiago Macêdo Correia, José Edgar Feldman, Renée Nader Messora, João Salaviza
Bruce Almighty (2003)
Directed by | Tom Shadyac | Cinematography by | Dean Semler | Editing by | Scott Hill
Lenses | Panavision Primo Close Focus Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses
Ocean’s Eleven (2001)
Directed by | Steven Soderbergh | Cinematography by | Steven Soderbergh | Editing by | Stephen Mirrione
Cameras | Panavision Panaflex Millennium XL Camera
Topsy-Turvy (1999)
The Thin Red Line (1998)
Directed by | Terrence Malick | Cinematography by | John Toll | Editing by | Leslie Jones, Saar Klein, Billy Weber
Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses | Panavision C100 100 mm T2.8 Lens, Panavision C40 40 mm T2.8 Lens, Panavision C50 50 mm T2.3 Lens, Panavision C75 75 mm T2.5 Lens, Panavision Primo AL100 100 mm T2.0 Lens, Panavision Primo AL40 40 mm T2.0 Lens, Panavision Primo AL50 50 mm T2.0 Lens, Panavision Primo AL75 75 mm T2.0 Lens
A Beautiful Mind (2001) 
Directed by | Ron Howard | Cinematography by | Roger Deakins | Editing by | Daniel P. Hanley, Mike Hill
Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera
Amores Perros (2000)
Directed by | Alejandro G. Iñárritu | Cinematography by | Rodrigo Prieto | Editing by | Luis Carballar, Alejandro G. Iñárritu, Fernando Pérez Unda
Cameras | Moviecam Superlight Camera
The Lord of the Rings: The Two Towers (2002)
Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Michael Horton
Lenses | Angenieux Lenses, Zeiss Ultra Prime Lenses
The Lord of the Rings: The Return of the King (2003)
Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jamie Selkirk
Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 535 B Camera, Mitchell Cameras, Moviecam Superlight Camera
Under solen (1998)
Directed by | Colin Nutley | Cinematography by | Jens Fischer | Editing by | Perry Schaffer
Cameras | Aaton 35-III Camera, Moviecam Compact Camera
Lenses | Canon Lenses, Zeiss Super Speed Lenses
The Wire (2002)
| Cinematography by | Uta Briesewitz, Russell Lee Fine, Dave Insley, Eagle Egilsson | Editing by | Kate Sanford, Thom Zimny, Geraldine Peroni, Alex Hall, John Chimples, Michael Berenbaum, Meg Reticker, Allyson C. Johnson, Deborah Moran
Cameras | Panavision Panaflex Millennium XL Camera
Lenses | Panavision Lenses
Chronicle of an Escape (2006)
Directed by | Israel Adrián Caetano | Cinematography by | Julián Apezteguia | Editing by | Alberto Ponce
Cameras | ARRICAM Lite (LT) Camera
The Fast and the Furious (2001)
Directed by | Rob Cohen | Cinematography by | Ericson Core | Editing by | Peter Honess
Lenses | Zeiss Ultra Prime Lenses
