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Eastman EXR 50D 5245/7245 Neg. Film | 84 Titles

Eastman EXR 50D 5245/7245 Neg. Film 2.54/5 41 Votes

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A Far Off Place (1993)

Motion Picture | 2D | Color | 2.39:1 | 108 Minutes

Directed by | Mikael Salomon | Cinematography by | Juan Ruiz Anchía | Editing by | Ray Lovejoy

Starring | Reese Witherspoon, Ethan Embry, Jack Thompson, Sarel Bok

Cameras | Panavision Panaflex Camera

Lenses | Panavision Primo Anamorphic Lenses

The Mask of Zorro (1998)

Motion Picture | 2D | Color | 2.39:1 | 136 Minutes

Directed by | Martin Campbell | Cinematography by | Phil Meheux | Editing by | Thom Noble

Starring | Antonio Banderas, Anthony Hopkins, Catherine Zeta-Jones, José María de Tavira

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera, Moviecam Compact Camera

Lenses | Cooke Lenses

A Slipping-Down Life (1999)

Motion Picture | 2D | Color | 1.85:1 | 109 Minutes

Directed by | Toni Kalem | Cinematography by | Michael F. Barrow | Editing by | Hughes Winborne

Starring | Lili Taylor, Guy Pearce, Irma P. Hall, Tom Bower

Cameras | Aaton 35-III Camera, ARRIFLEX 535 Camera

Ridicule (1996)

Motion Picture | 2D | Color | 2.39:1 | 102 Minutes

Directed by | Patrice Leconte | Cinematography by | Thierry Arbogast | Editing by | Joëlle Hache

Starring | Charles Berling, Jean Rochefort, Fanny Ardant, Judith Godrèche

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Gangs of New York (2002)

Motion Picture | 2D | Color | 2.39:1 | 167 Minutes

Directed by | Martin Scorsese | Cinematography by | Michael Ballhaus | Editing by | Thelma Schoonmaker

Starring | Leonardo DiCaprio, Cameron Diaz, Daniel Day-Lewis, Jim Broadbent

Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, ARRIFLEX 535 Camera

Lenses | Angenieux Lenses, Cooke Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses

About Schmidt (2002)

Motion Picture | 2D | Color | 1.85:1 | 125 Minutes

Directed by | Alexander Payne | Cinematography by | James Glennon | Editing by | Kevin Tent

Starring | Jack Nicholson, Hope Davis, Dermot Mulroney, Kathy Bates

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision Primo Primes Spherical Lenses

Assassins (1995)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 132 Minutes

Directed by | Richard Donner | Cinematography by | Vilmos Zsigmond | Editing by | Lawrence Jordan, Richard Marks

Starring | Sylvester Stallone, Antonio Banderas, Julianne Moore, Anatoli Davydov

Cameras | Panavision Panaflex Gold II Camera, Panavision Panastar Camera

Lenses | Panavision Primo Primes Spherical Lenses

Cast Away (2000)

Motion Picture | 2D | Color | 1.85:1 | 143 Minutes

Directed by | Robert Zemeckis | Cinematography by | Don Burgess | Editing by | Arthur Schmidt

Starring | Tom Hanks, Helen Hunt, Paul Sanchez, Lari White

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Classic Spherical Lenses

Solar Crisis (1990)

Motion Picture | 2D | Color | 2.39:1 | 112 Minutes

Directed by | Richard C. Sarafian, Alan Smithee | Cinematography by | Russell Carpenter | Editing by | Richard Trevor

Starring | Tim Matheson, Charlton Heston, Peter Boyle, Annabel Schofield

Cameras | Panavision Panaflex Platinum Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses

DragonHeart (1996)

Motion Picture | Color | 2.39:1 | 103 Minutes

Directed by | Rob Cohen | Cinematography by | David Eggby | Editing by | Peter Amundson

Starring | Dennis Quaid, Sean Connery, Dina Meyer, Pete Postlethwaite

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses | Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Evita (1996)

