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Kodak Vision 500T 5279 Neg. Film | 226 Titles

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The End of the Affair (1999)

Motion Picture | 2D | Black & White | 1.85:1 | 102 Minutes

Directed by | Neil Jordan | Cinematography by | Roger Pratt | Editing by | Tony Lawson

Starring | Ralph Fiennes, Julianne Moore, Stephen Rea, Heather-Jay Jones

Cameras | Panavision Cameras

Lenses | Panavision Lenses

The Perfect Storm (2000)

Motion Picture | 2D | Color | 2.39:1 | 130 Minutes

Directed by | Wolfgang Petersen | Cinematography by | John Seale | Editing by | Richard Francis-Bruce

Starring | George Clooney, Mark Wahlberg, John C. Reilly, Diane Lane

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ALZ3 270-840 mm T4.5 Lens

How the Grinch Stole Christmas (2000)

Motion Picture | 2D | Color | 1.85:1 | 104 Minutes

Directed by | Ron Howard | Cinematography by | Donald Peterman | Editing by | Daniel P. Hanley, Mike Hill

Starring | Jim Carrey, Taylor Momsen, Kelley, Jeffrey Tambor

Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision SL10 10 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL35-CF 35 mm T1.8 Lens

The Game (1997)

Motion Picture | 2D | Color | 2.39:1 | 129 Minutes

The Game | ShotOnWhat?

Directed by | David Fincher | Cinematography by | Harris Savides | Editing by | James Haygood

Starring | Michael Douglas, Deborah Kara Unger, Sean Penn, James Rebhorn

Cameras | Bolex Cameras, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision SL27 27 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL75 75 mm T1.9 Lens

Elf (2003)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 97 Minutes

Directed by | Jon Favreau | Cinematography by | Greg Gardiner | Editing by | Dan Lebental

Starring | Will Ferrell, James Caan, Bob Newhart, Zooey Deschanel

Cameras | Panavision Cameras

Lenses | Panavision SL27-M 27 mm T1.9 Lens, Panavision SL35-M 35 mm T1.9 Lens

Billy’s Hollywood Screen Kiss (1998)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 92 Minutes

Directed by | Tommy O'Haver | Cinematography by | Mark Mervis | Editing by | Jeff Betancourt

Starring | Sean Hayes, Brad Rowe, Armando Valdes-Kennedy, Mr. Dan

Cameras | Panavision Silent Reflex PSR Camera

Lenses | Panavision Auto-Panatar B50 50 mm T2.5, Panavision HS35 35 mm T1.4 Lens

Two and a Half Men (2003)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 22 Minutes

| Cinematography by | Steven V. Silver, Mark Davison, Tony Askins | Editing by | Joe Bella, Peter Chakos

Starring | Jon Cryer, Ashton Kutcher, Angus T. Jones, Conchata Ferrell

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision Lenses

102 Dalmatians (2000)

Motion Picture | 2D | Color | 1.85:1 | 100 Minutes

Directed by | Kevin Lima | Cinematography by | Adrian Biddle, Roger Pratt | Editing by | Gregory Perler

Starring | Glenn Close, Gérard Depardieu, Ioan Gruffudd, Alice Evans

The Diving Bell and the Butterfly (2007)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 112 Minutes

Directed by | Julian Schnabel | Cinematography by | Janusz Kaminski | Editing by | Juliette Welfling

Starring | Mathieu Amalric, Emmanuelle Seigner, Marie-Josée Croze, Anne Consigny

Cameras | ARRIFLEX 435 Camera

Lenses | ARRI Shift & Tilt System Lens, Zeiss Super Speed Lenses

Milk (2008)

Motion Picture | 2D | 2K Project | Black & White, Color | 1.85:1 | 128 Minutes

Directed by | Gus Van Sant | Cinematography by | Harris Savides | Editing by | Elliot Graham

Starring | Sean Penn, Josh Brolin, Emile Hirsch, Diego Luna

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Canon Scoopic 16 / 16M Camera

Lenses | Angenieux HR Zoom Lenses, Clairmont Anamorphic Lenses, Cooke S4 Lenses

Sette opere di misericordia (2011)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 100 Minutes

Directed by | Gianluca De Serio, Massimiliano De Serio | Cinematography by | Piero Basso | Editing by | Stefano Cravero

