Film Print Anamorphic | 715 Titles
King Kong (2005)
Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jamie Selkirk
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, Mitchell Cameras
Night at the Museum: Battle of the Smithsonian (2009)
Directed by | Shawn Levy | Cinematography by | John Schwartzman | Editing by | Dean Zimmerman, Don Zimmerman
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Red One Camera
Lenses | Panavision Primo Anamorphic Lenses
Black Hawk Down (2001)
Directed by | Ridley Scott | Cinematography by | Slawomir Idziak | Editing by | Pietro Scalia
Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera, Moviecam Superlight Camera
The Crazies (2010)
Directed by | Breck Eisner | Cinematography by | Maxime Alexandre | Editing by | Billy Fox
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses | Zeiss Master Prime Lenses
G-Force (2009)
Directed by | Hoyt Yeatman | Cinematography by | Bojan Bazelli | Editing by | Mark Goldblatt, Jason Hellmann
Hall Pass (2011)
Directed by | Bobby Farrelly, Peter Farrelly | Cinematography by | Matthew F. Leonetti | Editing by | Sam Seig
36th Precinct (2004)
Air Force One (1997)
Directed by | Wolfgang Petersen | Cinematography by | Michael Ballhaus | Editing by | Richard Francis-Bruce
Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses | Zeiss Variable Prime Lenses
Flypaper (2011)
Directed by | Rob Minkoff | Cinematography by | Steven Poster | Editing by | Tom Finan
Cameras | Canon EOS-7D Camera, Red One Camera
The Strangers (2008)
Directed by | Bryan Bertino | Cinematography by | Peter Sova | Editing by | Kevin Greutert
Cameras | Panavision Cameras
Crazy, Stupid, Love. (2011)
Directed by | Glenn Ficarra, John Requa | Cinematography by | Andrew Dunn | Editing by | Lee Haxall
Cameras | Panavision Panaflex Platinum Camera
10,000 BC (2008)
Directed by | Roland Emmerich | Cinematography by | Ueli Steiger | Editing by | Alexander Berner
Cameras | ARRI Cameras, Moviecam Cameras
Lenses | Angenieux Lenses, Zeiss Lenses
Titanic (1997) 
Directed by | James Cameron | Cinematography by | Russell Carpenter | Editing by | Conrad Buff IV, James Cameron, Richard A. Harris
Ghosts of Girlfriends Past (2009)
Directed by | Mark Waters | Cinematography by | Daryn Okada | Editing by | Bruce Green
Lenses | Panavision Primo Anamorphic Lenses
Poseidon (2006)
Directed by | Wolfgang Petersen | Cinematography by | John Seale | Editing by | Peter Honess
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera
Jin ling shi san chai (2011)
Directed by | Yimou Zhang | Cinematography by | Xiaoding Zhao | Editing by | Peicong Meng
Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens
The Eagle (2011)
Directed by | Kevin Macdonald | Cinematography by | Anthony Dod Mantle | Editing by | Justine Wright
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
One for the Money (2012)
Directed by | Julie Anne Robinson | Cinematography by | Jim Whitaker | Editing by | Lisa Zeno Churgin
180º (2010)
Directed by | Fernando Kalife | Cinematography by | Eduardo Flores Torres | Editing by | Joel T. Pashby, Hughes Winborne
Cameras | ARRICAM Lite (LT) Camera
Big Mommas: Like Father, Like Son (2011)
Directed by | John Whitesell | Cinematography by | Anthony B. Richmond | Editing by | Priscilla Nedd-Friendly
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