Motion Picture | 2D | Color | 2.35:1 | 135 Minutes

Directed by | Alan Parker | Cinematography by | Darius Khondji | Editing by | Gerry Hambling

Starring | Madonna, Jonathan Pryce, Antonio Banderas, Jimmy Nail

Cameras | Moviecam Compact Camera

Lenses | Cooke Xtal Express Lenses

Abominable (2006)

Motion Picture | 2D | Color | 1.85:1 | 94 Minutes

Directed by | Ryan Schifrin | Cinematography by | Neal Fredericks | Editing by | Chris Conlee

Starring | Matt McCoy, Haley Joel, Christien Tinsley, Karin Anna Cheung

Cameras | ARRIFLEX 35 III Camera, Moviecam Compact Camera

All the Pretty Horses (2000)

Motion Picture | 2D | Color | 2.39:1 | 116 Minutes

All the Pretty Horses | ShotOnWhat?

Directed by | Billy Bob Thornton | Cinematography by | Barry Markowitz | Editing by | Sally Menke

Starring | Matt Damon, Penélope Cruz, Henry Thomas, Angelina Torres

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Crazy People (1990)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Directed by | Tony Bill, Barry L. Young | Cinematography by | Victor J. Kemper | Editing by | Mia Goldman

Starring | Dudley Moore, Daryl Hannah, Paul Reiser, J.T. Walsh

Cameras | ARRI ARRIFLEX Series Cameras, Panavision Panaflex Gold Camera

Lenses | Panavision Ultra Speed MKII Lenses

Far and Away (1992)

Motion Picture | 2D | Color | 2.20:1, 2.39:1 | 140 Minutes

Directed by | Ron Howard | Cinematography by | Mikael Salomon | Editing by | Daniel P. Hanley, Mike Hill

Starring | Tom Cruise, Nicole Kidman, Thomas Gibson, Robert Prosky

Cameras | ARRIFLEX 765 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Panavision 65mm Prime Lenses, Zeiss Lenses

Black Hawk Down (2001)

Motion Picture | 2D | Color | 2.39:1 | 144 Minutes

Directed by | Ridley Scott | Cinematography by | Slawomir Idziak | Editing by | Pietro Scalia

Starring | Josh Hartnett, Ewan McGregor, Tom Sizemore, Eric Bana

Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses | Angenieux HR Zoom Lenses, Zeiss Ultra Prime Lenses

Titanic (1997)

Motion Picture | 2D, 3D | 4K Project, Film Project | Color | 1.78:1 (16x9), 2.39:1 | 194 Minutes

Directed by | James Cameron | Cinematography by | Russell Carpenter | Editing by | Conrad Buff IV, James Cameron, Richard A. Harris

Starring | Leonardo DiCaprio, Kate Winslet, Billy Zane, Kathy Bates

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Chorus (2004)

Motion Picture | 2D | Color | 2.39:1 | 97 Minutes

Directed by | Christophe Barratier | Cinematography by | Jean-Jacques Bouhon, Dominique Gentil, Carlo Varini | Editing by | Yves Deschamps

Starring | Gérard Jugnot, François Berléand, Jean-Baptiste Maunier, Kad Merad

Lenses | Hawk Anamorphic Lenses

Se7en (1995)

Motion Picture | 2D | Color | 2.39:1 | 127 Minutes

Directed by | David Fincher | Cinematography by | Darius Khondji | Editing by | Richard Francis-Bruce

Starring | Morgan Freeman, Brad Pitt, Kevin Spacey, Andrew Kevin Walker

Cameras | Aaton 35-III Camera, Panavision Panaflex Gold Camera

Lenses | Panavision Primo Primes Spherical Lenses

Fly Away Home (1996)

Motion Picture | 2D | Color | 1.85:1 | 107 Minutes

Directed by | Carroll Ballard | Cinematography by | Caleb Deschanel | Editing by | Nicholas C. Smith

Starring | Jeff Daniels, Anna Paquin, Dana Delany, Terry Kinney

Cameras | Panavision Cameras

Lenses | Panavision Lenses

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