Starring | Roberto Herlitzka, Ignazio Oliva, Olimpia Melinte, Stefano Cassetti

Cameras | ARRICAM Lite (LT) Camera

Lenses | Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens

A-List (2006)

Motion Picture | 2D | Color | 1.85:1 | 98 Minutes

Directed by | Shira-Lee Shalit | Cinematography by | John Lazear | Editing by | Annette Davey, Paul Frost, Tim Goodwin

Starring | Sally Kirkland, Damon Shalit, Daphne Zuniga, JoAnna Garcia Swisher

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera, Bell & Howell Eyemo Camera, Cineflex Cameras

Lenses | Cooke Lenses

The Butterfly Effect (2004)

Motion Picture | 2D | Color | 113 Minutes

Directed by | Eric Bress, J. Mackye Gruber | Cinematography by | Matthew F. Leonetti | Editing by | Peter Amundson

Starring | Ashton Kutcher, Amy Smart, Melora Walters, Elden Henson

The Pianist (2002)

Motion Picture | 2D | Black & White, Color | 150 Minutes

Directed by | Roman Polanski | Cinematography by | Pawel Edelman | Editing by | Hervé de Luze

Starring | Adrien Brody, Thomas Kretschmann, Frank Finlay, Emilia Fox

Cameras | Moviecam Compact Camera, Moviecam Superlight Camera

Defiance (2008)

Motion Picture | 2D | 2K Project | Black & White, Color | 1.85:1 | 137 Minutes

Directed by | Edward Zwick | Cinematography by | Eduardo Serra | Editing by | Steven Rosenblum

Starring | Daniel Craig, Liev Schreiber, Jamie Bell, Alexa Davalos

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Bones (2005)

Television Series | 2D | Color | 1.78:1 (16x9) | 40 Minutes

| Cinematography by | Gordon Lonsdale, Gregory Paul Collier, Robert Reed Altman, Michael D. O'Shea, Cort Fey, Dennis Hall, Jules Labarthe, Sidney Sidell, Loren S. Yaconelli | Editing by | Kimberly Ettinger, Richard Currie, Andrea Folprecht, Bill Lynch, Thomas R. Moore, Casey O. Rohrs, J. Benjamin Chulay, C.J. Liao, Harry B. Miller III, Rick Tuber, David Post

Starring | Emily Deschanel, David Boreanaz, Michaela Conlin, T.J. Thyne

Cameras | ARRIFLEX Camera, Sony CineAlta F35 Camera

Lenses | Angenieux Optimo Zoom Lenses, Fujinon Lenses, Leitz Summilux-C Series Lenses, Zeiss Ultra Prime Lenses

Desperate Measures (1998)

Motion Picture | 2D | Color | 1.85:1 | 100 Minutes

Directed by | Barbet Schroeder | Cinematography by | Luciano Tovoli | Editing by | Lee Percy

Starring | Michael Keaton, Andy Garcia, Brian Cox, Marcia Gay Harden

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Malèna (2000)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 108 Minutes

Directed by | Giuseppe Tornatore | Cinematography by | Lajos Koltai | Editing by | Massimo Quaglia

Starring | Monica Bellucci, Giuseppe Sulfaro, Luciano Federico, Matilde Piana

Cameras | Panavision Cameras

Lenses | Panavision Primo Anamorphic Lenses

City of God (2002)

Motion Picture | 2D | Color | 1.85:1 | 130 Minutes

Directed by | Fernando Meirelles, Kátia Lund | Cinematography by | César Charlone | Editing by | Daniel Rezende

Starring | Alexandre Rodrigues, Leandro Firmino, Matheus Nachtergaele, Phellipe Haagensen

Cameras | Aaton 35-III Camera, Aaton A-Minima Camera, Aaton XTR Prod Camera

Lenses | Angenieux HR Zoom Lenses, Zeiss Super Speed Lenses

The Banger Sisters (2002)

Motion Picture | 2D | Color | 2.39:1 | 98 Minutes

The Banger Sisters | ShotOnWhat?

Directed by | Bob Dolman | Cinematography by | Karl Walter Lindenlaub | Editing by | Aram Nigoghossian

Starring | Susan Sarandon, Goldie Hawn, Geoffrey Rush, Erika Christensen

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex-X Camera

Lenses | Panavision E Series Anamorphic Lenses

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