Film Negative Stock » Eastman Kodak Neg. Films

Eastman 400T 5295 Neg. Film : 17Eastman Color Negative 100T 5254/7254 Film : 30Eastman Color Negative 125T 5247 Film : 32Eastman Color Negative 250T 5293/7293 Film : 19Eastman Color Negative 400T 5294 Film : 23Eastman Color Negative 50T 5251 Neg. Film : 12Eastman Color Negative II 100T 5247/7247 F... : 24Eastman Double-X 5222/7222 Neg. Film : 44Eastman Ektachrome (Daylight) 160D 5239/72... : 8Eastman Ektachrome (Tungsten) 7240 Neg. Fi... : 4Eastman Ektachrome 25T 7252 Neg. Film : 2Eastman Ektachrome High Speed (Daylight) 7... : 3Eastman Ektachrome High Speed (Tungsten) 7... : 1Eastman EXR Neg. Film : 261Eastman High Speed 250D 5297/7297 Neg. Fil... : 18Eastman Plus-X 7276 Neg. Film : 4Eastman Plus-X 80D/64T 5231/7231 Neg. Film : 9Eastman Super-XX 1232 Neg. Film : 2Eastman Tri-X 7278 Neg. Film : 2Kodachrome 25 (Daylight) 7267 Neg. Film : 1Kodachrome Professional 5267 Neg. Film : 1Kodak 500T 5230/7230 Neg. Film : 6Kodak Ektachrome 100D 5285/7285 Neg. Film : 18Kodak SFX 200T SO-214 Neg. Film : 17Kodak Tri-X 7266 Neg. Film : 1Kodak Vision 2 Film Neg. Film : 402Kodak Vision 200T 5274 Neg. Film : 98Kodak Vision 250D 5246/7246 Neg. Film : 96Kodak Vision 3 Film Neg. Film : 398Kodak Vision 320T 5277/7277 Neg. Film : 55Kodak Vision 500T 5263/7263 Neg. Film : 3Kodak Vision 500T 5279 Neg. Film : 226Kodak Vision 800T 5289/7289 Neg. Film : 31Kodak Vision Expression 500T 5284/7284 Neg... : 10Kodak Vision Film : 7

Eastman Kodak Neg. Films | 1495 Titles

Eastman Kodak Neg. Films 4.00/5 2 Votes

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The Squid and the Whale (2005)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 81 Minutes

Directed by | Noah Baumbach | Cinematography by | Robert D. Yeoman | Editing by | Tim Streeto

Starring | Owen Kline, Jeff Daniels, Laura Linney

Cameras | ARRIFLEX 16SR3 Camera

Lenses | Zeiss Super Speed Lenses

Emma (1996)

Motion Picture | 2D | Color | 1.85:1 | 120 Minutes

Directed by | Douglas McGrath | Cinematography by | Ian Wilson | Editing by | Lesley Walker

Starring | Gwyneth Paltrow, James Cosmo, Greta Scacchi, Alan Cumming

Cameras | Moviecam Compact Camera

Spider-Man (2002)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 121 Minutes

Directed by | Sam Raimi | Cinematography by | Don Burgess | Editing by | Arthur Coburn, Bob Murawski

Starring | Tobey Maguire, Kirsten Dunst, Willem Dafoe, James Franco

Cameras | Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Dead (1987)

Motion Picture | 2D | Color | 1.85:1 | 83 Minutes

Directed by | John Huston | Cinematography by | Fred Murphy | Editing by | Roberto Silvi

Starring | Anjelica Huston, Donal McCann, Helena Carroll

Cameras | Moviecam SuperAmerica Camera

Lenses | Zeiss Lenses

Snake Eyes (1998)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 98 Minutes

Directed by | Brian De Palma | Cinematography by | Stephen H. Burum | Editing by | Bill Pankow

Starring | Nicolas Cage, Gary Sinise, John Heard

Cameras | Moviecam Compact Camera, Panavision Panaflex Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens

Apollo 13 (1995)

Motion Picture | 2D | 4K Project | Color | 1.66:1, 1.78:1 (16x9), 2.39:1 | 140 Minutes

Directed by | Ron Howard | Cinematography by | Dean Cundey | Editing by | Daniel P. Hanley, Mike Hill

Starring | Tom Hanks, Bill Paxton, Kevin Bacon

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses | Panavision Primo Primes Spherical Lenses

Spider-Man 2 (2004)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 127 Minutes

Directed by | Sam Raimi | Cinematography by | Bill Pope | Editing by | Bob Murawski

Starring | Tobey Maguire, Kirsten Dunst, Alfred Molina, James Franco

Cameras | ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera

Lenses | Panavision Hylén System Lens, Panavision Primo Anamorphic Lenses

Ghost (1990)

Motion Picture | 2D | Color | 1.85:1 | 127 Minutes

Directed by | Jerry Zucker | Cinematography by | Adam Greenberg | Editing by | Walter Murch

Starring | Patrick Swayze, Demi Moore, Whoopi Goldberg

Cameras | ARRI ARRIFLEX Series Cameras

Euphoria (2019)

