Film Negative Stock » Eastman Kodak Neg. Films

Eastman 400T 5295 Neg. Film : 17Eastman Color Negative 100T 5254/7254 Film : 30Eastman Color Negative 125T 5247 Film : 32Eastman Color Negative 250T 5293/7293 Film : 19Eastman Color Negative 400T 5294 Film : 23Eastman Color Negative 50T 5251 Neg. Film : 12Eastman Color Negative II 100T 5247/7247 F... : 24Eastman Double-X 5222/7222 Neg. Film : 44Eastman Ektachrome (Daylight) 160D 5239/72... : 8Eastman Ektachrome (Tungsten) 7240 Neg. Fi... : 4Eastman Ektachrome 25T 7252 Neg. Film : 2Eastman Ektachrome High Speed (Daylight) 7... : 3Eastman Ektachrome High Speed (Tungsten) 7... : 1Eastman EXR Neg. Film : 261Eastman High Speed 250D 5297/7297 Neg. Fil... : 18Eastman Plus-X 7276 Neg. Film : 4Eastman Plus-X 80D/64T 5231/7231 Neg. Film : 9Eastman Super-XX 1232 Neg. Film : 2Eastman Tri-X 7278 Neg. Film : 2Kodachrome 25 (Daylight) 7267 Neg. Film : 1Kodachrome Professional 5267 Neg. Film : 1Kodak 500T 5230/7230 Neg. Film : 6Kodak Ektachrome 100D 5285/7285 Neg. Film : 18Kodak SFX 200T SO-214 Neg. Film : 17Kodak Tri-X 7266 Neg. Film : 1Kodak Vision 2 Film Neg. Film : 402Kodak Vision 200T 5274 Neg. Film : 98Kodak Vision 250D 5246/7246 Neg. Film : 96Kodak Vision 3 Film Neg. Film : 398Kodak Vision 320T 5277/7277 Neg. Film : 55Kodak Vision 500T 5263/7263 Neg. Film : 3Kodak Vision 500T 5279 Neg. Film : 226Kodak Vision 800T 5289/7289 Neg. Film : 31Kodak Vision Expression 500T 5284/7284 Neg... : 10Kodak Vision Film : 7

Eastman Kodak Neg. Films | 1495 Titles

Eastman Kodak Neg. Films 4.00/5 2 Votes

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The Karate Kid (2010)

Motion Picture | 2D | Color | 2.35:1 | 140 Minutes

The Karate Kid | ShotOnWhat?

Directed by | Harald Zwart | Cinematography by | Roger Pratt | Editing by | Joel Negron

Starring | Jackie Chan, Jaden Smith, Taraji P. Henson, Wenwen Han

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera

Lenses | Cooke S4 Lenses

Something’s Gotta Give (2003)

Motion Picture | 2D | Color | 1.85:1 | 128 Minutes

Directed by | Nancy Meyers | Cinematography by | Michael Ballhaus | Editing by | Joe Hutshing

Starring | Jack Nicholson, Diane Keaton, Keanu Reeves, Amanda Peet

Cameras | ARRICAM Studio (ST) Camera

Lenses | Angenieux Lenses, Zeiss Lenses

Flags of Our Fathers (2006)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 135 Minutes

Directed by | Clint Eastwood | Cinematography by | Tom Stern | Editing by | Joel Cox

Starring | Ryan Phillippe, Barry Pepper, Joseph Cross, Jesse Bradford

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera, Sony HVR-Z1U Camera

Lenses | Panavision C Series Anamorphic Lenses

The Mummy (1999)

Motion Picture | 2D | Color | 2.39:1 | 124 Minutes

Directed by | Stephen Sommers | Cinematography by | Adrian Biddle | Editing by | Bob Ducsay

Starring | Brendan Fraser, Rachel Weisz, John Hannah, Arnold Vosloo

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Atonement (2007)

Motion Picture | 2D | HD Project | Color | 1.85:1 | 123 Minutes

Directed by | Joe Wright | Cinematography by | Seamus McGarvey | Editing by | Paul Tothill

Starring | Keira Knightley, James McAvoy, Brenda Blethyn, Saoirse Ronan

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision Hylén System Lens, Panavision Primo Primes Spherical Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

Barbershop (2002)

Motion Picture | 2D | Color | 1.85:1 | 102 Minutes

Directed by | Tim Story | Cinematography by | Tom Priestley Jr. | Editing by | John Carter

Starring | Ice Cube, Cedric The Entertainer, Eve, Anthony Anderson

Cameras | Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Time Machine (2002)

Motion Picture | 2D | Color | 2.39:1 | 96 Minutes

Directed by | Simon Wells | Cinematography by | Donald McAlpine | Editing by | Wayne Wahrman

