Eastman Kodak Neg. Films | 1424 Titles
Straw Dogs (2011)
Directed by | Rod Lurie | Cinematography by | Alik Sakharov | Editing by | Sarah Boyd
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
61* (2001)
Directed by | Billy Crystal | Cinematography by | Haskell Wexler | Editing by | Michael Jablow
Cameras | ARRIFLEX 435 ES Camera
The General’s Daughter (1999)
Directed by | Simon West | Cinematography by | Peter Menzies Jr. | Editing by | Glen Scantlebury
Cameras | Pan-Arri III Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Harry Potter and the Half-Blood Prince (2009)
Directed by | David Yates | Cinematography by | Bruno Delbonnel | Editing by | Mark Day
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Death Valley Superstar (2008)
Directed by | Michael Yaroshevsky | Cinematography by | Glauco Bermudez, Michael Yaroshevsky | Editing by | Michael Yaroshevsky
Cameras | ARRIFLEX 35 BL Camera
Man on Fire (2004)
Directed by | Tony Scott | Cinematography by | Paul Cameron | Editing by | Christian Wagner
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Gainsbourg: A Heroic Life (2010)
Directed by | Joann Sfar | Cinematography by | Guillaume Schiffman | Editing by | Maryline Monthieux
Austin Powers: The Spy Who Shagged Me (1999)
Directed by | Jay Roach | Cinematography by | Ueli Steiger | Editing by | Debra Neil-Fisher, Jon Poll
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Friday Night (2002)
Directed by | Claire Denis | Cinematography by | Agnès Godard | Editing by | Nelly Quettier
Cameras | Aaton 35-III Camera, Aaton A-Minima Camera
Lost (2004)
| Cinematography by | John S. Bartley, Michael Bonvillain, Cort Fey, Larry Fong, Stephen St. John, Edward J. Pei | Editing by | Stephen Semel, Mark Goldman, Christopher Nelson, Mary Jo Markey, Sarah Boyd, Henk Van Eeghen, David Eisenberg, Lance Stubblefield, Robert Florio, Sue Blainey, Jo Francis, Martin Nicholson, Chris Braun
Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Country Strong (2010)
Directed by | Shana Feste | Cinematography by | John Bailey | Editing by | Carol Littleton, Conor O'Neill
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
All the Real Girls (2003)
Directed by | David Gordon Green | Cinematography by | Tim Orr | Editing by | Zene Baker, Steven Gonzales
Pineapple Express (2008)
Directed by | David Gordon Green | Cinematography by | Tim Orr | Editing by | Craig Alpert
Lenses | Panavision Primo Anamorphic Lenses
Lawless (2012)
Directed by | John Hillcoat | Cinematography by | Benoît Delhomme | Editing by | Dylan Tichenor
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses
Identity (2003)
Vicky Cristina Barcelona (2008)
Directed by | Woody Allen | Cinematography by | Javier Aguirresarobe | Editing by | Alisa Lepselter
Cameras | ARRICAM Lite (LT) Camera
Lenses | Zeiss Master Prime Lenses
The Twilight Samurai (2002)
Directed by | Yôji Yamada | Cinematography by | Mutsuo Naganuma | Editing by | Iwao Ishii
Cameras | ARRIFLEX Camera
Wild Wild West (1999)
Directed by | Barry Sonnenfeld | Cinematography by | Michael Ballhaus | Editing by | Jim Miller
Lenses | Zeiss Variable Prime VP1 16-30 mm T2.2 Lens, Zeiss Variable Prime VP2 29-60 mm T2.2 Lens, Zeiss Variable Prime VP3 55-150 mm T2.2 Lens
8 Mile (2002)
Directed by | Curtis Hanson | Cinematography by | Rodrigo Prieto | Editing by | Craig Kitson, Jay Rabinowitz
Lenses | Zeiss Ultra Prime Lenses
Boys Don’t Cry (1999)
Directed by | Kimberly Peirce | Cinematography by | Jim Denault | Editing by | Tracy Granger, Lee Percy
Cameras | Panavision Cameras
Lenses | Panavision Lenses