Television Series | 2D | 4K Project | Color | 55 Minutes

| Cinematography by | Marcell Rév, Drew Daniels, Adam Newport-Berra, André Chemetoff, Rina Yang | Editing by | Julio C. Perez IV, Laura Zempel, Nikola Boyanov, Aaron I. Butler, Harry Yoon, Darrin Navarro

Starring | Zendaya, Hunter Schafer, Jacob Elordi

Cameras | ARRI ALEXA 65 Camera, ARRICAM Lite (LT) Camera

Manila in the Claws of Light (1975)

Motion Picture | 2D | Film Project | Black & White, Color | 1.33:1 (4x3), 1.85:1 | 125 Minutes

Directed by | Lino Brocka | Cinematography by | Mike De Leon, Clodualdo Del Mundo Jr. | Editing by | Ike Jarlego Jr., Edgardo Jarlego

Starring | Hilda Koronel, Bembol Roco, Lou Salvador Jr.

Cameras | ARRIFLEX 35 IIB Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Angenieux HR Zoom Lenses, Angenieux Lenses, ARRI Lenses

Mission: Impossible – Ghost Protocol (2011)

Motion Picture | 2D | Color | 1.44:1, 2.35:1 | 132 Minutes

Mission: Impossible – Ghost Protocol | ShotOnWhat?

Directed by | Brad Bird | Cinematography by | Robert Elswit | Editing by | Paul Hirsch

Starring | Tom Cruise, Jeremy Renner, Simon Pegg, Paula Patton

Cameras | ARRIFLEX 435 Xtreme Camera, IMAX MSM 9802 Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Escape: World Safari III (1988)

Documentary | 2D | Film Project | Color | 1.33:1 (4x3) | 109 Minutes

Directed by | Alby Mangels | Editing by | Rod Hay, Tim Jordan

Starring | Alby Mangels, Michelle Els, Lucinda Dunn

Cameras | ARRIFLEX 16SR2 Camera

Mission: Impossible III (2006)

Motion Picture | 2D | Color | 2.39:1 | 126 Minutes

Directed by | J.J. Abrams | Cinematography by | Dan Mindel | Editing by | Maryann Brandon, Nick Gibbs, Mary Jo Markey

Starring | Tom Cruise, Michelle Monaghan, Ving Rhames, Philip Seymour Hoffman

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Zoom Lenses

Mission: Impossible (1996)

Motion Picture | 2D | Color | 2.39:1 | 110 Minutes

Directed by | Brian De Palma | Cinematography by | Stephen H. Burum | Editing by | Paul Hirsch

Starring | Tom Cruise, Jon Voight, Emmanuelle Béart, Henry Czerny

Cameras | Panavision Panaflex Camera, Wescam Cameras

Dark City (1998)

Motion Picture | 2D | Film Project | Color | 100 Minutes

Directed by | Alex Proyas | Cinematography by | Dariusz Wolski | Editing by | Dov Hoenig

Starring | Rufus Sewell, Kiefer Sutherland, Jennifer Connelly, William Hurt

Cameras | Panavision Panaflex Gold II Camera

Mission: Impossible – Rogue Nation (2015)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 131 Minutes

Directed by | Christopher McQuarrie | Cinematography by | Robert Elswit | Editing by | Eddie Hamilton

Starring | Tom Cruise, Rebecca Ferguson, Jeremy Renner

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Fujinon Premier Lenses, Panavision B Series Anamorphic Lenses

Sick of Myself (2022)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 97 Minutes

Directed by | Kristoffer Borgli | Cinematography by | Benjamin Loeb | Editing by | Kristoffer Borgli

Starring | Kristine Kujath Thorp, Eirik Sæther, Fanny Vaager

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Lenses, Angenieux Optimo Zoom Lenses, Cooke Lenses

The Veil (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 93 Minutes

Directed by | Phil Joanou | Cinematography by | Steeven Petitteville | Editing by | Paul Norling

Starring | Jessica Alba, Thomas Jane, Lily Rabe

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Plus Camera, Bolex H16 Camera, Phantom Flex Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Anamorphic Lenses, CamTec Lenses, Cineovision Lenses, Kowa Cine Prominar Anamorphic 100mm T3.4 Lens, Kowa Cine Prominar Anamorphic 40mm T2.3 Lens, Kowa Cine Prominar Anamorphic 50mm T2.3 Lens, Kowa Cine Prominar Anamorphic 75mm T2.8 Lens

Beginning (2020)

Motion Picture | 2D | 4K Project | Color | 1.33:1 (4x3) | 130 Minutes

Directed by | Dea Kulumbegashvili | Cinematography by | Arseni Khachaturan | Editing by | Matthieu Taponier

Starring | Ia Sukhitashvili, Rati Oneli, Kakha Kintsurashvili

Cameras | ARRICAM Studio (ST) Camera, ARRIFLEX 435 Xtreme Camera

Lenses | Cooke 5/i Prime 25mm T1.4 Lens

Phantom Thread (2017)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 130 Minutes

Directed by | Paul Thomas Anderson | Cinematography by | Paul Thomas Anderson | Editing by | Dylan Tichenor

Starring | Vicky Krieps, Daniel Day-Lewis, Lesley Manville

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Ultra Speed MKII Lenses, Zeiss Jena Lens, Zeiss Supreme Prime 65mm T1.5 Lens

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