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Eastman EXR 50D 5245/7245 Neg. Film | 80 Titles

Eastman EXR 50D 5245/7245 Neg. Film 2.06/5 31 Votes

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Les chevaliers du ciel (2005)

Motion Picture | 2D | Color | 2.39:1 | 102 Minutes

Directed by | Gérard Pirès | Cinematography by | Pascal Lebègue | Editing by | Véronique Lange

Starring | Benoît Magimel, Clovis Cornillac, Géraldine Pailhas, Alice Taglioni

Lenses | Angenieux Optimo Zoom Lenses

Whale Rider (2002)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Directed by | Niki Caro | Cinematography by | Leon Narbey | Editing by | David Coulson

Starring | Keisha Castle-Hughes, Rawiri Paratene, Vicky Haughton, Cliff Curtis

Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera

Lenses | Angenieux HR Zoom Lenses, Zeiss Ultra Prime Lenses

City of God (2002)

Motion Picture | 2D | Color | 1.85:1 | 130 Minutes

Directed by | Fernando Meirelles, Kátia Lund | Cinematography by | César Charlone | Editing by | Daniel Rezende

Starring | Alexandre Rodrigues, Leandro Firmino, Matheus Nachtergaele, Phellipe Haagensen

Cameras | Aaton 35-III Camera, Aaton A-Minima Camera, Aaton XTR Prod Camera

Lenses | Angenieux HR Zoom Lenses, Zeiss Super Speed Lenses

I, Robot (2004)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 115 Minutes

Directed by | Alex Proyas | Cinematography by | Simon Duggan | Editing by | William Hoy, Richard Learoyd, Armen Minasian

Starring | Will Smith, Bridget Moynahan, Bruce Greenwood, Alan Tudyk

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera

Lenses | Cooke S4 Lenses, Zeiss Ultra Prime Lenses

Himalaya (1999)

Motion Picture | 2D | Color | 2.39:1 | 108 Minutes

Directed by | Eric Valli, Michel Debats | Cinematography by | Éric Guichard, Jean-Paul Meurisse | Editing by | Marie-Josèphe Yoyotte

Starring | Thilen Lhondup, Gurgon Kyap, Lhakpa Tsamchoe, Karma Wangel

Cameras | Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Pirates of the Caribbean: Dead Man’s Chest (2006)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 151 Minutes

Directed by | Gore Verbinski | Cinematography by | Dariusz Wolski | Editing by | Stephen E. Rivkin, Craig Wood

Starring | Johnny Depp, Orlando Bloom, Keira Knightley, Jack Davenport

Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Manda Bala (Send a Bullet) (2007)

Motion Picture | 2D | Color | 85 Minutes

Manda Bala (Send a Bullet) | ShotOnWhat?

Directed by | Jason Kohn | Cinematography by | Heloísa Passos | Editing by | Doug Abel, Jenny Golden, Andy Grieve

Cameras | ARRIFLEX 16SR3 Camera

Lenses | Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses, Zeiss Ultra Prime Lenses

Laughing Dead (1998)

Motion Picture | 2D | Color | 1.85:1 | 85 Minutes

Laughing Dead | ShotOnWhat?

Directed by | Patrick Gleason | Cinematography by | Neal Fredericks, Tom Jensen | Editing by | Robert McFalls

Starring | Fern Finer, Patrick Gleason, Nancy Rhee, Rico Cymone

Cameras | Aaton XTR Prod Camera

The Four Feathers (2002)

Motion Picture | 2D | Color | 2.35:1 | 132 Minutes

The Four Feathers | ShotOnWhat?

Directed by | Shekhar Kapur | Cinematography by | Robert Richardson | Editing by | Steven Rosenblum

Starring | Heath Ledger, Wes Bentley, Kate Hudson, Mohamed Bouich

Cameras | Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses | Panavision E Series Anamorphic Lenses

Pan Tadeusz (1999)

Motion Picture | 2D | Color | 2.35:1 | 147 Minutes

Pan Tadeusz | ShotOnWhat?

