Eastman EXR 50D 5245/7245 Neg. Film | 84 Titles
True Lies (1994)
Directed by | James Cameron | Cinematography by | Russell Carpenter | Editing by | Conrad Buff IV, Mark Goldblatt, Richard A. Harris, James Cameron
Lenses | Cooke Varotal Lenses, Zeiss Super Speed Lenses
GoldenEye (1995)
Directed by | Martin Campbell | Cinematography by | Phil Meheux | Editing by | Terry Rawlings
Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 35 IIIC Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses | Cooke Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
The World Is Not Enough (1999)
Star Wars: Episode I – The Phantom Menace (1999)
Directed by | George Lucas | Cinematography by | David Tattersall | Editing by | Ben Burtt, Paul Martin Smith
Lenses | Hawk C-Series Lenses
Vartul (Circle) (2009)
Directed by | Santosh Ram | Cinematography by | Anand Mansukh, Pravin Mokal | Editing by | Vinod Gama Borate
Cameras | ARRIFLEX 435 Camera
The Bourne Identity (2002)
Directed by | Doug Liman | Cinematography by | Oliver Wood | Editing by | Saar Klein
Lenses | Panavision Primo Anamorphic Lenses
Home Alone 2: Lost in New York (1992)
Directed by | Chris Columbus | Cinematography by | Julio Macat | Editing by | Raja Gosnell
Cameras | Panavision Panaflex Platinum Camera
Pulp Fiction (1994)
Directed by | Quentin Tarantino | Cinematography by | Andrzej Sekula | Editing by | Sally Menke
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses
Starship Troopers (1997)
Directed by | Paul Verhoeven | Cinematography by | Jost Vacano | Editing by | Mark Goldblatt, Caroline Ross
Lenses | Zeiss Lenses
The Texas Chainsaw Massacre (2003)
Directed by | Marcus Nispel | Cinematography by | Daniel Pearl | Editing by | Glen Scantlebury
Cameras | Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Terminator 2: Judgment Day (1991)
Directed by | James Cameron | Cinematography by | Adam Greenberg | Editing by | Conrad Buff IV, Dody Dorn, Mark Goldblatt, Richard A. Harris
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera
Lenses | Cooke Varotal Lenses, Zeiss Super Speed Lenses
Pirates of the Caribbean: At World’s End (2007)
Directed by | Gore Verbinski | Cinematography by | Dariusz Wolski | Editing by | Stephen E. Rivkin, Craig Wood
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses | Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Born on the Fourth of July (1989)
Directed by | Oliver Stone | Cinematography by | Robert Richardson | Editing by | David Brenner, Joe Hutshing
Cameras | Panavision Cameras, Panavision Panaflex Camera
Lenses | Panavision Lenses
Jeepers Creepers (2001)
Directed by | Victor Salva | Cinematography by | Don E. FauntLeRoy | Editing by | Ed Marx
Cameras | Panavision Panaflex Millennium Camera
The Lord of the Rings: The Two Towers (2002)
Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Michael Horton
Lenses | Angenieux Lenses, Zeiss Ultra Prime Lenses
The Lord of the Rings: The Return of the King (2003) 
Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jamie Selkirk
Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 535 B Camera, Mitchell Cameras, Moviecam Superlight Camera
Lolita (1997)
Directed by | Adrian Lyne | Cinematography by | Howard Atherton | Editing by | David Brenner, Julie Monroe
Cameras | Panavision Panaflex Series Cameras
Lenses | Panavision Lenses
The Fast and the Furious (2001)
Directed by | Rob Cohen | Cinematography by | Ericson Core | Editing by | Peter Honess
Lenses | Zeiss Ultra Prime Lenses
Pitch Black (2000)
Directed by | David Twohy | Cinematography by | David Eggby | Editing by | Rick Shaine
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Jurassic Park (1993)
