Kodak Vision 500T 5279 Neg. Film | 226 Titles
Morvern Callar (2002)
Directed by | Lynne Ramsay | Cinematography by | Alwin H. Küchler | Editing by | Lucia Zucchetti
Cameras | Moviecam Compact Camera
Star Trek: Insurrection (1998)
Directed by | Jonathan Frakes | Cinematography by | Matthew F. Leonetti | Editing by | Peter E. Berger
Cameras | Panavision Cameras
Anna and the King (1999)
Directed by | Andy Tennant | Cinematography by | Caleb Deschanel | Editing by | Roger Bondelli
Cameras | Panavision Cameras
The Million Dollar Hotel (2000)
Directed by | Wim Wenders | Cinematography by | Phedon Papamichael | Editing by | Tatiana S. Riegel
Cameras | Panavision Cameras
21 Grams (2003)
Directed by | Alejandro G. Iñárritu | Cinematography by | Rodrigo Prieto | Editing by | Stephen Mirrione
Cameras | Moviecam Superlight Camera
Lenses | Zeiss Ultra Prime Lenses
Con Air (1997)
Directed by | Simon West | Cinematography by | David Tattersall | Editing by | Chris Lebenzon, Steve Mirkovich, Glen Scantlebury
Cameras | ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses | Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Enigma (2001)
Directed by | Michael Apted | Cinematography by | Seamus McGarvey | Editing by | Rick Shaine
Cameras | Panavision Panaflex Camera
Lenses | Panavision Primo Anamorphic Lenses
Hidalgo (2004)
Blow (2001)
Directed by | Ted Demme | Cinematography by | Ellen Kuras | Editing by | Kevin Tent
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Rush Hour 2 (2001)
Directed by | Brett Ratner | Cinematography by | Matthew F. Leonetti | Editing by | Mark Helfrich, Robert K. Lambert
Cameras | Panavision Panaflex Millennium Camera
Seabiscuit (2003)
Directed by | Gary Ross | Cinematography by | John Schwartzman | Editing by | William Goldenberg
Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Platinum Camera, Panavision Panastar II Camera
The Lost World: Jurassic Park (1997)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Cameras | Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera, Panavision Panastar II Camera
Where the Truth Lies (2005)
Directed by | Atom Egoyan | Cinematography by | Paul Sarossy | Editing by | Susan Shipton
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
A.I. Artificial Intelligence (2001)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Cameras | Panavision Cameras
Lenses | ARRI / Zeiss Lenses
Lung joi gong woo (1998)
Directed by | Jing Wong | Cinematography by | Siu-Keung Cheng | Editing by | Marco Mak
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
Lenses | Angenieux Lenses, Cooke Lenses
Bless the Child (2000)
Directed by | Chuck Russell | Cinematography by | Peter Menzies Jr. | Editing by | Alan Heim
Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras
Narc (2002)
Directed by | Joe Carnahan | Cinematography by | Alex Nepomniaschy | Editing by | John Gilroy
Lenses | Zeiss Super Speed Lenses
Artworks (2003)
Directed by | Jim Amatulli | Cinematography by | Jeff Barklage | Editing by | Howard Heard
Cameras | ARRIFLEX 35 III Camera, Moviecam Compact Camera
Lenses | Cooke Lenses
A Soldier’s Daughter Never Cries (1998)
Directed by | James Ivory | Cinematography by | Jean-Marc Fabre | Editing by | Noëlle Boisson
Cameras | Panavision Panaflex Platinum Camera
Ali (2001)
Directed by | Michael Mann | Cinematography by | Emmanuel Lubezki | Editing by | William Goldenberg, Lynzee Klingman, Stephen E. Rivkin, Stuart Waks
Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Sony HDW-F900 Camera