Starring | Guy Pearce, Yancey Arias, Mark Addy, Phyllida Law

Cameras | Panavision Panaflex Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Felicia’s Journey (1999)

Motion Picture | 2D | Color | 2.39:1 | 116 Minutes

Directed by | Atom Egoyan | Cinematography by | Paul Sarossy | Editing by | Susan Shipton

Starring | Bob Hoskins, Arsinée Khanjian, Elaine Cassidy, Sheila Reid

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Sonatine (1993)

Motion Picture | 2D | Color | 1.85:1 | 94 Minutes

Directed by | Takeshi Kitano | Cinematography by | Katsumi Yanagijima | Editing by | Takeshi Kitano

Starring | Takeshi Kitano, Aya Kokumai, Tetsu Watanabe, Masanobu Katsumura

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Camera

Lenses | Panavision Primo Primes Spherical Lenses

Life Is Beautiful (1997)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 116 Minutes

Directed by | Roberto Benigni | Cinematography by | Tonino Delli Colli | Editing by | Simona Paggi

Starring | Roberto Benigni, Nicoletta Braschi, Giorgio Cantarini, Giustino Durano

Cameras | Panavision Cameras

Lenses | Panavision Lenses

What Lies Beneath (2000)

Motion Picture | 2D | Color | 2.39:1 | 130 Minutes

Directed by | Robert Zemeckis | Cinematography by | Don Burgess | Editing by | Arthur Schmidt

Starring | Harrison Ford, Michelle Pfeiffer, Katharine Towne, Miranda Otto

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses

The Black Dahlia (2006)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 121 Minutes

Directed by | Brian De Palma | Cinematography by | Vilmos Zsigmond | Editing by | Bill Pankow

Starring | Josh Hartnett, Aaron Eckhart, Scarlett Johansson, Hilary Swank

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Ultra Prime Lenses

Grand Canyon (1991)

Motion Picture | 2D | Color | 2.39:1 | 134 Minutes

Directed by | Lawrence Kasdan | Cinematography by | Owen Roizman | Editing by | Carol Littleton

Starring | Danny Glover, Kevin Kline, Steve Martin, Mary McDonnell

Cameras | Panavision Panaflex Gold Camera

Lenses | Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Seuls Two (2008)

Motion Picture | 2D | Color | 2.39:1 | 94 Minutes

Directed by | Ramzy Bedia, Eric Judor | Cinematography by | Philippe Piffeteau | Editing by | Sébastien de Sainte Croix, Jean-Christophe Hym

Starring | Ramzy Bedia, Eric Judor, Hafid F. Benamar, Élodie Bouchez

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Man to Man (2005)

Motion Picture | 2D | Color | 1.85:1 | 122 Minutes

Directed by | Régis Wargnier | Cinematography by | Laurent Dailland | Editing by | Yann Malcor

Starring | Joseph Fiennes, Kristin Scott Thomas, Iain Glen, Hugh Bonneville

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

State of Play (2009)

Motion Picture | 2D | Color | 2.35:1 | 127 Minutes

State of Play | ShotOnWhat?

Directed by | Kevin Macdonald | Cinematography by | Rodrigo Prieto | Editing by | Justine Wright

Starring | Russell Crowe, Rachel McAdams, Ben Affleck, Helen Mirren

Cameras | Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Sex and the City 2 (2010)

Motion Picture | 2D | Color | 1.85:1 | 146 Minutes

Sex and the City 2 | ShotOnWhat?

Directed by | Michael Patrick King | Cinematography by | John Thomas | Editing by | Michael Berenbaum

Starring | Sarah Jessica Parker, Kim Cattrall, Kristin Davis, Cynthia Nixon

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Twelve Monkeys (1995)

Motion Picture | 2D | Color | 129 Minutes

Directed by | Terry Gilliam | Cinematography by | Roger Pratt | Editing by | Mick Audsley

Starring | Bruce Willis, Madeleine Stowe, Brad Pitt, Joseph Melito

Cameras | Moviecam Cameras

Lenses | Cooke Lenses

Charlie’s Angels: Full Throttle (2003)

Motion Picture | 2D | Color | 106 Minutes

Directed by | McG | Cinematography by | Russell Carpenter | Editing by | Wayne Wahrman

Starring | Drew Barrymore, Lucy Liu, Cameron Diaz, Bernie Mac

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium Camera

Lenses | Panavision Primo Anamorphic Lenses

Desire Street (2011)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 82 Minutes

Directed by | Roberto F. Canuto, Xiaoxi Xu | Cinematography by | Roberto F. Canuto, Xiaoxi Xu | Editing by | Roberto F. Canuto, Xiaoxi Xu

Starring | Alejandra Walker, Ellen Clifford, Javier Lopez, Alexandra Smothers

Cameras | ARRIFLEX 16mm Cameras

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