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Film Print Anamorphic | 715 Titles

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Cop Out (2010)

Motion Picture | 2D | Color | 2.35:1 | 107 Minutes

Cop Out | ShotOnWhat?

Directed by | Kevin Smith | Cinematography by | David Klein | Editing by | Kevin Smith

Starring | Bruce Willis, Tracy Morgan, Juan Carlos Hernández, Cory Fernandez

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Anacondas: The Hunt for the Blood Orchid (2004)

Motion Picture | 2D | Color | 2.39:1 | 97 Minutes

Directed by | Dwight H. Little | Cinematography by | Stephen F. Windon | Editing by | Marcus D'Arcy, Mark Warner

Starring | Morris Chestnut, KaDee Strickland, Eugene Byrd, Johnny Messner

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Zeiss Ultra Prime Lenses

The Young Victoria (2009)

Motion Picture | 2D | Color | 2.39:1 | 105 Minutes

Directed by | Jean-Marc Vallée | Cinematography by | Hagen Bogdanski | Editing by | Jill Bilcock, Matt Garner

Starring | Emily Blunt, Rupert Friend, Paul Bettany, Miranda Richardson

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Zeiss Ultra Prime Lenses

The Spiderwick Chronicles (2008)

Motion Picture | 2D | Color | 2.35:1 | 96 Minutes

The Spiderwick Chronicles | ShotOnWhat?

Directed by | Mark Waters | Cinematography by | Caleb Deschanel | Editing by | Michael Kahn

Starring | Freddie Highmore, Sarah Bolger, David Strathairn, Mary-Louise Parker

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Man on a Ledge (2012)

Motion Picture | 2D | Color | 2.35:1 | 102 Minutes

Man on a Ledge | ShotOnWhat?

Directed by | Asger Leth | Cinematography by | Paul Cameron | Editing by | Kevin Stitt

Starring | Sam Worthington, Elizabeth Banks, Jamie Bell, Mandy Gonzalez

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

Bedtime Stories (2008)

Motion Picture | 2D | Color | 2.35:1 | 99 Minutes

Bedtime Stories | ShotOnWhat?

Directed by | Adam Shankman | Cinematography by | Michael Barrett | Editing by | Tom Costain, Michael Tronick

Starring | Adam Sandler, Keri Russell, Courteney Cox, Guy Pearce

Cameras | Panavision Genesis Camera, Panavision Panaflex Camera

Lenses | Panavision Primo Anamorphic Lenses

Law Abiding Citizen (2009)

Motion Picture | 2D | Color | 2.35:1 | 109 Minutes

Law Abiding Citizen | ShotOnWhat?

Directed by | F. Gary Gray | Cinematography by | Jonathan Sela | Editing by | Tariq Anwar

Starring | Gerard Butler, Jamie Foxx, Leslie Bibb, Colm Meaney

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses | Cooke S4 Lenses

Nim’s Island (2008)

Motion Picture | 2D | Color | 2.35:1 | 96 Minutes

Nim’s Island | ShotOnWhat?

Directed by | Jennifer Flackett, Mark Levin | Cinematography by | Stuart Dryburgh | Editing by | Stuart Levy

Starring | Jodie Foster, Gerard Butler, Abigail Breslin, Michael Carman

Cameras | Panavision Cameras

Zookeeper (2011)

Motion Picture | 2D | Color | 2.35:1 | 102 Minutes

Zookeeper | ShotOnWhat?

Directed by | Frank Coraci | Cinematography by | Michael Barrett | Editing by | Scott Hill

Starring | Kevin James, Rosario Dawson, Leslie Bibb, Ken Jeong

Cameras | Panavision Genesis Camera

Lenses | Panavision Primo Anamorphic Lenses

Revolutionary Road (2008)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 119 Minutes

Directed by | Sam Mendes | Cinematography by | Roger Deakins | Editing by | Tariq Anwar

Starring | Leonardo DiCaprio, Kate Winslet, Christopher Fitzgerald, Jonathan Roumie

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Lenses | Zeiss Master Prime Lenses

Master and Commander: The Far Side of the World (2003)

Motion Picture | 2D | Color | 2.39:1 | 138 Minutes

Directed by | Peter Weir | Cinematography by | Russell Boyd | Editing by | Lee Smith

Starring | Russell Crowe, Paul Bettany, Billy Boyd, James D'Arcy

Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Get Low (2009)

Motion Picture | 2D | Color | 2.39:1 | 103 Minutes

Get Low | ShotOnWhat?

Directed by | Aaron Schneider | Cinematography by | David Boyd | Editing by | Aaron Schneider

Starring | Robert Duvall, Bill Murray, Sissy Spacek, Lucas Black

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision C Series Anamorphic Lenses

In Bruges (2008)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 107 Minutes

Directed by | Martin McDonagh | Cinematography by | Eigil Bryld | Editing by | Jon Gregory

Starring | Colin Farrell, Brendan Gleeson, Ciarán Hinds, Elizabeth Berrington

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Finding Neverland (2004)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 106 Minutes

Directed by | Marc Forster | Cinematography by | Roberto Schaefer | Editing by | Matt Chesse

Starring | Johnny Depp, Kate Winslet, Julie Christie, Radha Mitchell

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Cooke S4 Lenses

Devil (2010)

Motion Picture | 2D | Color | 2.35:1 | 80 Minutes

Devil | ShotOnWhat?

Directed by | John Erick Dowdle | Cinematography by | Tak Fujimoto | Editing by | Elliot Greenberg

Starring | Chris Messina, Caroline Dhavernas, Bokeem Woodbine, Logan Marshall-Green

Cameras | Panavision Cameras

Casino (1995)

Motion Picture | 2D | Color | 178 Minutes

Directed by | Martin Scorsese | Cinematography by | Robert Richardson | Editing by | Thelma Schoonmaker

Starring | Robert De Niro, Sharon Stone, Joe Pesci, James Woods

Cameras | Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Jumper (2008)

Motion Picture | 2D | Color | 2.35:1 | 88 Minutes

Jumper | ShotOnWhat?

Directed by | Doug Liman | Cinematography by | Barry Peterson | Editing by | Saar Klein, Dean Zimmerman, Don Zimmerman

Starring | Hayden Christensen, Samuel L. Jackson, Jamie Bell, Rachel Bilson

Cameras | Panavision Cameras, Red One Camera

The Hunger Games (2012)

Motion Picture | 2D | Color | 2.39:1 | 142 Minutes

Directed by | Gary Ross | Cinematography by | Tom Stern | Editing by | Christopher S. Capp, Stephen Mirrione, Juliette Welfling

Starring | Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Stanley Tucci

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | Angenieux Optimo Zoom Lenses, Canon Lenses, Zeiss Ultra Prime Lenses

The Aviator (2004)

Motion Picture | 2D | 2K Project | Black & White, Color | 2.39:1 | 170 Minutes

Directed by | Martin Scorsese | Cinematography by | Robert Richardson | Editing by | Thelma Schoonmaker

Starring | Leonardo DiCaprio, Cate Blanchett, Kate Beckinsale, John C. Reilly

Cameras | Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses | Panavision Primo Primes Spherical Lenses

Rust and Bone (2012)

Motion Picture | 2D | Color | 2.39:1 | 120 Minutes

Directed by | Jacques Audiard | Cinematography by | Stéphane Fontaine | Editing by | Juliette Welfling

Starring | Marion Cotillard, Matthias Schoenaerts, Armand Verdure, Céline Sallette

Cameras | Red Epic Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

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