Directed by | Andrzej Wajda | Cinematography by | Pawel Edelman | Editing by | Wanda Zeman

Starring | Boguslaw Linda, Daniel Olbrychski, Grazyna Szapolowska, Andrzej Seweryn

Cameras | ARRIFLEX 435 Camera, Moviecam Compact Camera

Lenses | Hawk C-Series Lenses

Con Air (1997)

Motion Picture | 2D | Color | 2.39:1 | 115 Minutes

Directed by | Simon West | Cinematography by | David Tattersall | Editing by | Chris Lebenzon, Steve Mirkovich, Glen Scantlebury

Starring | Nicolas Cage, John Cusack, John Malkovich, Colm Meaney

Cameras | ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses | Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Star Wars: Episode I – The Phantom Menace (1999)

Motion Picture | 2D, 3D | Color | 1.90:1, 2.35:1 | 136 Minutes

Directed by | George Lucas | Cinematography by | David Tattersall | Editing by | Ben Burtt, Paul Martin Smith

Starring | Ewan McGregor, Liam Neeson, Natalie Portman, Jake Lloyd

Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera, Sony HDC-750 Camera

Lenses | Hawk C-Series Lenses

The Green Mile (1999)

Motion Picture | 2D | Color | 1.85:1 | 189 Minutes

Directed by | Frank Darabont | Cinematography by | David Tattersall | Editing by | Richard Francis-Bruce

Starring | Tom Hanks, Michael Clarke Duncan, David Morse, Bonnie Hunt

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Frazier Lenses, Panavision Primo Classic Spherical Lenses

Dances with Wolves (1990)

Motion Picture | 2D | Film Project | Color | 181 Minutes

Directed by | Kevin Costner | Cinematography by | Dean Semler | Editing by | William Hoy, Chip Masamitsu, Steve Potter, Neil Travis

Starring | Kevin Costner, Mary McDonnell, Graham Greene, Rodney A. Grant

Cameras | Panavision Cameras

Lenses | Panavision Lenses

A Far Off Place (1993)

Motion Picture | 2D | Color | 2.39:1 | 108 Minutes

Directed by | Mikael Salomon | Cinematography by | Juan Ruiz Anchía | Editing by | Ray Lovejoy

Starring | Reese Witherspoon, Ethan Embry, Jack Thompson, Sarel Bok

Cameras | Panavision Panaflex Camera

Lenses | Panavision Primo Anamorphic Lenses

The Mask of Zorro (1998)

Motion Picture | 2D | Color | 2.39:1 | 136 Minutes

Directed by | Martin Campbell | Cinematography by | Phil Meheux | Editing by | Thom Noble

Starring | Antonio Banderas, Anthony Hopkins, Catherine Zeta-Jones, José María de Tavira

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera, Moviecam Compact Camera

Lenses | Cooke Lenses

A Slipping-Down Life (1999)

Motion Picture | 2D | Color | 1.85:1 | 109 Minutes

Directed by | Toni Kalem | Cinematography by | Michael F. Barrow | Editing by | Hughes Winborne

Starring | Lili Taylor, Guy Pearce, Irma P. Hall, Tom Bower

Cameras | Aaton 35-III Camera, ARRIFLEX 535 Camera

Ridicule (1996)

Motion Picture | 2D | Color | 2.39:1 | 102 Minutes

Directed by | Patrice Leconte | Cinematography by | Thierry Arbogast | Editing by | Joëlle Hache

Starring | Charles Berling, Jean Rochefort, Fanny Ardant, Judith Godrèche

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Gangs of New York (2002)

Motion Picture | 2D | Color | 2.39:1 | 167 Minutes

Directed by | Martin Scorsese | Cinematography by | Michael Ballhaus | Editing by | Thelma Schoonmaker

Starring | Leonardo DiCaprio, Cameron Diaz, Daniel Day-Lewis, Jim Broadbent

Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, ARRIFLEX 535 Camera

Lenses | Angenieux Lenses, Cooke Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses

About Schmidt (2002)

Motion Picture | 2D | Color | 1.85:1 | 125 Minutes

Directed by | Alexander Payne | Cinematography by | James Glennon | Editing by | Kevin Tent

Starring | Jack Nicholson, Hope Davis, Dermot Mulroney, Kathy Bates

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision Primo Primes Spherical Lenses

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